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When the pyramids were built : Egyptian art of the Old Kingdom /
: Published in conjunction with an exhibition held at the Metropolitan Museum of Art, New York, N.Y., Sept. 16, 1999-Jan. 9, 2000. : 144 p. : ill. (some col.) ; 31 cm. : Includes bibliographical references (p. 144). : 0870999087
The world of Islam : the arts of the Islamic world from the early 18th to the end of the 20th century /
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"The catalogue was produced in conjuction with the exhibition held in Helikon Castle Museum, Keszthely, Hungary in 2002."
"An exhibition loaned by the Tareq Rajab Museum to the Helikon Castle Museum, Keszthely, Hungary"--Title page verso. :
160 pages : color illustrations ; 33 cm :
Includes bibliographical references (page 30). :
9632026039
9789632026039
8789384318
9788789384313
The Anthologist's Art : Abū Manṣūr al-Thaʿālibī and His Yatīmat al-dahr.
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Why did premodern authors in the Arabic-Islamic culture compile literary anthologies, and why were these works remarkably popular? How can an anthology that consists of reproduced material be original and creative, and serve various literary and political ends? How did anthologists select their material, then record and arrange it? This book examines the life and works of Abū Manṣūr al-Thaʿālibī (350-429/961-1039), an eminent anthologist from Nīshāpūr, paying special attention to his magnum opus, Yatīmat al-dahr ( The Unique Pearl ), and its sequel, Tatimmat al-Yatīma ( The Completion of the Yatīma ). This book is a direct window on to an anthologist's workshop in the second half of the fourth/tenth century. It examines the methodological consciousness expressed in Thaʿālibī's selection and arrangement, and his sophisticated system of internal references and cross-references to other works; how he selected from his contemporaries' oeuvres; how he sought, recorded, memorized, misplaced, and sometimes lost or forgot his selections; how he scrutinized the authenticity of material, accepting, questioning, or rejecting its attribution; and the errors and inconsistencies that resulted from this process.
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Description based upon print version of record. :
1 online resource (291 pages) :
References to the Earlier Version of the Yatīma References to Other Works by Thaʿālibī ; Later Additions to the Yatīma ; Authenticity and Misattribution ; Forgotten, Lost, and Inconsistent Material ; Chapter 4. The Sources of Thaʿālibī in Yatīmat al-Dahr and Tatimmat al-Yatīma; Written Sources ; Dīwāns; Books; Other Written Media ; Oral and Aural Sources ; Main Guarantors in the Yatīma ; Main Guarantors in the Tatimma ; Conclusion ; Chapter 5. Material within the Entry; Categorization and Arrangement of Material within Entries ; The Biographical Summary ; Dates; Deaths of Poets. :
9789004317352 :
Available to subscribing member institutions only.
Inquisitionis Hispanicae artes /
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The Inquisitionis Hispanicae Artes (Heidelberg, 1567), written by exiled Spanish Protestants, is the first systematic denunciation of the Spanish Inquisition. Its first part is a description of the Inquisition's methods, making use of the Inquisition's own instruction manual, which was not publicly known. Its second section presents a gallery of individuals who suffered persecution in Seville during the anti-Protestant repression (1557-1565). The book had a great impact, being almost immediately translated into English, French, Dutch, German, and Hungarian. The portraits very soon passed into Protestant martyrologies, and the most shocking descriptions (torture, auto de fe) became ammunition for anti-Spanish literature. This critical edition presents a new text as well as, for the first time, extensive notes.
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1 online resource. :
Includes bibliographical references and index. :
9789004365766 :
Available to subscribing member institutions only.
Mediaeval Manichaean Book Art : A Codicological Study of Iranian and Turkic Illuminated Book Fragments from 8th-11th Century East Central Asia /
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Mediaeval Manichean Book Art focuses on a corpus of c. one hundred fragments of exquisitely illuminated manuscripts that were produced under the patronage of the Turkic-speaking Uygurs in the Turfan region of East Central Asia between the 8th and 11th centuries CE, and used in service of the local Manichaean church. By applying a codicological approach to the analysis of these sources, this study casts light onto a lost episode of Central Asian art history and religious book culture. Each of the five chapters in this book accomplishes a well-defined goal. The first justifies the formation of the corpus . The second examines its dating on the basis of scientific and historical evidence. Chapter three assesses the artistry of their bookmakers, scribes, and illuminators. The fourth documents the patterns of page layout preserved on the fragments. The final chapter analyses the contextual relationship of their painted and written contents . Mediaeval Manichaean Book Art represents a pioneer study in its subject, research methodology, and illustrations. It extracts codicological and art historical data from torn remains of lavishly decorated Middle-Persian, Sogdian, and Uygur language manuscripts in codex, scroll, and "palm-leaf" formats. Through detailed analyses and carefully argued interpretations aided by precise computer drawings, the author introduces an important group of primary sources for future comparative research in Central Asian art, mediaeval book illumination, and Manichaean studies.
