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A History of the Arab Component in Ibero-American Architecture /
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This book examines five centuries of Ibero-American architectural history through the lens of its Arabic architectural component. It seeks to illuminate an integral part of Ibero-American culture-one that is frequently ignored and undervalued as merely an exotic influence. Fernando Martínez Nespral's A History of the Arab Component in Ibero-American Architecture stands as a landmark contribution to our understanding of the region's architectural heritage, inviting us to see the world through new eyes and to embrace the rich tapestry of cultures that have shaped our shared landscape. It is a book that will resonate with scholars and enthusiasts alike, inspiring us to explore the hidden corners of history and celebrate the diversity that lies at the heart of Ibero-America's architectural identity. Fernando Luiz Lara , Professor of Architectural History and Theory at the Weitzman School of Design, University of Pennsylvania.
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1 online resource (230 pages) : illustrations. :
Includes bibliographical references and index. :
9789004756557
The Origin of the Buddha Image /
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The image of Buddha in Gandhara style depicted in the padmasana pose, is one of the most popular images of the world. This image is connected with the symbol of Buddhism apart from the Ashoka Chakra. Throughout ancient India, Buddha's image gained popularity in the formation of Mahayana Buddhism. The major question that comes forth is how this art came into being during ancient times. This small volume on Buddhist art by Coomaraswamy challenges the notion that Buddha's image did not emerge from the Indo-Greek and other non-Indian art styles like Kushana or Bactrian. He asserts that Buddha's icon and its representation in various forms, found in monuments, sculptures, and other archaeological structures, was prevalent in the pre-existing Indian art forms. The book discusses the symbolisms, necessity of Buddha's image, and anthropomorphic iconography in the creation of Buddha's icons available in early India, and talks about the differences in Indian and historicity of Gandhara and Mathura art. The author writes further that Gandhara art is Indic, and not European. This book is highly recommended for scholars and researchers interested in Buddhist art.
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1 online resource (48 pages) : illustrations. :
Includes bibliographical references and index. :
9789004752405