theoretical objects » theoretical aspects (توسيع البحث), theoretical concepts (توسيع البحث), mathematical objects (توسيع البحث)
objects forms » objects works (توسيع البحث), objects from (توسيع البحث), objects found (توسيع البحث)
Thinking with Marx Today, Volume 2 : "Man?" /
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Instead of abstract "man," Marx argued that there is an ensemble of societal relations that underpins social formations of various kinds as well as a variety of forms of individuality. In this second volume of Thinking with Marx Today, Lucien Sève presents what he calls Marx's revolution in anthropology. He deftly analyzes the philosophical preconditions and the fundamental concepts of this anthropology. This is followed by critiques of Nietzsche, Heidegger, and contemporary primatology coupled with borrowings from Freud, Politzer, Vygotsky, and contemporary literature on biography. Sève's aim is nothing less than to outline a science of human individuality.
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1 online resource (604 pages) : illustrations. :
Includes bibliographical references and index. :
9789004300408
Narrative, Film, and Identity : How Cinema Impacts the Meaning of Life /
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Our identities are shaped by narratives, and cinema contributes to that process. While there is substantial scholarship on both narrative identity and film narrative, there is very little investigation of the intersection between them. This book provides that, with particular attention to how the interaction between film narratives and life narratives affect the meaning of life. Traditional issues like spectator activity and realism appear in a different light when viewed through this interaction. It also reveals how film can both help and hinder the meaning of our lives by sustaining oppressive narratives or promoting new narrative possibilities. See Less
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1 online resource (222 pages) : illustrations. :
Includes bibliographical references and index. :
9789004711082
Key Concepts in the Study of Religions in Contact /
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There is no religion lest there are two religions. Therefore, it is only possible to examine the history of religions by taking the crucial situations of contact into account. Contact needs concepts. Not only scholars but also participants in situations of contact are forced to conceptualize themselves and the other. Taking its point of departure from the contact-based approach to the study of religion, the present volume examines and reassesses a selection of concepts and models (attraction, dynamics and stability, tradition, transcendence/immanence, senses, secret, space) used to come to terms with the phenomenon of contact as the dynamizing element of the history of religions.
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1 online resource (544 pages) : illustrations. :
Includes bibliographical references and index. :
9789004714908
Narrative ethics /
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While Plato recommended expelling poets from the ideal society, W. H. Auden famously declared that poetry makes nothing happen. The 19 contributions to the present book avoid such polarized views and, responding in different ways to the "ethical turn" in narrative theory, explore the varied ways in which narratives encourage readers to ponder matters of right and wrong. All work from the premise that the analysis of narrative ethics needs to be linked to a sensitivity to esthetic (narrative) form. The ethical issues are accordingly located on different levels. Some are clearly presented as thematic concerns within the text(s) considered, while others emerge through (or are generated by) the presentation of character and event by means of particular narrative techniques. The objects of analysis include such well-known or canonical texts as Biblical Old Testament stories, Mark Twain's Huckleberry Finn , J. R. R. Tolkien's The Lord of the Rings , Vladimir Nabokov's Lolita , Jonathan Littell's The Kindly Ones , Ann Radcliffe's The Italian and Matthew Lewis's The Monk . Others concentrate on less-well-known texts written in languages other than English. There are also contributions that investigate theoretical issues in relation to a range of different examples.
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"The chapters of this volume are revised versions of papers given at an international conference on narrative theory and analysis arranged at the Norwegian Academy of Science and Letters, Oslo, 19-20 November 2010"--Preface. :
1 online resource (xii, 313 pages) : color illustrations. :
Includes bibliographical references and indexes. :
9789401209823 :
0929-8436 ; :
Available to subscribing member institutions only.
The Coming of Consumer Society /
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The present volume adds momentum to the ongoing discourse on consumerism in India and offers a fresh perspective by arguing that India is not just a consumer market but a consumer society in the making. There is no consensus on the birth, place and context of a consumer society amongst historians. And for scholars of contemporary social life, consumer societies, till recently were held to be akin to societies in the late stage of capitalism or those having completed their transition from feudalism to post-industrialism. However, given the processes of globalization and liberalization of new global economic order, consumerism as an ideology, a world view and a practice is fast 'coming of age' in other societies across the globe. Hence, the earlier intellectual lexicon stands replaced by a new consumer epistemology signalling the coming of new consumer societies in hitherto unimagined locales such as India. The varied essays in the volume develop the themes of consumption, brands, representation, and identity construction in some new settings - so far unexplored in the Indian context - for instance ethnic brands such as Fabindia; tribal art in new digitized forms; fashion; and so on. The strength of the book lies in traversing not just fresh sites and objects of consumer desire, but also in bringing together a host of multidisciplinary and theoretical perspectives such as Marxism, feminism, postmodernism, and post-colonialism. The book would be of interest to students and researchers of sociology, anthropology, politics, cultural studies and media studies.