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1 online resource. :
Includes bibliographical references and index. :
9789047405962
9789004139947
Ornamental Wall Painting in the Art of the Assyrian Empire /
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This study brings together the archaeological record and the pictorial documentation of ornamental wall painting produced in Assyria, from the thirteenth to the seventh centuries B.C. Nimrud, Khorsabad, Til Barsip, and Tell Sheikh Hamad, are among the ancient sites where impressive wall paintings were discovered; unfortunately most of these discoveries now exist in drawings and photographs only. Ornamental wall painting created a colorful and meaningful visual impact to the rooms of residences belonging to the Assyrian kings. The assembled material demonstrates that the polychrome and black-and-white decorated bands of geometric, floral, figural, and animal motifs were arranged into a variety of formulaic designs. Particular attention is given to the changing trends in the selection and combination of motifs, some of which had symbolic meaning. The chronology of the wall paintings at Til Barsip and the accompanying discussion of textile patterns are of special interest to the art historian. This book illustrates the ornamental wall paintings as recorded in the excavation reports.
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1 online resource. :
Includes bibliographical references and index. :
9789047406594
9789004141544
Islamic arms and armor in the Metropolitan Museum of Art /
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"From its origins in the 7th century, armor and weaponry were central to Islamic culture not only as a means of conquest and the spread of faith, but also as symbols of status, wealth, and power. More than 120 exceptional examples from the renowned collection of The Metropolitan Museum of Art are presented in detail to demonstrate the remarkable craftsmanship and beauty of Islamic arms and armor. These diverse objects, which have never been catalogued or published in detail, span ten centuries and represent nearly every Islamic culture, from Spain to the Caucasus. Among these masterpieces are rare early works, such as the oldest documented Islamic sword, and fine examples of decorated helmets and body armor from late-15th-century Iran and Anatolia. Also included are lavish gem-studded weapons from royal courts in the Ottoman world and India. Each piece is handsomely photographed, with a detailed discussion of its technical, historical, and artistic importance. Made by master artisans in conjunction with leading designers, goldsmiths, and jewelers, these stunning objects demonstrate how utilitarian military equipment could be transformed into striking and extravagant works of art."--YaleBooks website.
"Armor and weaponry were central to Islamic culture not only as a means of conquest and the spread of the faith, but also as symbols of status, wealth, and power. The finest arms were made by master craftsmen working with the leading designers, goldsmiths, and jewelers, whose work transformed utilitarian military equipment into courtly works of art. This book reveals the diversity and artistic quality of one of the most important and encyclopedic collections of its kind in the West. The Metropolitan Museum's holdings span ten centuries and include representative pieces from almost every Islamic culture from Spain to the Caucasus. Presenting 126 objects, each handsomely photographed and richly documented with a detailed description of discussion of its technical, historical, and artistic importance, this overview of the Met's holdings is supplemented by an introductory essay on the formation of the collection, and appendixes on iconography and on Turkman-style armor."--Publisher's description.
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xii, 336 pages : illustrations (chiefly color), map ; 32 cm. :
Includes bibliographical references (pages 312-329) and index. :
1588395707
9781588395702
Insects and Colors between Art and Natural History /
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This book explores how European naturalists and artists perceived, investigated, and presented the relationship between insects and colors from the late sixteenth to the late eighteenth century. The contributors to this volume examine the creative methods and strategies that were developed to record color-related information about insects through studies on Hoefnagel's glazed metal and hand-coloring practices; the lepidochromy technique used in paintings by Marseus van Schriek and later naturalists; the representation of sexual dimorphism of color and variable color of caterpillars in the images of Goedaert, Merian, Albin, and Rösel von Rosenhof; the painting-by-numbers technique applied to Schäffer's bookplates on Regensburg insects; Schiffermüller's watercolor originals of caterpillars; and finally, the color fading of exotic cabinet specimens and how this issue was tackled by Abbot and Smith. The volume is lavishly illustrated with rare and unpublished images and offers new insights into the interrelation between natural history and visual practices concerning the color of insects, with a special focus on butterflies and moths. Contributors are Harald Bruckner, Kay Etheridge, Beth Fowkes Tobin, Stefanie Jovanovic-Kruspel, Karin Leonhard, V.E. Mandrij, Kimberly Schenck, Stacey Sell, Giulia Simonini, and Friedrich Steinle. See Less
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1 online resource (296 pages) : illustrations. :
Includes bibliographical references and index. :
9789004684553
The rock-art landscapes of Rombalds Moor, West Yorkshire : standing on holy ground /
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This landscape study of the rock-art of Rombalds Moor, West Yorkshire, considers views of and from the sites. In an attempt to understand the rock-art landscapes of prehistory the study considered the environment of the moor and its archaeology along with the ethnography from the whole circumpolar region. All the rock-art sites were visited, and the sites, motifs and views recorded. The data was analysed at four spatial scales, from the whole moor down to the individual rock. Several large prominent and impressive carved rocks, interpreted as natural monuments, were found to feature in the views from many much smaller rock-art sites. Several clusters of rock-art sites were identified. An alignment was also identified, composed of carved stones perhaps moved into position. Other perhaps-moved carved stones were also identified.
