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Hatshepsut’s Punt Reliefs: Their Structure and Function /
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The article examines the layout of Hatshepsut’s Punt reliefs, proposing a new interpretation of their internal structure and ideological function within the decorative programme of the Deir el-Bahari temple. The author argues that the reliefs form a cycle of subsequent scenes, starting at the southernmost end of the west wall, continuing through the south wall up to the northern part of the west wall. As for the scenes represented on the northernmost end of the west wall and on the north wall, it is argued that they should be viewed as forming a single ideological entity, which at the same time corresponds to the long historical inscription placed on the easternmost end of the south wall. That way the reliefs reflect both aspects of Egyptian eternity: the linear (in the cycle of subsequent episodes) and the circular one (in the ideological link between the southern- and northernmost extremities of the Punt Portico). As for the function of the reliefs, it is argued that they were supposed to magically repeat Hatshepsut’s Punt expedition and thus provide her divine father Amun-Ra with all exotic products necessary in his cult. The author also tries to demonstrate, how Hatshepsut was gradually identified with the goddess Hathor in her aspect of the Lady of Punt and the female counterpart of Amun-Ra throughout the Punt reliefs. http://dx.doi.org/10.5913/jarce.55.2019.a012
The Congress of Carlowitz (1698/99) : Supra-cultural Diplomatic Norms and Practices of Peacemaking at the End of the Seventeenth Century /
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This book delivers the first comprehensive analysis of the Peace Congress of Carlowitz (1698/99), challenging traditional Eurocentric views on early modern diplomacy. It demonstrates that peacemaking norms and practices were largely 'supra-cultural'-transcending cultural and religious divides across Europe and the Ottoman Empire. Carlowitz emerges as a significant multi-religious congress that introduced pioneering practices, particularly in ceremonial regulations. By confronting cultural essentialism, provincialising the Westphalian congress-model paradigm, and demythologising Carlowitz as a decisive political turning point-notably marking the adoption of a Western European-style diplomacy by cultural 'outliers' such as the Ottoman Empire and Muscovy-this study offers fresh insights into the complexity and polycentric nature of early modern multilateral diplomacy.
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1 online resource (508 pages) : illustrations. :
Includes bibliographical references and index. :
9789004458499
Suvarnadvipa : Ancient Indian Colonies in the Far East. Volume 2: Cultural History /
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South East Asian history is one of the most unique histories, as it was marked by the influences of Indic, Chinese, and local cultures. Suvarnadvipa is a two-volume series, which covers the political and cultural history of South East Asian history. This volume deals with the cultural history of South East Asia during ancient times. The author discusses literature, religion, art, and society in greater detail, which was prevalent during ancient times. Works of literature composed in Java, Bali, and the Malay Peninsula are covered in this volume, as it was written in Sanskrit, Old Javanese, and others. It also covers the history of Buddhism (mainly the Mahayana sect) and Hinduism, along with their religious texts, before the coming of Islam. The chapters on the history of art and architecture are covered comprehensively. It talks about the religious and non-religious structures, the influence of Hindu and Buddhist arts, sculpture art, and different art forms practiced in Bali, Sumatra, Borneo, Philippines, and Tapanauli region. This book is essential for scholars and researchers interested in the pre-Islamic history of South East Asia.
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1 online resource (464 pages) : illustrations. :
Includes bibliographical references and index. :
9789004753532
Sacred Landscapes in Asia : Shared Traditions, Multiple Histories /
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Throughout history the peoples of Asia have been known for their mobility and interactions. The notion of territorially defined nations is historically recent. There was a continuing dialogue between Asian cultures which functioned at both the spatial and the temporal level, propelled by the movement of the great religions of Asia across continents via trading communities, clergies, Buddhist and Sufi scholars and communities of artisans. The present volume explores the aesthetic theories underlying many genres of the Asian arts. These characterize the dialogue between and amongst different Asian regions. The same Asian notions of space and time are manifested in architectural form as also in a wide variety of visual arts. The contributors in this volume identify the multi-layered discourse comprising the nature of monuments, as also the movement of motifs and symbols through sculptured and picturised representation. Some essays focus on fundamental notions such as Śūnyata as common to the Indian, Korean and other Asian countries. Also, the papers bear testimony to the phenomena of dialogue and distinctiveness, continuity and change. This is evident in architectural structures, sculptural forms, particularly in iconography, and of course in the performing arts. The IIC-Asia Project in its second phase has, with purpose, traced the trajectory of transmission systems in Asian civilization in different domains and at different levels, be it the vertical transmission from generation to generation in education, or the artistic transmission and diffusion through the arts. It is hoped that this volume will add to the meager literature that exists on the subject and will stimulate further research and study.
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1 online resource (408 pages) : illustrations. :
Includes bibliographical references and index. :
9789004753228