ii three » iii three (توسيع البحث), i three (توسيع البحث), his three (توسيع البحث)
time ii » times ii (توسيع البحث), tome ii (توسيع البحث), theme ii (توسيع البحث)
infinity » infinite (توسيع البحث)
Apophasis and Envisioning the Invisible : Unveiling Veils of Infinity /
:
In this monograph, two of the most complicated theoretical topics confronting the scholar of mysticism (apophasis and infinity) are tackled. Writing about apophasis presents a unique dilemma as the term itself connotes the inability of language to name the namelessness of ultimate reality. Yet, the apophatic is a gesture of speaking-not, which entails saying the unsayable, as opposed to not speaking, which is the reticence appropriate to silence. The exploration of infinity presents an equally daunting demand as the intellect embarking on this path is summoned to circumscribe the uncircumscribable. Just as communicating the incommunicable is an endless enterprise of speaking the unspeakable, so mapping infinity is an unremitting pursuit of delimiting the limitless. The two subjects thus intersect at the vanishing point where the human mind reaches its limit by confronting the limitlessness that can be described only as indescribable.
:
1 online resource (661 pages) : illustrations. :
Includes bibliographical references and index. :
9789004744363
Why look at plants? : the botanical emergence in contemporary art /
:
Why Look at Plants? proposes a thought-provoking and fascinating look into the emerging cultural politics of plant-presence in contemporary art. Through the original contributions of artists, scholars, and curators who have creatively engaged with the ultimate otherness of plants in their work, this volume maps and problematizes new intra-active, agential interconnectedness involving human-non-human biosystems central to artistic and philosophical discourses of the Anthropocene. Plant's fixity, perceived passivity, and resilient silence have relegated the vegetal world to the cultural background of human civilization. However, the recent emergence of plants in the gallery space constitutes a wake-up-call to reappraise this relationship at a time of deep ecological and ontological crisis. Why Look at Plants? challenges readers' pre-established notions through a diverse gathering of insights, stories, experiences, perspectives, and arguments encompassing multiple disciplines, media, and methodologies.
:
1 online resource. :
Includes bibliographical references and index. :
9789004375253 :
2213-0659 ;
Hasdai Crescas on Codification, Cosmology and Creation : The Infinite God and the Expanding Torah /
:
This work focuses on the conception of God of the medieval Jewish philosopher and legal scholar, Hasdai Crescas (1340-1410/11). It demonstrates that Crescas' God is infinitely creative and good and explores the parallel that Crescas implicitly draws between God as creator and legislator, which is rooted in his understanding of the Deity as continuously involved in generative activity through the outpouring of goodness and love as manifest by multiple, simultaneous and successive worlds and a perpetually expanding Torah. It also reviews the Maimonidean background for Crescas' position and suggests that Crescas is countering Maimonides' stance that creation is limited to a single moment and Maimonides' notion of the Torah as perfect and immutable.
:
This work focuses on the conception of God of the medieval Jewish philosopher and legal scholar, Hasdai Crescas (1340-1410/11). It demonstrates that Crescas' God is infinitely creative and good and explores the parallel that Crescas implicitly draws between God as creator and legislator. :
1 online resource. :
Includes bibliographical references and index. :
9789004518650
9789004518643
Hasdai Crescas on Codification, Cosmology and Creation : The Infinite God and the Expanding Torah /
:
This work focuses on the conception of God of the medieval Jewish philosopher and legal scholar, Hasdai Crescas (1340-1410/11). It demonstrates that Crescas' God is infinitely creative and good and explores the parallel that Crescas implicitly draws between God as creator and legislator, which is rooted in his understanding of the Deity as continuously involved in generative activity through the outpouring of goodness and love as manifest by multiple, simultaneous and successive worlds and a perpetually expanding Torah. It also reviews the Maimonidean background for Crescas' position and suggests that Crescas is countering Maimonides' stance that creation is limited to a single moment and Maimonides' notion of the Torah as perfect and immutable.
:
This work focuses on the conception of God of the medieval Jewish philosopher and legal scholar, Hasdai Crescas (1340-1410/11). It demonstrates that Crescas' God is infinitely creative and good and explores the parallel that Crescas implicitly draws between God as creator and legislator. :
1 online resource. :
Includes bibliographical references and index. :
9789004518650
9789004518643
The Crescent on the Temple : The Dome of the Rock as Image of the Ancient Jewish Sanctuary.
:
\'The Crescent on the Temple\' by Pamela Berger elucidates an obscured tradition-how the Dome of the Rock came to stand for the Temple of Solomon in Christian, Muslim, and Jewish art. The crusaders called the Dome of the Rock the "Temple of the Lord," while Muslim imagery depicted Solomon enthroned within the domed structure. Jews knew that the ancient Temple had been destroyed. Nevertheless, in their imagery, they commonly labeled the Muslim shrine "The Temple." That domed "Temple" was often represented with a crescent on top. This iconography, long hidden in plain sight, reflects one aspect of an historical affinity between Jews and Muslims.
:
Description based upon print version of record. :
1 online resource (393 pages) :
9789004230347 :
Available to subscribing member institutions only.