middle art » middle age (Expand Search), middle a (Expand Search), _middle east (Expand Search)
Visualizing Egypt : European travel, Book publishing, and the Commercialization of the Middle East in the Nineteenth century /
:
"Bonaparte's short-lived 1798 campaign in Egypt, new possibilities of travel, and improvements in printing technology in nineteenth-century France and Britain, a new publishing business dedicated to the production of albums and travel accounts picturing Muslim Egypt and Islamic architecture emerged to cater to a growing European fascination. Visualizing Egypt is about these nineteenth-century French and British illustrated publications filled with images brought from travel to Egypt and then published and promulgated to the Western audience. It analyzes the context and process of production of these books, from their conceptualization to the finished product and its afterlife, from marketing to the sales of these books, and from circulation to their reception by the nineteenth-century audience. By following the long, arduous, and often risky publishing journeys of the makers of these books, from publishers to writers, and artists, such as the Frenchman Émile Prisse d'Avennes, Paulina Banas reveals changing market demands, collaborations, conflicting views, and the unsettled authorship of these works prompting us to think more profoundly about the artistic and intellectual exchange in the world of 19th-century Orientalist book production. By bringing together interests in travel writing, illustration, commerce, the free enterprise of publishing, and technology more broadly, Visualizing Egypt regards nineteenth-century book illustrations on Egypt and the "Orient" not merely as expressions of enduring ideology and colonial propaganda, but as representations shaped by the often-overlooked commercial exigencies of the growing publishing industry and the reckless competition among them."--
:
369 pages, 16 unnumbered pages of plates : illustrations (some color) ; 24 cm. :
Includes bibliographical references and index. :
9781617976674
After orientalism : critical perspectives on western agency and eastern re-appropriations /
:
The debate on Orientalism began some fifty years ago in the wake of decolonization. While initially considered a turning point, Edward Said's Orientalism (1978) was in fact part of a larger academic endeavor - the political critique of "colonial science" - that had already significantly impacted the humanities and social sciences. In a recent attempt to broaden the debate, the papers collected in this volume, offered at various seminars and an international symposium held in Paris in 2010-2011, critically examine whether Orientalism, as knowledge and as creative expression, was in fact fundamentally subservient to Western domination. By raising new issues, the papers shift the focus from the center to the peripheries, thus analyzing the impact on local societies of a major intellectual and institutional movement that necessarily changed not only their world, but the ways in which they represented their world. World history, which assumes a plurality of perspectives, leads us to observe that the Saidian critique applies to powers other than Western European ones - three case studies are considered here: the Ottoman, Russian (and Soviet), and Chinese empires. Other essays in this volume proceed to analyze how post-independence states have made use of the tremendous accumulation of knowledge and representations inherited from previous colonial regimes for the sake of national identity, as well as how scholars change and adapt what was once a hegemonic discourse for their own purposes. What emerges is a new landscape in which to situate research on non-Western cultures and societies, and a road-map leading readers beyond the restrictive dichotomy of a confrontation between West and East. With contributions by: Elisabeth Allès; Léon Buskens; Stéphane A. Dudoignon; Baudouin Dupret; Edhem Eldem; Olivier Herrenschmidt; Nicholas S. Hopkins; Robert Irwin; Mouldi Lahmar; Sylvette Larzul; Jean-Gabriel Leturcq; Jessica Marglin; Claire Nicholas; Emmanuelle Perrin; Alain de Pommereau; François Pouillon; Zakaria Rhani; Emmanuel Szurek; Jean-Claude Vatin; Mercedes Volait
:
Original French title: Après l'orientalisme : l'Orient créé par l'Orient.
Includes index. :
1 online resource (xiii, 289 pages) :
Includes bibliographical references and index. :
9789004282537 :
Available to subscribing member institutions only.
Subversive strategies in contemporary Chinese art
:
What is art and what is its role in a China that is changing at a dizzying speed? These questions lie at the heart of Chinese contemporary art. Subversive Strategies paves the way for the rebirth of a Chinese aesthetics adequate to the art whose sheer energy and imaginative power is subverting the ideas through which western and Chinese critics think about art. The first collection of essays by American and Chinese philosophers and art historians, Subversive Strategies begins by showing how the art reflects current crises and is working them out through bodies gendered and political. The essays raise the question of Chinese identity in a global world and note a blurring of the boundary between art and everyday life.
:
1 online resource. :
Includes bibliographical references and index. :
9789004201477 :
Available to subscribing member institutions only.