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Also issued in print: 2020. :
1 online resource (xii, 210 pages) : illustrations (black and white, and colour), maps (black and white, and colour) :
Specialized. :
Includes bibliographical references. :
9781789694598 (ebook) :
The Villanovan, Etruscan, and Hellenistic collections in the Detroit Institute of Arts /
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The Villanovan and Etruscan collections of the Detroit Institute of Arts not only represent an important source of Classical Antiquity in the United States, but also serve as a historical model of how such artifacts were acquired by large American museums from the late-nineteenth through mid-twentieth centuries. These collections provide museum visitors, scholars, and students with an indepth view into one of antiquity's most fascinating peoples, the Etruscans and their predecessors. The wide-ranging collections contain artifacts from every aspect of Etruscan life such as utilitarian tools and weapons, objects for personal adornment, votive statuettes, and cinerary urns to house the dead. One statuette, the Detroit Rider, is considered to be among the finest surviving examples of Etruscan small sculpture. The catalogue brings together all of these pieces for the first time with photographs and relevant bibliographic sources on their cultural and religious functions in antiquity.
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1 online resource. :
Includes bibliographical references. :
9789047425779 :
Available to subscribing member institutions only.
Art and Politics between the Arab World and Latin America /
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Intertwined with the histories of Arab migration to the Americas from the nineteenth century until now, the emergence of competing nationalist narratives within Arab communities in Latin America, and the birth of anti-imperialist and anticolonial struggles, the history of cultural entanglements between the Arab world and Latin America spans over a hundred years--and reveals the vital role of art in creating bridges between the two regions. This book, the first of its kind, gathers interventions that showcase the twentieth century as a period of intense redefinitions and cultural effervescence across the whole of Latin America and the Arab world. The result is a polished image of the twentieth century as a period whose shifting categories of affiliation were tied to events and movements that connected the two regions in ever deepening ways, and to forms of artful experimentation through which political ideologies, alternative collective identities, and aesthetic movements could be contested or embraced. Contributors are Diogo Bercito, Kevin Funk, Silvina Schammah Gesser, Laure Guirguis, Olivier Hadouchi, Julia Solana Jáuregui, John Tofik Karam, Edgardo Manero, Mariano Mestman, Gabriella Nugent, Maru Pabón, Laura Reali and Juan José Vagni.
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Includes bibliographical references and index. :
9789004724815
When West Met East : Gandharan Art Revisited /
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When West Met East: Gandhāran Art Revisited is based on hitherto unpublished or partly published sculptures and artefacts from Gandhāra and Greater Gandhāra dispersed in public and private collections across Asia, Europe, and the United States. Its subject is a form of figurative sculpture that emerged in the Gandhāran region between the second and fifth centuries ce and reflects regional cross-cultural elements arising from its direct relationship with Buddhism and to some extent Hinduism, as both flourished in India at the time of the Ku]sā]n Empire. The author's 'Introduction' presents the historical foundation of the innovative artistic expressions that characterize the singularity of Gandhāran art. The first chapter covers the cross-fertilized nature of the art and examines how Western artistic inspirations were transformed into new forms of art to narrate stories of Indian origin. The second chapter argues that Gandhāran artists followed the chronological sequence established in the Sanskrit Lalitavistara, or pre-existing texts which may have inspired this sacred book, when depicting the scenes of the life of the Blessed One starting with the descent of the future Buddha from Tu]sita Heaven up to the first sermon in the deer park. Singling out one particular episode in the Buddha's life, the descent from the Trāyastri`mśa Heaven to Sā`mkāśya, the third chapter focuses on the literary sources that inspired Gandhāran artists. The fourth chapter addresses the question of the first depictions of the Bodhisattvas Maitreya and Avalokiteśvara in Gandhāran art. And, finally, the fifth chapter looks at the symbolism behind the presence of Hindu gods in Gandhāran art.