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1 online resource (200 pages) : illustrations. :
Includes bibliographical references and index. :
9789004753693
Word and Music Studies: Defining the Field : Proceedings of the First International Conference on Word and Music Studies at Graz, 1997 /
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The nineteen interdisciplinary essays assembled in WORD AND MUSIC STUDIES I were first presented in 1997 at the founding conference of the International Association for Word and Music Studies (WMA) in Graz, Austria. Diverse in subject matter, theoretical orientation, critical approach, and interpretive strategy, they share a keen scholarly interest in contemporary word-music reflection. Registering the impact of cultural studies on word-music relations, as manifested in the 'new musicology' and other 'historicist' approaches, the volume aims to assess the entire field of word and music studies, to define its subject, objectives, and methodology and to describe the field's state of the art. Within the broader context of generic, structural, performative, and ideological considerations concerning the manifold interrelations between literature and music, contributors explore wide-ranging topics, such as the vexing question of terminology (e.g. 'word and music', 'melopoetics', 'interart', 'intermedial', 'transmedial'); inquiry into the meaning, narrative potential, and verbalization of music; analysis of texted music (the Lied and opera) and instrumental music; and discussion of individual issues (e.g. 'ekphrasis', 'musicalization of fiction', 'word music', and 'verbal music') and interart loanwords (e.g. 'narrativity', 'counterpoint', and 'leitmotif'). See Less
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1 online resource (352 pages) : illustrations. :
Includes bibliographical references and index. :
9789004649217
Selves Engraved on Stone: Seals and Identity in the Ancient Near East, ca. 1415-1050 BCE /
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Typically carved in stone, the cylinder seal is perhaps the most distinctive art form to emerge in ancient Mesopotamia. It spread across the Near East from ca. 3300 BCE onwards, and remained in use for millennia. What was the role of this intricate object in the making of a person's social identity? As the first comprehensive study dedicated to this question, Selves Engraved on Stone explores the ways in which different but often intersecting aspects of identity, such as religion, gender, community and profession, were constructed through the material, visual, and textual characteristics of seals from Mesopotamia and Syria.
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1 online resource :
Includes bibliographical references and index. :
9789004524569
9789004524576
Selves Engraved on Stone: Seals and Identity in the Ancient Near East, ca. 1415-1050 BCE /
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Selves Engraved on Stone explores the ways in which multiple aspects of identity were constructed through the material, visual, and textual characteristics of personal seals from ancient Mesopotamia and Syria in the latter half of the 2nd millennium BCE.
Typically carved in stone, the cylinder seal is perhaps the most distinctive art form to emerge in ancient Mesopotamia. It spread across the Near East from ca. 3300 BCE onwards, and remained in use for millennia. What was the role of this intricate object in the making of a person's social identity? As the first comprehensive study dedicated to this question, Selves Engraved on Stone explores the ways in which different but often intersecting aspects of identity, such as religion, gender, community and profession, were constructed through the material, visual, and textual characteristics of seals from Mesopotamia and Syria.
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1 online resource. :
Includes bibliographical references and index. :
9789004524569
9789004524576
Interart Poetics : Essays on the Interrelations of the Arts and Media /
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In this anthology are gathered 28 essays, devoted to the interrelations of the arts and media. They present together the current state of the emerging field of Interart Studies. The contributors - Stephen Greenblatt, Claus Clüver, Erika Fischer-Lichte, John Neubauer, Steven Paul Scher, Walter Bernhart, Ulrich Weisstein, Eric T. Haskell, Eric Vos, Thomas Elsaesser, among others - are leading international scholars in the fields of Art History, Literary Criticism, Musicology, Film, Theatre and Media Studies. In challenging ways they promote interdisciplinary strategies in the study of the traditional arts: dance, literature, music, painting, sculpture, theatre etc, as well as of the modern media: film, TV, video, computer-generated arts, etc. The essays collected engage in a broad perspective of topics, approached from varying theoretical, methodological or ideological viewpoints. No single thread runs through the diversely conceived essays, yet it is evident that what all contributors appear to envision is the importance today of investigations into the problems of what might be called the interart - or intermedia - discourse. Aimed at university teachers, scholars, students and even artists, this book will meet the demands from those interested in modern modes of interart and intermedia analysis.
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1 online resource (356 pages) : illustrations. :
Includes bibliographical references and index. :
9789004650947