some structures » power structures (توسيع البحث), siecle structures (توسيع البحث), social structures (توسيع البحث)
structures arts » structures part (توسيع البحث), structure part (توسيع البحث), structure arab (توسيع البحث)
arts painting » arab painting (توسيع البحث), art paintings (توسيع البحث), pots painting (توسيع البحث)
Les elements decoratifs sur les peintures de la Cathedrale de Faras /
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Title on added t.p.: Motywy dekoracyjne, ornamenty i wzory na malowidach sciennych Katedry w Faras. :
128 pages, [103] pages of plates : illustrations (some color) ; 30 cm. :
Includes bibliographical references and index. :
830101301X
9788301013011 :
0137-6454 ;
Les éléments décoratifs sur les peintures de la Cathédrale de Faras /
: Title on added title pages : Motywy dekoracyjne, ornamenty i wzory na malowidłach ściennych Katedry w Faras. : 128 pages, [103] pages of plates : illustrations (some color) ; 30 cm. : Includes bibliographical references and index. : 830101301X : 0137-6454 ;
Interart Poetics : Essays on the Interrelations of the Arts and Media /
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In this anthology are gathered 28 essays, devoted to the interrelations of the arts and media. They present together the current state of the emerging field of Interart Studies. The contributors - Stephen Greenblatt, Claus Clüver, Erika Fischer-Lichte, John Neubauer, Steven Paul Scher, Walter Bernhart, Ulrich Weisstein, Eric T. Haskell, Eric Vos, Thomas Elsaesser, among others - are leading international scholars in the fields of Art History, Literary Criticism, Musicology, Film, Theatre and Media Studies. In challenging ways they promote interdisciplinary strategies in the study of the traditional arts: dance, literature, music, painting, sculpture, theatre etc, as well as of the modern media: film, TV, video, computer-generated arts, etc. The essays collected engage in a broad perspective of topics, approached from varying theoretical, methodological or ideological viewpoints. No single thread runs through the diversely conceived essays, yet it is evident that what all contributors appear to envision is the importance today of investigations into the problems of what might be called the interart - or intermedia - discourse. Aimed at university teachers, scholars, students and even artists, this book will meet the demands from those interested in modern modes of interart and intermedia analysis.
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1 online resource (356 pages) : illustrations. :
Includes bibliographical references and index. :
9789004650947
Orient et Occident méditerranéens au XIIIe siècle : les programmes picturaux. [Actes du colloque international organisé à l'École française d'Athènes les 2-4 avril 2009] /
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"Actes du colloque international organisé à l'École française d'Athènes les 2-4 avril 2009"--Page facing title page.
Includes disc inserted in pocket. :
264 pages : illustrations, chiefly color ; 27 cm + 1 video disc (digital ; 4 3/4 in.). :
Includes bibliographical references. :
9782708409224
Sacred Landscapes in Asia : Shared Traditions, Multiple Histories /
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Throughout history the peoples of Asia have been known for their mobility and interactions. The notion of territorially defined nations is historically recent. There was a continuing dialogue between Asian cultures which functioned at both the spatial and the temporal level, propelled by the movement of the great religions of Asia across continents via trading communities, clergies, Buddhist and Sufi scholars and communities of artisans. The present volume explores the aesthetic theories underlying many genres of the Asian arts. These characterize the dialogue between and amongst different Asian regions. The same Asian notions of space and time are manifested in architectural form as also in a wide variety of visual arts. The contributors in this volume identify the multi-layered discourse comprising the nature of monuments, as also the movement of motifs and symbols through sculptured and picturised representation. Some essays focus on fundamental notions such as Śūnyata as common to the Indian, Korean and other Asian countries. Also, the papers bear testimony to the phenomena of dialogue and distinctiveness, continuity and change. This is evident in architectural structures, sculptural forms, particularly in iconography, and of course in the performing arts. The IIC-Asia Project in its second phase has, with purpose, traced the trajectory of transmission systems in Asian civilization in different domains and at different levels, be it the vertical transmission from generation to generation in education, or the artistic transmission and diffusion through the arts. It is hoped that this volume will add to the meager literature that exists on the subject and will stimulate further research and study.
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1 online resource (408 pages) : illustrations. :
Includes bibliographical references and index. :
9789004753228
Embodied aesthetics : proceedings of the 1st International Conference on Aesthetics and the Embodied Mind, 26th-28th August 2013 /
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This volume discusses the role of embodiment in the reevaluation of aesthetics as a process of bodily mediated meaning-making. It focuses on the bodily basis of aesthetic appreciation from an evolutionary point of view, on the bodily physical structures such as the brain involved in perception, on aesthetic experience and appreciation, on the role of physiological responses in experiencing the objects of the environment aesthetically, on the role of one's own body in motion in the engagement with the environment, on somatic responses and the experience of meaning, on the pre-reflective experience of the body, on the role of the interplay of different types of physical and sensory activities in the process of education to art appreciation.
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Includes index. :
1 online resource (vii, 150 pages) : illustrations (some color) :
9789004281516 :
0922-6001 ; :
Available to subscribing member institutions only.
Conservation and Documentation of the Tomb Chapel of Menna (TT 69)
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The Tomb of Menna, Theban Tomb number 69, is located in the Theban necropolis of Sheikh Abd el-Qurna in Luxor, Upper Egypt. The rock-cut tomb is famous for the completeness and superb quality of the paintings that adorn its walls. Structurally, the tomb chapel takes the form of an inverted T, with a forecourt, broad hall, and inner hall leading to a statue shrine. The painted decoration is organized symbolically along a central axis that reflected the deceased’s transition from the land of the living in the east to the land of the dead in the west. As such, the walls in the broad hall are concerned primarily with the official duties and celebrations of Menna’s life, while the walls in the long hall depict scenes of his transition to and life in the hereafter.
Menna was an elite official recognized and honored by King Amenhotep III with the Gold of Honor collar, a collar of golden disc-shaped beads, which he wears in most scenes. Menna’s official titles reveal that he was a Scribe, and Overseer of the Fields of the Lord of Two Lands and the Temple of Amun. These titles indicate that Menna administered both state and temple fields, which was an unusual occurrence in the 18th Dynasty. The Broad Hall Near Left wall, abbreviated as BHNL, is also known as the “Agricultural Wall,” and depicts some of Menna’s official responsibilities. Menna’s wife, Henuttawy, appears alongside him on most of the tomb’s walls and bore the titles of “Chantress of Amun” and “Mistress of the House.” Also notable is the intentional damage inflicted on Menna’s likeness in an act of damnatio memoriae, and later destruction to the name of Amun by the agents of Akhenaten.
The project, directed by Dr. Melinda Hartwig, set an unprecedented standard for the conservation and non-invasive documentation of ancient Egyptian tombs. Dr. Hartwig led an interdisciplinary team of experts that undertook the conservation, archaeometric examination, and digital recording of the tomb. The project resulted in an invaluable collection of high-resolution, digital images that were stitched together to create an exact copy of the tomb walls, which were then traced as vector drawings to create line drawings of the decoration. The collection also includes reports, slides, and digital images shot with raking light and ultraviolet light.
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732pic :
The conservation of the Tomb of Menna was made possible with funding by the United States Agency for International Development (USAID) Agreement No. 263-A-00-04-00018-00 and administered by the Egyptian Antiquities Conservation Project (EAC) Agreement No. EAC-11-2007 of the American Research Center in Egypt (ARCE). The Interuniversity Attraction Poles Program provided additional financial support.