some structures » power structures (توسيع البحث), siecle structures (توسيع البحث), social structures (توسيع البحث)
structures its » structures et (توسيع البحث), structures etc (توسيع البحث), structures dans (توسيع البحث)
its paintings » _ paintings (توسيع البحث)
Houses in Graeco-Roman Egypt : arenas for ritual activity /
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This book examines different forms of ritual activities performed in houses of Graeco-Roman Egypt. It draws on the rich archaeological record of rural housing and evidence from literature or papyrological references to both urban and rural housing. The introduction critically considers the literature relevant to the topic in order to identify the research gap. Chapter I attempts to reconstruct the structure of urban and rural houses in Graeco-Roman Egypt in the light of papyri and archaeology. This aims to establish the physical and spatial framework for the rituals considered in the following chapters. In line with this reconstruction of domestic properties is the reconstruction of the architectural layout and use of the domestic pylon in Chapter II. Chapter III deals with two rituals enacted before the front door of the house, namely the sacrifice of fish on the 9th of Thoth and the sacrifice of pigs on the 15th of Pachon. Chapter IV considers the ritual of the illumination of lamps for the goddess Athena-Neith within and around houses on the 13th of Epeiph. Chapter V highlights the use of the house as an arena for social types of rituals associated with dining, birthdays, the mallokouria, the epikrisis, and marriage. Chapter VI explores the religious sphere of houses, which is obvious from domestic shrines, wall paintings with religious themes, and figurines of Egyptian and Graeco-Roman deities uncovered from houses. The last chapter deals with mourning rituals, which the house occupants performed after the demise of their beloved animals, such as dogs, and their family members. In the conclusion, I summarize my work and draw out its implications, suggesting that the house was the locus of social, religious, and funerary rituals in Graeco-Roman Egypt.
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vii, 104 pages : illustrations (some color) ; 29 cm. :
Bibliography : pages 93-104. :
9781784914370
Conservation and Documentation of the Tomb Chapel of Menna (TT 69)
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The Tomb of Menna, Theban Tomb number 69, is located in the Theban necropolis of Sheikh Abd el-Qurna in Luxor, Upper Egypt. The rock-cut tomb is famous for the completeness and superb quality of the paintings that adorn its walls. Structurally, the tomb chapel takes the form of an inverted T, with a forecourt, broad hall, and inner hall leading to a statue shrine. The painted decoration is organized symbolically along a central axis that reflected the deceased’s transition from the land of the living in the east to the land of the dead in the west. As such, the walls in the broad hall are concerned primarily with the official duties and celebrations of Menna’s life, while the walls in the long hall depict scenes of his transition to and life in the hereafter.
Menna was an elite official recognized and honored by King Amenhotep III with the Gold of Honor collar, a collar of golden disc-shaped beads, which he wears in most scenes. Menna’s official titles reveal that he was a Scribe, and Overseer of the Fields of the Lord of Two Lands and the Temple of Amun. These titles indicate that Menna administered both state and temple fields, which was an unusual occurrence in the 18th Dynasty. The Broad Hall Near Left wall, abbreviated as BHNL, is also known as the “Agricultural Wall,” and depicts some of Menna’s official responsibilities. Menna’s wife, Henuttawy, appears alongside him on most of the tomb’s walls and bore the titles of “Chantress of Amun” and “Mistress of the House.” Also notable is the intentional damage inflicted on Menna’s likeness in an act of damnatio memoriae, and later destruction to the name of Amun by the agents of Akhenaten.
The project, directed by Dr. Melinda Hartwig, set an unprecedented standard for the conservation and non-invasive documentation of ancient Egyptian tombs. Dr. Hartwig led an interdisciplinary team of experts that undertook the conservation, archaeometric examination, and digital recording of the tomb. The project resulted in an invaluable collection of high-resolution, digital images that were stitched together to create an exact copy of the tomb walls, which were then traced as vector drawings to create line drawings of the decoration. The collection also includes reports, slides, and digital images shot with raking light and ultraviolet light.
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732pic :
The conservation of the Tomb of Menna was made possible with funding by the United States Agency for International Development (USAID) Agreement No. 263-A-00-04-00018-00 and administered by the Egyptian Antiquities Conservation Project (EAC) Agreement No. EAC-11-2007 of the American Research Center in Egypt (ARCE). The Interuniversity Attraction Poles Program provided additional financial support.
Sacred Landscapes in Asia : Shared Traditions, Multiple Histories /
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Throughout history the peoples of Asia have been known for their mobility and interactions. The notion of territorially defined nations is historically recent. There was a continuing dialogue between Asian cultures which functioned at both the spatial and the temporal level, propelled by the movement of the great religions of Asia across continents via trading communities, clergies, Buddhist and Sufi scholars and communities of artisans. The present volume explores the aesthetic theories underlying many genres of the Asian arts. These characterize the dialogue between and amongst different Asian regions. The same Asian notions of space and time are manifested in architectural form as also in a wide variety of visual arts. The contributors in this volume identify the multi-layered discourse comprising the nature of monuments, as also the movement of motifs and symbols through sculptured and picturised representation. Some essays focus on fundamental notions such as Śūnyata as common to the Indian, Korean and other Asian countries. Also, the papers bear testimony to the phenomena of dialogue and distinctiveness, continuity and change. This is evident in architectural structures, sculptural forms, particularly in iconography, and of course in the performing arts. The IIC-Asia Project in its second phase has, with purpose, traced the trajectory of transmission systems in Asian civilization in different domains and at different levels, be it the vertical transmission from generation to generation in education, or the artistic transmission and diffusion through the arts. It is hoped that this volume will add to the meager literature that exists on the subject and will stimulate further research and study.
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1 online resource (408 pages) : illustrations. :
Includes bibliographical references and index. :
9789004753228