object bibliography » select bibliography (توسيع البحث), prospect bibliography (توسيع البحث), context bibliography (توسيع البحث)
stone object » stone objects (توسيع البحث), bone object (توسيع البحث), style object (توسيع البحث)
Selves Engraved on Stone: Seals and Identity in the Ancient Near East, ca. 1415-1050 BCE /
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Typically carved in stone, the cylinder seal is perhaps the most distinctive art form to emerge in ancient Mesopotamia. It spread across the Near East from ca. 3300 BCE onwards, and remained in use for millennia. What was the role of this intricate object in the making of a person's social identity? As the first comprehensive study dedicated to this question, Selves Engraved on Stone explores the ways in which different but often intersecting aspects of identity, such as religion, gender, community and profession, were constructed through the material, visual, and textual characteristics of seals from Mesopotamia and Syria.
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1 online resource :
Includes bibliographical references and index. :
9789004524569
9789004524576
Selves Engraved on Stone: Seals and Identity in the Ancient Near East, ca. 1415-1050 BCE /
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Selves Engraved on Stone explores the ways in which multiple aspects of identity were constructed through the material, visual, and textual characteristics of personal seals from ancient Mesopotamia and Syria in the latter half of the 2nd millennium BCE.
Typically carved in stone, the cylinder seal is perhaps the most distinctive art form to emerge in ancient Mesopotamia. It spread across the Near East from ca. 3300 BCE onwards, and remained in use for millennia. What was the role of this intricate object in the making of a person's social identity? As the first comprehensive study dedicated to this question, Selves Engraved on Stone explores the ways in which different but often intersecting aspects of identity, such as religion, gender, community and profession, were constructed through the material, visual, and textual characteristics of seals from Mesopotamia and Syria.
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1 online resource. :
Includes bibliographical references and index. :
9789004524569
9789004524576
Demotic graffiti and other short texts gathered from many publications : short texts III 1201-2350 /
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As continuation of the two preceding volumes of 'Short Texts' with demotic votive inscriptions (volume I) and mummy labels (volume II), this volume brings together all but 800 demotic and Greek-demotic graffiti. These are in principle all the graffiti published in periodicals, congress proceedings and colloquia and 'Festschrifts', as well as in monographs that are not exclusively concerned with demotic graffiti (chiefly excavations reports). The texts are presented in topographical order from South to North, with those from a single monument kept together. The texts show the full gamut of themes encountered in demotic graffiti, which are more varied than their reputation would suggest: the commemorative inscriptions often have more to offer than just names and provide information about the careers of the inscribers, occasionally even touching on historical events of a larger scale. Specifically the numerous and variegated graffiti from the stone quarries in Middle Egypt and at Tura and Masara opposite ancient Memphis deserve to be mentioned because many of these texts are published here for the first time. Several clusters of these quarry graffiti belong to the first demotic texts that were recorded in the nineteenth century, and they constitute the only extant copies for many texts that have now been destroyed. In addition, there are some three hundred brief inscriptions on various objects such as coins, hieratic papyri and mummy linen, stelae, sculptors' models and plaques, various vases and amphoras, containers for embalming materials, dishes for the preparation of kyphi, and various other objects.
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lxxiv, 595 pages, i unnumbered leaf of plates : illustrations, maps ; 26 cm. :
Includes bibliographical references and index. :
9789042931879
The Villanovan, Etruscan, and Hellenistic collections in the Detroit Institute of Arts /
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The Villanovan and Etruscan collections of the Detroit Institute of Arts not only represent an important source of Classical Antiquity in the United States, but also serve as a historical model of how such artifacts were acquired by large American museums from the late-nineteenth through mid-twentieth centuries. These collections provide museum visitors, scholars, and students with an indepth view into one of antiquity's most fascinating peoples, the Etruscans and their predecessors. The wide-ranging collections contain artifacts from every aspect of Etruscan life such as utilitarian tools and weapons, objects for personal adornment, votive statuettes, and cinerary urns to house the dead. One statuette, the Detroit Rider, is considered to be among the finest surviving examples of Etruscan small sculpture. The catalogue brings together all of these pieces for the first time with photographs and relevant bibliographic sources on their cultural and religious functions in antiquity.