A History of the Arab Component in Ibero-American Architecture /
:
This book examines five centuries of Ibero-American architectural history through the lens of its Arabic architectural component. It seeks to illuminate an integral part of Ibero-American culture-one that is frequently ignored and undervalued as merely an exotic influence. Fernando Martínez Nespral's A History of the Arab Component in Ibero-American Architecture stands as a landmark contribution to our understanding of the region's architectural heritage, inviting us to see the world through new eyes and to embrace the rich tapestry of cultures that have shaped our shared landscape. It is a book that will resonate with scholars and enthusiasts alike, inspiring us to explore the hidden corners of history and celebrate the diversity that lies at the heart of Ibero-America's architectural identity. Fernando Luiz Lara , Professor of Architectural History and Theory at the Weitzman School of Design, University of Pennsylvania.
:
1 online resource (230 pages) : illustrations. :
Includes bibliographical references and index. :
9789004756557
Persian pottery in the first global age : the sixteenth and seventeenth centuries /
:
Persian Pottery in the First Global Age: the Sixteenth and Seventeeth Centuries studies the ceramic industry of Iran in the Safavid period (1501-1732) and the impact which the influx of Chinese blue-and-white porcelain, heightened by the activities of the English and Dutch East Indies Companies after c. 1700, had on local production. The multidisciplinary approach of the authors (Lisa Golombek, Robert B. Mason, Patricia Proctor, Eileen Reilly) leads to a reconstruction of the narrative about Safavid pottery and revises commonly accepted notions. The book includes easily accessible reference charts to assist in dating and provenancing Safavid pottery on the basis of diagnostic motifs, potters' marks, petrofabrics, shapes, and Chinese models.
:
1 online resource. :
Includes bibliographical references and index. :
9789004260924 :
2213-3844 ;
Envisioning islamic art and architecture : essays in honor of Renata Holod /
:
Envisioning Islamic Art and Architecture: Essays in Honor of Renata Holod is a collection of studies on the portable arts, arts of the book, painting, photography, and architecture spanning the medieval and modern periods and across the historical Islamic lands. The essays reflect the wide-ranging interests and diverse methodologies of Renata Holod and attend to the physical, material, and aesthetic properties of their objects, offer nuanced explanations of complex relations between objects and historical contexts, and remain critically aware of the shape of the field of Islamic art and architecture, its canonical objects, approaches, and historiographies. Essential reading for scholars working on Islam and the Islamic world in the disciplines of history of art and architecture, history, literature, and anthropology. With contributions by María Judith Feliciano, Christiane Gruber, Leslee Katrina Michelsen, Nancy Micklewright, Stephennie Mulder, Johanna Olafsdotter, Yael Rice, Cynthia Robinson, David J. Roxburgh, D. Fairchild Ruggles, Alison Mackenzie Shah, and Pushkar Sohoni.
:
1 online resource (xxx, 311 pages) : illustrations (some color) :
Includes bibliographical references (p. 279-296) and index. :
9789004280281 :
2213-3844 ; :
Available to subscribing member institutions only.
A social history of late Ottoman women : new perspectives /
:
In A Social History of the Late Ottoman Women: New Perspectives , Duygu Köksal and Anastasia Falierou bring together new research on women of different geographies and communities of the late Ottoman Empire. Making use of archives, literary works, diaries, newspapers, almanacs, art works or cartoons, the contributors focus particularly on the ways in which women gained power and exercised agency in late Ottoman Empire and early Republican Turkey. The articles convincingly show that women's agency cannot be unearthed without narrating how women were involved in shaping their own and others' lives even in the most unexpected areas of their existence. The women's activities described here do not simply reflect modernizing trends or westernizing attitudes-or their defensive denial. They provide an array of local responses where 'the local' can never be found (and should never be conceptualized) in its initial, unchanged, or authentic state.
:
1 online resource (xiv, 348 pages) : illustrations. :
Includes bibliographical references and index. :
9789004255258 :
Available to subscribing member institutions only.
Mapping South-South Connections during the Decolonization Process and Cold War (1810-1990) : The Islamicate and Ibero-American Worlds /
:
Mapping South-South Connections during the Decolonization Process and Cold War (1810-1990): The Islamicate and Ibero-American Worlds offers a groundbreaking exploration of the period's historical, political, and cultural networks. Through interdisciplinary approaches-from diplomacy and visual culture to women's studies and political science-this volume highlights state and non-state actors who shaped international relations beyond Euro-American paradigms. Rooted in a research project and major international conference, and enriched by additional contributions, it introduces original studies on underexplored connections between Ibero-America and the Islamicate world, often drawing on primary sources difficult to access due to geographic, linguistic, or political barriers. Contributors are Martín Bergel, Fernando Camacho Padilla, Eudald Cortina Orero, Fernando Escribano Martín, Alberto García Molinero, Mario Matus González, Raffaele Mauriello, Reinaldo M. Sánchez Porro, Juan José Vagni, and Barış Ahmet Yörümez.
