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Prayer and poetry in the Dead Sea Scrolls and related literature : essays on prayer and poetry in the Dead Sea scrolls and related literature in honor of Eileen Schuller on the occasion of her 65th...
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The last major volume of articles devoted to the topic of prayer and poetry in the Dead Sea Scrolls comprised a collection of articles presented at a conference in the year 2000 ( Liturgical Perspectives: Prayer and Poetry in Light of the Dead Sea Scrolls ). This collection reflects the state of research in the field broadly and on specific prayers and poetic texts found among the Dead Sea Scrolls; it also offers new insights into topics on which Eileen Schuller has written extensively.
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1 online resource (xxiii, 482 pages) :
Includes bibliographical references and index. :
9789004215016 :
0169-9962 ; :
Available to subscribing member institutions only.
Brill's companion to the study of Greek comedy /
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The present volume sets forth the main resources for the advancing student of Ancient Greek Comedy. An international roster of specialists contributes chapters organized into three sections: \'Contexts\': the intellectual, physical and socio-historical setting of Athenian Comedy; \'History\': the literary history of the Old, Middle and New periods; and \'Elements\': the text, language and formal components of the genre (including a comprehensive bibliography). This Companion is designed as a resource for understanding and interpreting the classics of Athenian Comedy from its inception through Menander. It will also be useful for navigating the principal corpora of texts, fragments and scholia that have been revised and augmented in recent years.This unique volume occupies the middle ground between short surveys and highly specialized scholarship. Contributors include: W. Geoffrey Arnott, Angus Bowie, Eric Csapo, Gregory W. Dobrov, J. Richard Green, Stanley Ireland, Heinz-Günther Nesselrath, S. Douglas Olson, Alan H. Sommerstein, Ian Storey, Ralph M. Rosen, Andreas Willi, Bernhard Zimmermann.
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1 online resource (xv, 579 pages) : illustrations. :
Includes bibliographical references and index. :
9789004188846 :
Available to subscribing member institutions only.
The land of Israel in Bible, history, and theology : studies in honour of Ed Noort /
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This book deals with many aspects of the land of Israel. In the first part, the emphasis is on descriptions of the land in Joshua and other books of the Hebrew anf Greek Bible. In the second part, the focus shifts to the land in history and theology: reception-history of biblical texts dealing with the land, archaeology of Palestine, and theological-hermeneutical implications of taking the land traditions of the Bible seriously. The result is a rich collection of articles on one of the main themes of the Old Testament; a theme that has a fascinating, although not always unproblematic reception history.
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1 online resource. :
"A bibliography of Ed Noort": pages [431]-440.
Includes bibliographical references and index. :
9789047428602 :
Available to subscribing member institutions only.
Alone before the God: Gender, Status, and Nefertiti’s Image /
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Two architectural elements from Akhenaten’s early buildings at Karnak temple, a gateway and a set of pillars, are decorated with scenes of Nefertiti worshipping the Aten alone with only her daughters in attendance. Assumed to be examples of Nefertiti acting independently in the Aten cult, these monuments are sometimes hailed as precursors to the Sunshade of Re/sun temple structures so popular at Tell el-Amarna, most of which are associated with Akhenaten’s female family members. In this article these monuments are studied in the context of scenes reconstructed from Kom el-Nana, a Sunshade of Re at Tell el-Amarna, and other examples of women shown as the sole ritualist before a deity. It is proposed that images of Nefertiti acting alone are an indication of her lower status in the early part of Akhenaten’s reign, and that her status was elevated after the erection of the gateway and pillars. Nefertiti did not yet have enough status to act along side Akhenaten before year 6, and the gateway and pillars from Karnak cannot be considered precursors of Sunshade of Re temples, or as evidence for her independence in the Aten cult. In conclusion it is suggested that conversations about ancient women in religious hierarchies should be shifted from discussions about agency and power to discussions about importance, as a means to avoid the anachronistic application of western feminist thought to ancient evidence.
Laylī and Majnūn : Love, Madness and Mystic Longing in Niẓāmī's Epic Romance /
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This book is the first comprehensive analysis of Nezāmī's romance Laylī and Majnūn (1188). It examines key themes such as chastity, constancy and suffering through an analysis of the main characters. Majnūn's asceticism, kingship, love-madness, poetic genius, ill-fate, and love-death are treated in separate chapters. The patriarchal society in which Laylī lives, her anxieties and dilemmas, incarceration, secret love, imposed marriage and finally her death are discussed in detail. One chapter is devoted entirely to the different ways parents raise their children and the consequences. Finally, the book gives an analysis of Nezāmī's style, the narrative structure of the romance and the symbolism of time and setting.
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1 online resource. :
Includes bibliographical references and index. :
9789004492431
9789004129429
Bharatanatyam Evolves : From Temple to Theatre and Back Again /
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Bharatanatyam is currently one of the most popular Indian classical dance styles, performed throughout India and the world. It originated in southern India, where it was taught by males and performed by female Devadasis, both of whom belonged to the same caste. Traditionally, the dance was associated with Hindu temples and courts and was performed in a variety of sacred and secular settings. Since the early twentieth century, both practitioners of and venues for the dance have expanded. It is now taught and performed globally by people from all castes and nationalities, including teachers and dancers of all genders and religions. Most performances are now public events presented on the concert stage. Anne-Marie Gaston traces the development of Bharatanatyam from its religious and secular roots. She gives details of the teachers who were most influential in the transmission of the dance from traditional to modern practitioners and discusses the role of different interpretations (banis). By describing traditional and modern performances and choreography, she traces changes in the repertoire and presentation that have taken place during the post-revival era. Trends in performances at the MMA, considered the most important venue for Bharatanatyam, are described. Comments from the author's in-depth studies of Bharatanatyam, as both performer and academic, give a historical perspective to the current manifestation of the dance. Her observations are drawn especially from recitals at the Madras Winter Festivals, 2011-15. The volume is profusely illustrated with the author's own photographs.
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1 online resource (180 pages) : illustrations. :
Includes bibliographical references and index. :
9789004754010