Discourse Particles in Latin : A Study of nam, enim, autem, vero and at /
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Due to their extremely elusive nature, particles have long been treated in a stepmotherly way, in grammars of individual languages as well as in theories of language. This study is representative of the recent upsurge of interest in particles, more particularly in particles with a discourse marking function. By offering a detailed account of a number of Latin discourse particles, the study provides more insight into a vitually neglected area of Latin. At the same time it contributes to the theoretical and methodological foundations of current particle research and, more generally, to the development of linguistic models of discourse.
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1 online resource. :
9789004408999
9789050634472
Arab painting : text and image in illustrated Arabic manuscripts /
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Arab painting, preserved mainly in manuscript illustrations of the 12th to 14th centuries, is here treated as an artistic corpus fully deserving of appreciation in its own terms, and not as a mere precursor to Persian painting. The book assembles papers by a distinguished list of scholars that illuminate the variety of material that survives in scientific as well as literary manuscripts. Because of the contexts in which the paintings appear, a major theoretical concern is, precisely, the relationship of painting to text. It rejects earlier scholarly habits of analysing paintings in isolation, and proposes the integration of text and image as a more satisfactory framework within which to elucidate the characteristics and functions of this impressive body of work.
Arab painting, preserved mainly in manuscript illustrations of the 12th to 14th centuries, is here treated as an artistic corpus fully deserving of appreciation in its own terms, and not as a mere precursor to Persian painting. The book assembles papers by a distinguished list of scholars that illuminate the variety of material that survives in scientific as well as literary manuscripts. Because of the contexts in which the paintings appear, a major theoretical concern is, precisely, the relationship of painting to text. It rejects earlier scholarly habits of analysing paintings in isolation, and proposes the integration of text and image as a more satisfactory framework within which to elucidate the characteristics and functions of this impressive body of work.
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Includes addenda and corrigenda. :
1 online resource. :
Includes bibliographical references and index. :
9789004236615 :
0169-9423 ; :
Available to subscribing member institutions only.