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1 online resource. :
Includes bibliographical references. :
9789047425779 :
Available to subscribing member institutions only.
The Torah ark in Renaissance Poland : a Jewish revival of classical antiquity /
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The volume explores the stone carved shrines for the scrolls of the Mosaic Law from the mid-sixteenth to the mid-seventeenth century synagogues in the former Polish Kingdom. Created on the margin of mainstream art and at a crossroad of diverse cultures, artistic traditions, aesthetic attitudes and languages, these indoor architectural structures have hitherto not been the subject of a monographic study. Revisiting and integrating multiple sources, the author re-evaluates the relationship of the Jewish culture in Renaissance Poland with the medieval Jewish heritage, sepulchral art of the Polish court and nobles, and earlier adaptations of the Christian revival of classical antiquity by Italian Jews. The book uncovers the evolution of artistic patronage, aesthetics, expressions of identities, and emerging visions among a religious minority on the cusp of the modern age.
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1 online resource (xxviii, 240 pages) :
Includes bibliographical references and index. :
9789004244405 :
Available to subscribing member institutions only.
El-ahwat : a fortified site of the early iron age near Nahal 'Iron, Israel.
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The excavations at el-Ahwat constitute a unique and fascinating archaeological undertaking. The site is the location of a fortified city dated to the early Iron Age (ca. 1220-1150 BCE), hidden in a dense Mediterranean forest in central Israel, near the historic 'Arunah pass. Discovered in 1992 and excavated between 1993 and 2000, the digs revealed an urban "time capsule" erected and inhabited during a short period of time (60-70 years), with no earlier site below or subsequent one above it. This report provides a vivid picture of the site, its buildings, and environmental economy as evinced by the stone artifacts, animal bones, agricultural installations, and iron forge that were uncovered here. The excavators of this site suggest in this work that the settlement was inhabited by the Shardana Sea-Peoples, who arrived in the ancient Near East at the end of the 13th century BCE and settled in northern Canaan. In weighing the physical evidence and the logic of the interpretation presented herein, the reader will be treated to a new and compelling archaeological and historical challenge. "...this final publication of el-Ahwat will hold great value for those studying settlement, architecture, and change in the hill country culture of Iron Age Canaan." Jeff Emanuel
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1 online resource. :
9789047429890 :
Available to subscribing member institutions only.
The Cross in the Visual Culture of Late Antique Egypt /
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In The Cross in the Visual Culture of Late Antique Egypt Gillian Spalding-Stracey brings the design of crosses in monastic and ecclesiastical settings to the fore. Visual representations of the Holy Cross are often so ubiquitous in Christian art that they are often overlooked as artistic devices themselves. This volume offers an exploration of the variety of designs and associated imagery by which the Cross was expressed across the Egyptian landscape in late antiquity. A survey of locations and images leads to an analysis of artistic influences, possible symbolism, variance across time and place and the contextual use of the motif. Gillian Spalding-Stracey provides the reader with an art-historical perspective of the socio-cultural situation in Egypt at the time.
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1 online resource. :
9789004430518
9789004411593
Architecture and asceticism : cultural interaction between Syria and Georgia in late antiquity /
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In Architecture and Asceticism Loosley Leeming presents the first interdisciplinary exploration of Late Antique Syrian-Georgian relations available in English. The author takes an inter-disciplinary approach and examines the question from archaeological, art historical, historical, literary and theological viewpoints to try and explore the relationship as thoroughly as possible. Taking the Georgian belief that 'Thirteen Syrian Fathers' introduced monasticism to the country in the sixth century as a starting point, this volume explores the evidence for trade, cultural and religious relations between Syria and the Kingdom of Kartli (what is now eastern Georgia) between the fourth and seventh centuries CE. It considers whether there is any evidence to support the medieval texts and tries to place this posited relationship within a wider regional context.
