social structures » social structure (توسيع البحث), logical structure (توسيع البحث), some structures (توسيع البحث)
structures being » structures berlin (توسيع البحث), structures during (توسيع البحث), structure meaning (توسيع البحث)
being different » during different (توسيع البحث), born different (توسيع البحث), beginnings different (توسيع البحث)
Not the Classical Ideal : Athens and the Construction of the Other in Greek Art /
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A vision of reality in which a pre-eminent human type was defined in opposition to non-ideal 'Others' characterized ancient Greece. In democratic Athens the social structure privileged male citizens, and women, resident aliens, and slaves were marginalized. The Persian Wars polarized the opposition of Greeks and Barbarians. This anthology provides the first investigation of the delineation of otherness across a broad spectrum of the imagery of Greek art. An international cast of authors, with methodologies ranging from traditional to avant-garde, examines manifestations of the Other in Late Archaic and Classical Greek representations that particularly interest them. The 17 chapters develop a nuanced picture of the visual criteria that denoted otherness in regard to gender, class, and ethnicity and also reveal the social and political functions of this remarkable Greek imagery. Also available in paperback (ISBN 9789004117129).
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1 online resource. :
Includes bibliographical references and index. :
9789004493742
9789004116184
History, Archaeology and Ideology : Essays on Intellectual and Social History of Early India /
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In a country as vast and varied as India and that too with an extraordinary long and continuous history spanning over several millennia, historical processes of its development just cannot be unilinear. Since such diversi-fied processes are being presented in this monograph in a broad material background, it becomes imperative that the simultaneous presence of varied production processes in different parts of the subcontinent is recognised and underlined. In fact, modes of production and productive forces as factors behind historical transformations through the centuries have been stressed in most of the contributions here. Be it the issue of social formations and their dynamism, or of the analysis of the so-called 'feminist' writings; comprehending the ground realities of the lowest orders of the social fabric, or of providing fresh insights for delineating the developmental stages of Indian arts; construction of the apparatus of knowledge systems in early India, or of establishing the true identity of common Indian human being; the central focus has always been on the ordinary toiling people of the country. Even archaeologists have been exhorted to make them the real subjects of enquiry and data retrieval in their diggings and excavation reports. Long tradition of questioning going back to the Ṛgveda, social bases of knowledge systems, construction of 'heritage' and its sustenance in the face of challenges of 'development', ideological confrontations with neo-colonialist strains and incessant concern about communalisation of writings on Indian history and archaeology are other themes that have been highlighted here. Sixteen essays of this anthology cover almost the whole gamut of five millennia of Indian history.
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1 online resource (564 pages) : illustrations. :
Includes bibliographical references and index. :
9789004753037
Lost in a Sea of Letters : Saʿd al-Dīn Ḥamūya and the Plurality of Sufi Knowledge /
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In Lost in a Sea of Letters , Cyril Uy explores the life and work of Saʿd al-Dīn Ḥamūya (d. 1252), a Mongol-era Sufi whose arcane treatises inspired generations of mystics and messiahs. Reading Ḥamūya in dialogue with contemporaries across Central Asia, Iran, and the Eastern Mediterranean, Uy excavates a world in which knowledge was an embodied sensibility: a way of being that could improvise across all dimensions of human experience. Ḥamūya's performative writing reworked the foundations of this knowledge, provoking readers to live reality through the cacophony of his Sufi free jazz. Foregrounding Ḥamūya's deconstructive ethos and radical openness to interpretation, Uy reveals how embracing plurality could thrive as a mode of social, intellectual, and spiritual competition.
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1 online resource (350 pages) : illustrations. :
Includes bibliographical references and index. :
9789004725072
The Cornucopian Stage : Performing Commerce in Early Modern China /
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The long seventeenth century in China was a period of tremendous commercial expansion, and no literary genre was better equipped to articulate its possibilities than southern drama. As a form and a practice, southern drama was in the business of world-building-both in its structural imperative to depict and reconcile the social whole and in its creation of entire economies dependent on its publication and performance. However, the early modern commercial world repelled rather than engaged most playwrights, who consigned its totems-the merchant and his money-to the margins as sources of political suspicion and cultural anxiety. In The Cornucopian Stage , Ariel Fox examines a body of influential yet understudied plays by a circle of Suzhou playwrights who enlisted the theatrical imaginary to very different ends. In plays about long-distance traders and small-time peddlers, impossible bargains and broken contracts, strings of cash and storehouses of silver, the Suzhou circle placed commercial forms not only at center stage but at the center of a new world coming into being. Here, Fox argues, the economic character of early modern selfhood is recast as fundamentally productive-as the basis for new subject positions, new kinds of communities, and new modes of art. See Less
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Includes bibliographical references and index. :
9780674293755
9781684176816