:
1 online resource (360 pages) : illustrations. :
Includes bibliographical references and index. :
9789004755253
The origins of visual culture in the Islamic world : aesthetics, art and architecture in early Islam /
:
"In tenth-century Iraq, a group of Arab intellectuals and scholars known as the Ikhwan al-Safa began to make their intellectual mark on the society around them. A mysterious organisation, the identities of its members have never been clear. But its contribution to the intellectual thought, philosophy, art and culture of the era - and indeed subsequent ones - is evident. In the visual arts, for example, Hamdouni Alami argues that the theory of human proportions which the Ikwan al-Safa propounded (something very similar to those of da Vinci), helped shape the evolution of the philosophy of aesthetics, art and architecture in the tenth and eleventh centuries CE, in particular in Egypt under the Fatimid rulers. With its roots in Pythagorean and Neoplatonic views on the role of art and architecture, the impact of this theory of specific and precise proportion was widespread. One of the results of this extensive influence is a historic shift in the appreciation of art and architecture and their perceived role in the cultural sphere. The development of the understanding of the interplay between ethics and aesthetics resulted in a movement which emphasised more abstract and pious contemplation of art, as opposed to previous views which concentrated on the enjoyment of artistic works (such as music, song and poetry). And it is with this shift that we see the change in art forms from those devoted to supporting the Umayyad caliphs and the opulence of the Abbasids, to an art which places more emphasis on the internal concepts of 'reason' and 'spirituality'. Using the example of Fatimid art and views of architecture (including the first Fatimid mosque in al-Mahdiyya, Tunisia), Hamdouni Alami offers analysis of the debates surrounding the ethics and aesthetics of the appreciation of Islamic art and architecture from a vital time in medieval Middle Eastern history, and shows their similarity with aesthetic debates of Italian Renaissance." -- Publisher's website.
:
xiii, 184 pages : illustrations, plans ; 23 cm. :
Includes bibliographical references and index. :
9781784530402
1784530409
The Twelver Shia in Modern Times : Religious Culture & Political History /
:
This volume - grown out of an international conference at Freiburg University in 1999 - deals with various aspects of Shiite Islam since the 18th century. It is divided into two major parts, the first of which is dedicated to traditional institutions of theology and learning and their transformation in modern times. The second part treats internal debates and the activities of Shiite dissidents, showing that Shiism is far from being uniform. Ideological and political developments in the 20th century and especially the Islamic Revolution in Iran have shaped the image of modern Shiism more than any other tendencies and are therefore also discussed in greater detail in Parts three and four. This book reflects the state of the art in this field of Islamic studies, its 21 contributions covering three centuries and a vast geographical range.
:
1 online resource. :
Includes bibliographical references and index. :
9789004492035
9789004118034
Imperial Ideology and Architecture /
:
The goals and tactics of a state's ruling elite influence its artistic and architectural output, shaping the overall characteristics, orientation, and themes of its creations. Architecture reflects political ideology and historical events, showcasing the power and cultural values of the state, with implications for politics and authority. This book presents a comprehensive and nuanced exploration of the intricate interplay between art, politics, and religion within the architectural legacy of Mamluk Damascus. It sheds light on how these dynamics enrich our comprehension of the past and contribute to contemporary dialogues concerning the preservation of cultural heritage.
:
1 online resource (125 pages) : illustrations. :
Includes bibliographical references and index. :
9789004697171
Making and remaking mosques in Senegal /
:
This book constitutes a seminal contribution to the fields of Islamic architectural history and gender studies. It is the first major empirical study of the history and current state of mosque building in Senegal and the first study of mosque space from a gender perspective. The author positions Senegalese mosques within the field of Islamic architectural history, unraveling their history through pre-colonial travelers' accounts to conversations with present-day planners, imams and women who continually shape and reshape the mosques they worship inches Using contemporary Dakar as a case study, the book's second aim is to explore the role of women in the "making and remaking" of mosques. In particular, the rise of non-tariqa grass-roots movements (i.e.: the "Sunni/Ibadou" movement) has empowered women (particularly young women) and has greatly strengthened their capacity to use mosques as places of spirituality, education and socialization. The text is aimed at several specialized readerships: readers interested in Islam in West Africa, in the role of women in Islam, as well as those interested in the sociology and art-history of mosques.
