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Pirqei deRabbi Eliezer : structure, coherence, intertextuality /
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In Pirqei deRabbi Eliezer: Structure, Coherence, Intertextuality Katharina E. Keim offers a description of the literary character of Pirqei deRabbi Eliezer , an enigmatic work of the late-eighth-to-early-ninth centuries CE. Katharina E. Keim explores the work's distinctive literary features through an analysis of its structure and coherence. These literary features, when taken together with the work's intertextual relationships with antecedent and contemporaneous Christian and Jewish (rabbinic and non-rabbinic) texts, reveal Pirqei deRabbi Eliezer to be an innovative work, and throw light on a new turn in Jewish literature following the rise of Islam.
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1 online resource. :
Includes bibliographical references and index. :
9789004333123 :
Available to subscribing member institutions only.
Rabbinic traditions between Palestine and Babylonia /
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In this book various authors explore how rabbinic traditions that were formulated in the Land of Israel migrated to Jewish study houses in Babylonia. The authors demonstrate how the new location and the unique literary character of the Babylonian Talmud combine to create new and surprising texts out of the old ones. Some authors concentrate on inner rabbinic social structures that influence the changes the traditions underwent. Others show the influence of the host culture on the metamorphosis of the traditions. The result is a complex study of cultural processes, as shaped by a unique historical moment.
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Includes index. :
1 online resource (pages) :
9789004277311 :
1871-6636 ; :
Available to subscribing member institutions only.
The Cornucopian Stage : Performing Commerce in Early Modern China /
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The long seventeenth century in China was a period of tremendous commercial expansion, and no literary genre was better equipped to articulate its possibilities than southern drama. As a form and a practice, southern drama was in the business of world-building-both in its structural imperative to depict and reconcile the social whole and in its creation of entire economies dependent on its publication and performance. However, the early modern commercial world repelled rather than engaged most playwrights, who consigned its totems-the merchant and his money-to the margins as sources of political suspicion and cultural anxiety. In The Cornucopian Stage , Ariel Fox examines a body of influential yet understudied plays by a circle of Suzhou playwrights who enlisted the theatrical imaginary to very different ends. In plays about long-distance traders and small-time peddlers, impossible bargains and broken contracts, strings of cash and storehouses of silver, the Suzhou circle placed commercial forms not only at center stage but at the center of a new world coming into being. Here, Fox argues, the economic character of early modern selfhood is recast as fundamentally productive-as the basis for new subject positions, new kinds of communities, and new modes of art. See Less
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Includes bibliographical references and index. :
9780674293755
9781684176816
L'administration provinciale sous l' ancien empire égyptien /
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In L'Administration provinciale sous l'Ancien Empire égyptien, Émilie Martinet offers an innovative analysis of the provincial administrative structures and the stratification of the local elites in the Old Kingdom (2700-2160 BC) based on a critical study of sources and building on a database containing about 1500 titled individuals. She applies a comprehensive and novel approach which goes beyond the scope of prosopographical analysis and which includes all the hierarchy levels as well as the links between central administration and provincial administration. The exhaustive character of this study, the historical reasoning which is employed, and the development of a typology of provincial administrative structures and of a new terminology for the rulers of the provinces are among the major assets of this book.
