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Opening the tablet box : Near Eastern studies in honor of Benjamin R. Foster /
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This volume is a scholarly tribute to Benjamin R. Foster, Laffan Professor of Assyriology and Babylonian Literature and Curator of the Babylonian Collection at Yale University, from some of his students, colleagues, and companions, in appreciation of his outstanding achievements and in thanks for his friendship. Reflecting on the remarkable breadth of the honoree's research interests, the twenty-six original papers in this Festschrift cover a wide range of topics in ancient Near Eastern and Egyptian literature, economic and social history, as well as art and archaeology.
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1 online resource. :
Includes bibliographical references and index. :
9789004186569 :
1566-2055 ; :
Available to subscribing member institutions only.
Selves Engraved on Stone: Seals and Identity in the Ancient Near East, ca. 1415-1050 BCE /
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Selves Engraved on Stone explores the ways in which multiple aspects of identity were constructed through the material, visual, and textual characteristics of personal seals from ancient Mesopotamia and Syria in the latter half of the 2nd millennium BCE.
Typically carved in stone, the cylinder seal is perhaps the most distinctive art form to emerge in ancient Mesopotamia. It spread across the Near East from ca. 3300 BCE onwards, and remained in use for millennia. What was the role of this intricate object in the making of a person's social identity? As the first comprehensive study dedicated to this question, Selves Engraved on Stone explores the ways in which different but often intersecting aspects of identity, such as religion, gender, community and profession, were constructed through the material, visual, and textual characteristics of seals from Mesopotamia and Syria.
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1 online resource. :
Includes bibliographical references and index. :
9789004524569
9789004524576
Selves Engraved on Stone: Seals and Identity in the Ancient Near East, ca. 1415-1050 BCE /
:
Typically carved in stone, the cylinder seal is perhaps the most distinctive art form to emerge in ancient Mesopotamia. It spread across the Near East from ca. 3300 BCE onwards, and remained in use for millennia. What was the role of this intricate object in the making of a person's social identity? As the first comprehensive study dedicated to this question, Selves Engraved on Stone explores the ways in which different but often intersecting aspects of identity, such as religion, gender, community and profession, were constructed through the material, visual, and textual characteristics of seals from Mesopotamia and Syria.
:
1 online resource :
Includes bibliographical references and index. :
9789004524569
9789004524576