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The Life Cycles of Counterfactuals in the History of Greek : Aspect, Modality and Typology /
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We constantly refer to counterfactual events-things that didn't happen but could have-through conditional, wish, and modal constructions. Yet, despite their ubiquity, we still know surprisingly little about how these constructions have evolved across languages and through history. This book breaks new ground by tracing, for the first time, the development of counterfactual systems across different constructions, texts, linguistic registers, and historical stages. Drawing on extensive corpus data from Indo-European languages and nearly three millennia of Greek, it offers the first unified account of counterfactual and avertive constructions as core expressions of non-realization. In doing so, it also proposes a revised model of the counterfactual life cycle-one that integrates semantic, morphosyntactic, and pragmatic dimensions-providing typologists with a powerful framework for exploring how counterfactual expressions evolve across languages.
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1 online resource (296 pages) : illustrations. :
Includes bibliographical references and index. :
9789004749931
Forms of Representation in the Aristotelian Tradition. Volume One: Sense Perception /
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The trilogy Forms of Representation in the Aristotelian Tradition investigates how Aristotle and his ancient and medieval successors understood the relation between the external world and the human mind. It gives an equal footing to the three most influential linguistic traditions - Greek, Latin, and Arabic - and offers insightful interpretations of historical theories of perception, dreaming, and thinking. This first volume focuses on sense perception and discusses philosophical questions concerning the external senses, their classification, and their functioning, from Aristotle to Brentano.
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1 online resource. :
Includes bibliographical references and index. :
9789004506077
9789004506060
Motus mixti et compositi: The Portrayal of Mixed and Compound Emotions in the Visual and Literary Arts of Europe, 1500-1700 /
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This book examines deployments of mixed emotion in the literary and pictorial arts of early modern Europe. It consists of two parts, the first focusing on portrayals of mixed emotion in theatre, poetry, and prose, the second on forms and functions of mixed emotion in spiritual exercises centering on pictorial images, and on the heuristic and/or restorative functions of portraying mixed emotion. Contributors are Stijn Bussels, Tom Conley, Wietse de Boer, Carolin A. Giere, Barbara A. Kaminska, Graham R. Lea, Walter S. Melion, Mitchell Merback, Ruth Sargent Noyes, Bram Van Oostveldt, Raphaèle Preisinger, Bart Ramakers, Lukas Reddemann, Ludovica Sasso, Aline Smeesters, Paul J. Smith, Anita Traninger, and Elliott D. Wise.
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1 online resource (728 pages) : illustrations. :
Includes bibliographical references and index. :
9789004694613