:
Originally presented as the author's thesis (PhD)--SOAS, University of London, 2006. :
1 online resource (xxvii, 408 pages [22 pages] of plates) : illustrations, maps. :
Includes bibliographical references and index. :
9789004217508 :
Available to subscribing member institutions only.
Kurdish Studies Archive : Vol. 10 No. 1 2022 /
:
Kurdish Studies Archive publishes the content of volumes 1 to 10 of Kurdish Studies . This interdisciplinary and peer-reviewed journal was dedicated to publishing high-quality research and scholarship. Since 2023 the journal has been continued as the new Kurdish Studies Journal , published by Brill, and focuses on research, scholarship, and debates in the field of Kurdish studies in a multidisciplinary fashion covering a wide range of topics including, but not limited to, economics, history, society, gender, minorities, politics, health, law, environment, language, media, culture, arts, and education.
:
Includes bibliographical references and index. :
9789004726239
Imaging and Imagining Palestine : Photography, Modernity and the Biblical Lens, 1918-1948 /
:
Imaging and Imagining Palestine is the first comprehensive study of photography during the British Mandate period (1918-1948). It addresses well-known archives, photos from private collections never available before and archives that have until recently remained closed. This interdisciplinary volume argues that photography is central to a different understanding of the social and political complexities of Palestine in this period. While Biblical and Orientalist images abound, the chapters in this book go further by questioning the impact of photography on the social histories of British Mandate Palestine. This book considers the specific archives, the work of individual photographers, methods for reading historical photography from the present and how we might begin the process of decolonising photography. " Imaging and Imagining Palestine presents a timely and much-needed critical evaluation of the role of photography in Palestine. Drawing together leading interdisciplinary specialists and engaging a range of innovative methodologies, the volume makes clear the ways in which photography reflects the shifting political, cultural and economic landscape of the British Mandate period, and experiences of modernity in Palestine. Actively problematising conventional understandings of production, circulation and the in/stability of the photographic document, Imaging and Imagining Palestine provides essential reading for decolonial studies of photography and visual culture studies of Palestine." - Chrisoula Lionis, author of Laughter in Occupied Palestine: Comedy and Identity in Art and Film " Imaging and Imagining Palestine is the first and much needed overview of photography during the British Mandate period. From well-known and accessible photographic archives to private family albums, it deals with the cultural and political relations of the period thinking about both the Western perceptions of Palestine as well as its modern social life. This book brings together an impressive array of material and analyses to form an interdisciplinary perspective that considers just how photography shapes our understanding of the past as well as the ways in which the past might be reclaimed." - Jack Persekian, Founding Director of Al Ma'mal Foundation for Contemporary Art in Jerusalem " Imaging and Imagining Palestine draws together a plethora of fresh approaches to the field of photography in Palestine. It considers Palestine as a central node in global photographic production and the ways in which photography shaped the modern imaging and imagining from within a fresh regional theoretical perspective." - Salwa Mikdadi, Director al Mawrid Arab Center for the Study of Art, New York University Abu Dhabi.
:
1 online resource. :
Includes bibliographical references and index. :
9789004437944
9789004437937
Umayyad legacies : medieval memories from Syria to Spain /
:
The Umayyads, the first dynasty of Islam, ruled over a vast empire from their central province of Syria, providing a line of caliphs from 661 to 750. Another branch later ruled in al-Andalus - Islamic Spain - from 756 to 1031, ruling first as emirs and then as caliphs themselves. This book is the first to bring together studies of this far-flung family and treat it not as two unrelated caliphates but as a single enterprise. Yet for all that historians have made note of Umayyad accomplishments in the Near East and al-Andalus, Umayyad legacies - what later generations made of these caliphs and their achievements - are poorly understood. Building on new interest in the study of memory and Islamic historiography and including interdisciplinary perspectives from Arabic literature, art, and archaeology, this book highlights Umayyad achievements and the shaping of our knowledge of the Umayyad past.
:
Includes selected papers from a conference organized by the Institut français du Proche-Orient (IFPO) and the University of Notre Dame's Medieval Institute held in Damascus, Syria, June 29-July 2, 2006. :
1 online resource. :
Includes bibliographical references and index. :
9789004190986 :
0929-2403 ; :
Available to subscribing member institutions only.