spatial structures » spatial structure (توسيع البحث), social structures (توسيع البحث), imperial structures (توسيع البحث)
structures between » structures berlin (توسيع البحث)
between brain » between arab (توسيع البحث), between aram (توسيع البحث), between bans (توسيع البحث)
The Nasrid Kingdom of Granada between East and West : (Thirteenth to Fifteenth Centuries) /
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"The Nasrid Kingdom of Granada (1232-1492) was the last Islamic state in al-Andalus. It has long been considered a historical afterthought, even an anomaly, but this impression must be rectified: here we place the kingdom in a new context, within the processes of change that were taking place across all Western Islamic societies in the late Middle Ages. Despite being the last Islamic entity in the Iberian Peninsula, Granada was neither isolated nor exclusively associated with the nearest Islamic lands. The special relationship between Nasrid territory and the surrounding Christian states accelerated historical processes of change. This volume edited by Adela Fábregas examines the Nasrid kingdom through its politics, society, economics, and culture. Contributors: Daniel Baloup, Bárbara Boloix-Gallardo, María Elena Díez Jorge, Adela Fábregas, Ángel Galán Sánchez, Alberto García Porras, Expiración García Sánchez, Raúl González Arévalo, Pierre Guichard, Antonio Malpica Cuello, Christine Mazzoli-Guintard, Rafael G. Peinado, Antonio Peláez Rovira, José Miguel Puerta Vílchez, María Dolores Rodríguez-Gómez, Juan Carlos Ruiz Souza, Roser Salicrú i Lluch, Bilal Sarr, Francisco Vidal-Castro, Gerard Wiegers, Amalia Zomeño"--
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Original title unknown. :
1 online resource. :
Includes bibliographical references and index. :
9789004443594
9789004442344
Butoh and Suzuki Performance in Australia : Bent Legs on Strange Grounds, 1982-2023 /
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In Butoh and Suzuki Performance in Australia: Bent Legs on Strange Grounds, 1982-2023 , Marshall considers how the originally Japanese forms of butoh dance and Suzuki's theatre reconfigure historical lineages to find ancient yet transcultural ancestors within Australia and beyond. Marshall argues that artists working in Australia with butoh and Suzuki techniques develop conflicted yet compelling diasporic, multicultural, spiritually and corporeally compelling interpretations of theatrical practice. Marshall puts at the centre of butoh historiography the work of Tess de Quincey, Yumi Umiumare, Tony Yap, Lynne Bradley, Simon Woods, Frances Barbe, and Australian Suzuki practitioners Jacqui Carroll and John Nobbs. Jonathan W. Marshall's Bent Legs on Strange Grounds is an important contribution to the body of literature on butoh, as well as to studies of dance in Australia that will be valuable to practitioners and scholars alike. Detailed discussions of Australian butoh artists open up consideration of how global and local histories, migrations, and landscapes not only were key to butoh's formation in Japan, but also to its continued development around the world. Attention to butoh's emplacement in Australia, Marshall convincingly argues, reveals insights about national identity, race, power, and more that are relevant well beyond the Australian performance context. - Rosemary Candelario, Texas Woman's University, co-editor, Routledge Companion to Butoh Performance (2018) Marshall's Bent Legs on Strange Grounds explores the remarkable transformative era of Australia's reconsideration of its place in the region. A definitive study of Australian experiments in butoh and the theatrical vision of Suzuki Tadashi, the book shows how new corporeal and spatial dramaturgies of the Japanese avant-garde fundamentally changed Australian performance. Expansively researched and annotated, this impressive study connects Australian performance after the New Wave with globalization, postmodern dance, Indigeneity, and subcultures, and it details the work of leading Australian/Asian artists. Bent Legs on Strange Grounds speaks about the development of embodied knowledge and the consequential refiguration of Australia's sense of being in the world. It is also a study of butoh and Suzuki's legacy in global terms, wherein Australian experimental performance also becomes something larger than itself. - Peter Eckersall, The Graduate Center, CUNY, author of Performativity and Event in 1960s Japan (2013).
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1 online resource (305 pages) : illustrations. :
Includes bibliographical references and index. :
9789004712317