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1 online resource. :
Includes bibliographical references and index. :
9789004375314 :
2213-0039 ; :
Available to subscribing member institutions only.
Ostraca from the Temple of Millions of Years of Thutmose III /
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In Ostraca from the Temple of Millions of Years of Thutmose III , Fredrik Hagen publishes a range of texts from recent excavations at Thebes. Although fragmentary, the corpus is one of the richest of its kind in terms of both the number of ostraca and the different types of texts represented, and provides essential new data for anyone interested in ancient Egyptian temples, religion, priests, and social history. The texts shed light on many aspects of life in an Egyptian temple, including the building of the temple, the daily operations of its cult, the organisation and size of the priesthood, types and quantities of offerings, as well as the broader cultural issues of literacy and the transmission of literature.
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1 online resource. :
Includes bibliographical references and index. :
9789004447561
9789004447554
The Magic in the Image : Women in Clay at Mohenjodaro and Harappa /
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Hundreds of clay figurines of women, and their fragments, were found in the remains of Harappa and Mohenjo-daro, major cities of the Indus civilization, but almost none in the other Harappan towns or villages. What could be the explanation? This study begins with the background: the archaeological history, various studies of figurines, and how they came to be linked with the idea of the mother goddess. There is also an attempt to draw a general picture of popular religion of the time, and to detect archaeological traces of Harappan beliefs and religious practices. There follows an analysis of the figurines themselves: what were their antecedents? Do the few male clay figurines fall in the same genre as the plentiful remains of women's images? There were youthful women, mothers, portly matrons, and also women at the grinding stone, but nothing that could be a representation of 'womanhood'. Attention is paid to the variation in headgear, hairstyles, ornamentation, and the all-pervasive hip-girdles. Nudity is also a topic of discussion. Besides, they cannot be stood upright. As for their distribution, it was significantly irregular. Although attempts to replicate the firing of these solid objects using simple methods failed, it is doubtful to what extent they were made by skilled potters, the modelling being unpractised and even clumsy, as the photographs of some profiles, published here for the first time, shows.
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1 online resource (444 pages) : illustrations. :
Includes bibliographical references and index. :
9789004753242
The making of Islamic art : studies in honour of Sheila Blair and Jonathan Bloom
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1. Old Mosques : Destroyed, Lost and Transformed in 20th- and 21st-Century India / Catherine B. Asher
2. The 'Arraf Mosque in Dhu Jibla / Barbara Finster
3. Monumentality en Miniature : On two dome-shaped carpet weights - mir-I farsh / Kjeld von Folsach
4. 'The View from Above' : Muslim Perceptions of the Turks of Syria and the Jazira in the Period 1070 to 1176 / Carole Hillenbrand
5. The Multiple Faces of Restoration in the Medieval Islamic Architecture of Central Asia / Robert Hillenbrand
6. A Damascus Room in Los Angeles / Linda Komaroff
7. Rubbish, Recycling and Repair : Perspectives on the Portable Arts of the Islamic Middle East / Marcus Milwright
8. A Copper-Alloy Plate with Architectural Imagery in Berlin... and Jerusalem? / Lawrence Nees
9. Looking Inside the Book : Doublures of the Mamluk Period / Alison Ohta
10. Taj al-Din 'Alishah : The Reconstruction of his Mosque Complex at Tabriz / Bernard O'Kane
11. Once More Cosmophilia : Facing the Truth, Later / Simon O'Meara
12. The Making, Unmaking and Making Sense of an Illustration from an Imperial Mughal Akbarnama / Laura E. Parodi
13. The Use of Metals in Islamic Manuscripts / Cheryl Porter
14. Telling Stories : Artists' Books in the Collection of the British Museum / Venetia Porter
15. The Freer Beaker in Text and Image / Marianna Shreve Simpson
16. When Muslims Died in China / Nancy Steinhardt
17. Abu'l-Fazl's Description of Akbar's 'House of Depiction' / Wheeler M. Thackston
18. 'Migration Theory' in Islamic Pottery / Oliver Watson ? Appendix: Sheila Blair and Jonathan Bloom : a Combined Bibliography