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Médecins et malades de l'Égypte Romaine : étude socio-légale de la profession médicale et de ses praticiens du Ier au IVe siècle ap. J.-C. /
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This book is a detailed study of the social and legal position of doctors and their profession in Roman Egypt. It encompasses the formation and the remuneration of doctors, their fields of activities, both professional and lay. It also analyses their socio-cultural milieu and their legal status. In addition, the kinds of medicine practiced, the diseases treated, as well as the therapeutic choices available to the patients are also considered. This study, the first to take into account the whole of the Egyptian material, provides new insights into the daily life of the ordinary practitioners in Egypt, some of which can be extrapolated to those of the Roman world in general.
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1 online resource (xviii, 386 pages) : maps, genealogical tables. :
Includes bibliographical references (p. 353-376) and indexes. :
9789047408604 :
0925-1421 ; :
Available to subscribing member institutions only.
Literature and society in the fourth century AD : performing paideia, constructing the present, presenting the self /
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Late Antiquity is often assumed to have witnessed the demise of literature as a social force and its retreat into the school and the private reading room: whereas the sophists of the Second Sophistic were influential social players, their late antique counterparts are thought to have been overshadowed by bishops. Literature and Society in the Fourth Century AD argues that this presumed difference should be attributed less to a fundamental change in the role of literature than to different scholarly methodologies with which Greek and Latin texts from the second and the fourth century are being studied. Focusing on performance, the literary construction of reality and self-presentation, this volume highlights how literature continued to play an important role in fourth-century elite society.
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1 online resource. :
Includes bibliographical references and index. :
9789004279476 :
Available to subscribing member institutions only.
The Rise of the Avant-Gardes 1848-1918 : A Transnational History /
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Why did modern painting flourish in Paris, Vienna, or Brussels but stall in London or Madrid? What propelled some avant-gardes to global fame while others vanished? This book takes you inside modern art's explosive rise between 1848 and 1918, revealing how artists navigated nationalism, markets, elite networks, and public demands to invent new ways of making-and living-art. Forget the myth of isolated geniuses. Here, avant-gardes cross borders via dealers, journals, exhibitions, and exiles. Follow their journey from Paris to Moscow, Barcelona, and New York through alliances, rivalries, and migrations. Richly illustrated with artworks, maps, and charts, this is art history reimagined-transnational, social, and vividly alive.
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1 online resource (500 pages) : illustrations. :
Includes bibliographical references and index. :
9789004720954
L'institution philosophique française et la Renaissance : l'époque de Victor Cousin /
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Au cours du XIX e siècle, l'histoire de la philosophie s'est imposée comme une discipline centrale dans l'institution philosophique française. Ce processus reposait sur l'influence intellectuelle et politique exercée par Victor Cousin (1792-1867); il a coïncidé avec l'élaboration d'un schéma interprétatif conférant à la Renaissance, en tant qu'époque philosophique, un statut controversé, caractérisé par l'infériorité conceptuelle. L'ouvrage éclaire les enjeux idéologiques des débats sur la Renaissance dans la France du XIX e siècle. Il propose une approche globale des reconstructions érudites et des utilisations polémiques de la Renaissance centrée sur une relecture politique de la pratique historiographique, ainsi que sur ses réseaux personnels, académiques et transnationaux. During the nineteenth century, the history of philosophy established itself in France as a central discipline within the academic institutions. This process, which rested on the intellectual and political influence of Victor Cousin (1792-1867), coincided with the development of an interpretative scheme that gave the Renaissance as philosophical epoch a controversial status characterized by conceptual inferiority. This volume sheds light on the ideological implications of the debates on the Renaissance in nineteenth-century France. It offers a comprehensive approach to the scholarly reconstructions and polemical uses of the Renaissance by developing a political and transnational rereading of the nineteenth-century French practices of the history of philosophy.
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Cet ouvrage propose une approche globale des reconstructions érudites et des utilisations polémiques de la philosophie de la Renaissance dans la France du XIXe siècle en centrant l'attention sur une relecture politique de la pratique historiographique à l'époque de Victor Cousin.This book offers a comprehensive approach to scholarly reconstructions and polemical uses of Renaissance philosophy in nineteenth-century France by focusing on the political implications of historiographical practice in Victor Cousin's time. :
1 online resource. :
Includes bibliographical references and index. :
9789004513211
9789004510340
Aux origines du classicisme, Calligraphes et bibliophiles au temps des dynasties mongoles (Les Ilkhanides et les Djalayirides 656-814 / 1258-1411).