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1 online resource. :
Includes bibliographical references and index. :
9789004407190
Butoh and Suzuki Performance in Australia : Bent Legs on Strange Grounds, 1982-2023 /
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In Butoh and Suzuki Performance in Australia: Bent Legs on Strange Grounds, 1982-2023 , Marshall considers how the originally Japanese forms of butoh dance and Suzuki's theatre reconfigure historical lineages to find ancient yet transcultural ancestors within Australia and beyond. Marshall argues that artists working in Australia with butoh and Suzuki techniques develop conflicted yet compelling diasporic, multicultural, spiritually and corporeally compelling interpretations of theatrical practice. Marshall puts at the centre of butoh historiography the work of Tess de Quincey, Yumi Umiumare, Tony Yap, Lynne Bradley, Simon Woods, Frances Barbe, and Australian Suzuki practitioners Jacqui Carroll and John Nobbs. Jonathan W. Marshall's Bent Legs on Strange Grounds is an important contribution to the body of literature on butoh, as well as to studies of dance in Australia that will be valuable to practitioners and scholars alike. Detailed discussions of Australian butoh artists open up consideration of how global and local histories, migrations, and landscapes not only were key to butoh's formation in Japan, but also to its continued development around the world. Attention to butoh's emplacement in Australia, Marshall convincingly argues, reveals insights about national identity, race, power, and more that are relevant well beyond the Australian performance context. - Rosemary Candelario, Texas Woman's University, co-editor, Routledge Companion to Butoh Performance (2018) Marshall's Bent Legs on Strange Grounds explores the remarkable transformative era of Australia's reconsideration of its place in the region. A definitive study of Australian experiments in butoh and the theatrical vision of Suzuki Tadashi, the book shows how new corporeal and spatial dramaturgies of the Japanese avant-garde fundamentally changed Australian performance. Expansively researched and annotated, this impressive study connects Australian performance after the New Wave with globalization, postmodern dance, Indigeneity, and subcultures, and it details the work of leading Australian/Asian artists. Bent Legs on Strange Grounds speaks about the development of embodied knowledge and the consequential refiguration of Australia's sense of being in the world. It is also a study of butoh and Suzuki's legacy in global terms, wherein Australian experimental performance also becomes something larger than itself. - Peter Eckersall, The Graduate Center, CUNY, author of Performativity and Event in 1960s Japan (2013).
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1 online resource (305 pages) : illustrations. :
Includes bibliographical references and index. :
9789004712317
Strategies of Persuasion in Herodotus' Histories and Genesis-Kings : Evoking Reality in Ancient Narratives of a Past /
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In Strategies of Persuasion in Herodotus' Histories and Genesis-Kings , Eva Tyrell comparatively analyzes narrative means in two monumental ancient texts about the past. Combining a narratological approach with insights of modern historical theory and biblical scholarship, she investigates patterns of narrative persuasion as a trans-cultural phenomenon and their connection with ancient concepts of reality and truth. The study contrasts differences in fundamental narrative structures of both narratives, such as mediacy and discursive versus diegetic text portions. It explores the role of material remains mentioned in the accounts to evoke or even create the reality of a past.
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1 online resource. :
9789004427976
9789004427969
Shakespeare and religio mentis: A Study of Christian Hermetism in Four Plays /
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Have you ever wondered why Cordelia has to die? Or how Alonso talks and walks about the isle while his body lies 'full fathom five' on the sea floor? Ever wondered why the monument to Shakespeare in the Church of the Holy Trinity in Stratford-upon-Avon names three pagans: Nestor, Socrates, and Virgil - king, philosopher, and poet? Or why Shakespeare is on Olympus, home of the Greek gods? This interdisciplinary study, the first to interpret the plays of Shakespeare in the light of the esoteric religious doctrines of the Corpus Hermeticum, holds answers to these and other puzzling questions.
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This landmark interdisciplinary study shines the light of religious Hermetism on Love's Labour's Lost, King Lear, Othello and The Tempest and reveals the 'religion of the mind' found in the Corpus Hermeticum to be a source of Shakespeare's understanding of human psychology. :
1 online resource. :
Includes bibliographical references and index. :
9789004520608
9789004516328
Shakespeare and religio mentis: A Study of Christian Hermetism in Four Plays /
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Have you ever wondered why Cordelia has to die? Or how Alonso talks and walks about the isle while his body lies 'full fathom five' on the sea floor? Ever wondered why the monument to Shakespeare in the Church of the Holy Trinity in Stratford-upon-Avon names three pagans: Nestor, Socrates, and Virgil - king, philosopher, and poet? Or why Shakespeare is on Olympus, home of the Greek gods? This interdisciplinary study, the first to interpret the plays of Shakespeare in the light of the esoteric religious doctrines of the Corpus Hermeticum, holds answers to these and other puzzling questions.
:
This landmark interdisciplinary study shines the light of religious Hermetism on Love's Labour's Lost, King Lear, Othello and The Tempest and reveals the 'religion of the mind' found in the Corpus Hermeticum to be a source of Shakespeare's understanding of human psychology. :
1 online resource. :
Includes bibliographical references and index. :
9789004520608
9789004516328