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Cet ouvrage explore une période charnière de l'histoire du livre islamique et iranien: la période mongole envisagée dans le long terme, sous les dynasties ilkhanide et djalayiride. Il étudie la question de la maturation de la calligraphie arabe classique à travers la vie et l'œuvre de Yāqūt al-Mustaʿṣimī qui sont, pour la première fois, soumises à une analyse systématique, mettant en avant l'importance de son école et des maîtres bagdadiens pour les arts du livre des décennies suivantes. L'ouvrage se penche aussi sur les manuscrits des Ilkhans musulmans et du vizir Rashīd al-Dīn dans le cadre de la problématique de la naissance de la kitābkhānah et de l'affirmation du statut des calligraphes et des peintres sous les derniers Ilkhanides et les Djalayirides. This book explores a pivotal period in the history of the book in the Islamic world and Iran, id est the Mongol period viewed in a long-term perspective, under the Ilkhanid and the Djalayirid dynasties. It examines the issue of the maturation of classical Arabic calligraphy through the life and work of Yāqūt al-Mustaʿṣimī, which are for the first time subjected to a systematic analysis, highlighting the importance of his school and the Baghdadi masters for the arts of the book of the following decades. The study also looks at the manuscripts of the Muslim Ilkhans and the Vizier Rashīd al-Dīn in the context of the birth of the kitābkhānah and the rise in the status of calligraphers and painters under the last Ilkhanids and the Djalayirids.
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1 online resource. :
9789004369788
La Carrière de Molière : Entre protecteurs et éditeurs /
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A new interpretation of Molière's work, drawn from contemporary archival sources, showing for the first time how he shaped an independent career between the opposing pressures of aristocratic patrons and mercantile publishers. Exploiting the alternate roles of actor and courtier, he progressed from social success to artistic achievement but, to the dissatisfaction of his royal patrons, Molière put the priorities of his own authorial status before the notion of service at Court; important new bibliographical material illustrates his long war in defence of his authorial rights against a cartel of unscrupulous publishers. The six chapters of this absorbing study challenge the current orthodoxy of a programmatic ideology in Molière's work. Raising basic questions about the writer's perception of her/himself, and about the French cult of classicism, this work will interest all specialists of seventeenth-century French theatre and social history. Une carrière qui se définit lentement, cherchant un point d'équilibre entre les demandes opposées de ses protecteurs à la Cour d'une part et celles des éditeurs peu scrupuleux de la Communauté des libraires de l'autre. S'appuyant sur des sources d'époque, l'auteur présente une étude neuve qui éclaire pour la première fois un conflit d'intérêt majeur mais peu documenté dans la carrière de Molière. Ayant savamment exploité ses talents d'acteur et de courtisan afin d'atteindre les limites de son art, le chef de la troupe du Roi finit par affirmer des priorités indépendantes et peu appréciées à la Cour, celles de son propre statut d'auteur. Présentée en six chapitres, soulevant des questions fondamentales sur le statut de l'écrivain au 17e siècle et sur la nature même du classicisme (si mal compris en dehors de la France), cette étude intéressera tous les spécialistes du théâtre et de l'histoire sociale du 17e siècle français. See Less
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1 online resource (228 pages) : illustrations. :
Includes bibliographical references and index. :
9789004657137
Descriptions monumentales et discours sur l'édification chez Paulin de Nole : le regard et la lumiè̀re (epist. 32 et carm. 27 et 28) /
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Pontius Meropius Paulinus (ca 353-431), one of the greatest poets of Late Latin Poetry and author of an important correspondence, was born in a wealthy family of the Gallo-Roman aristocracy in Bordeaux. After his spectacular conversion to asceticism and his sacerdotal ordination, he set up definitively as a monk in Italy, in Campanian Nola besides the tomb of St. Felix. There, Paulinus devoted his considerable fortune to the restructuring of the monumental complex which has appeared around this holy place, since the early years of the fourth century and mainly a church. This book is a literary and spiritual study of the description of this complex (carm. 27 and 28 and epist. 32), an other way of edification (the edification of the soul in temple for her creator.) A careful comparison with archaeological testimonies must help estimate the status of Paulinus'monumental descriptions. *** Pontius Meropius Paulinus (vers 353-431), un des plus grands poètes de l'Antiquité tardive, auteur d'une importante correspondance, est issu d'une riche famille de l'aristocratie bordelaise. Après sa conversion spectaculaire à l'ascétisme et son ordination sacerdotale, il vint s'installer définitivement en tant que moine à Nole en Campanie auprès de la tombe de saint Félix. Là Paulin consacra sa fortune considérable à la restructuration du complexe monumental apparu autour de ce saint lieu, depuis les premières années du quatrième siècle, principalement une église. Ce livre est une étude littéraire et spirituelle de la description de ce complexe (carm. 27 et 28; epist. 32), une autre sorte d'édification (celle de l'âme en temple pour son créateur). Une comparaison prudente avec les témoignages archéologiques permettra d'évaluer le statut des descriptions monumentales de Paulin.
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1 online resource (xii, 552 pages) : illustrations. :
Includes bibliographical references (p. 491-514) and indexes. :
9789047409519 :
0920-623X ; :
Available to subscribing member institutions only.