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1 online resource (452 pages) : illustrations. :
Includes bibliographical references and index. :
9789004752153
We Have Always Been Transcultural: The Arts as an Example /
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Wolfgang Welsch demonstrates for the first time that transculturality - the mixed constitution of cultures - is by no means only a characteristic of the present, but has de facto determined the composition of cultures since time immemorial. The historical transculturality is demonstrated using examples from the arts. While transculturality was often viewed with reservation where political, social, or psychological levels were at stake, it was rather welcomed and appreciated in the field of art. The book therefore demonstrates the historical prevalence of transculturality via all areas of art and does so with respect to all cultures and continents of our world.
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1 online resource (238 pages) : illustrations. :
Includes bibliographical references and index. :
9789004697829
The Winter Missal of Arnold of Rummen : Huis van het boek, Ms. 10 A 14 /
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The Hundred Years' War, the Plague, the van Artevelde uprising, conflict between a count and an aspiring count, Corpus Christi and the Eucharist--these are the context for the enigmatic manuscript studied in this book. Above all, this missal from Ghent is outstanding for its rich and inventive penwork flourishing, given life by the prayer-pulses of the text and enriched by cycles of development. The lowly two-line initial emerges as the primary locus of creative interaction between painting and flourishing. Illumination, produced by a priest and a layman, is notable for its theological richness and is enlivened by distinctive gorgons.
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1 online resource (416 pages) : illustrations. :
Includes bibliographical references and index. :
9789004427136
Prefacing the Image : The Writing of Art History in Sixteenth-Century Iran /
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This book studies developments in art historical writing and factors which shaped the album preface. The prefaces were written in Persian between ca. 1491 and 1609 to introduce albums of calligraphy, painting, and drawing assembled for Safavid rulers and courtiers. Approaches to the study of these sources are examined, followed by an analysis of the sociohistorical court-centered context; the circumstances of the texts' composition, reception, and literary dimensions; and their art historical formation and content. It ends with an interpretation of calligrapher Dust Muhammad's preface and his conceptualization of a history and aesthetics of depiction. The book is the first to study the prefaces collectively and in relationship to other cultural practices. It also draws on a wide variety of additional primary sources. It includes forty illustrations and several tables.
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1 online resource. :
Includes bibliographical references and index. :
9789004491830
9789004113763
Hathor's alchemy : the ancient Egyptian roots of the hermetic art /
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Ever since alchemy first emerged in Graeco-Roman Egypt, alchemists have said their wisdom came from the pharaonic temples. Yet though the West has had unprecedented access to this hidden knowledge since the decipherment of hieroglyphs, ancient Egypt's connection with alchemy still remains obscure, doubted even by many. Focussing on the beautiful temples at Abu Simbel and Dendara, dedicated to the fiery serpent-eye goddess Hathor, this groundbreaking book explores for the first time the legacy left to alchemists by the pharaohs. It also goes deep into Ramesses VI's extraordinary tomb at Thebes to discover the secrets of growth and renewal guarded by Osiris and vivified by Hathor's copper love. Both metallurgical and mystical, these sacred secrets laid the foundations for the Hermetic art. The transmission initially came through Graeco-Egyptian and Jewish alchemists, then Islamic adepts, many of whom were Sufis belonging to an Akhmim alchemical lineage, until eventually Hathor's alchemy reached medieval Europe to inspire the 'rising dawn' tradition. And with a spiritual vision grounded in nature, it still has vital relevance for our world today.
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336 pages : illustrations (some color) ; 23 cm. :
Includes bibliographical references and index. :
0952423332
9780952423331
Not the Classical Ideal : Athens and the Construction of the Other in Greek Art /
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A vision of reality in which a pre-eminent human type was defined in opposition to non-ideal 'Others' characterized ancient Greece. In democratic Athens the social structure privileged male citizens, and women, resident aliens, and slaves were marginalized. The Persian Wars polarized the opposition of Greeks and Barbarians. This anthology provides the first investigation of the delineation of otherness across a broad spectrum of the imagery of Greek art. An international cast of authors, with methodologies ranging from traditional to avant-garde, examines manifestations of the Other in Late Archaic and Classical Greek representations that particularly interest them. The 17 chapters develop a nuanced picture of the visual criteria that denoted otherness in regard to gender, class, and ethnicity and also reveal the social and political functions of this remarkable Greek imagery. Also available in paperback (ISBN 9789004117129).
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1 online resource. :
Includes bibliographical references and index. :
9789004493742
9789004116184
Han Feizi, The Art of Statecraft in Early China (Vol.2) : A Bilingual Edition /
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Volume 2 of a 2-volume set: This annotated translation of Han Feizi introduces one of China's most controversial political texts. Generations of Chinese literati have deplored Han Feizi 's cynical assault on moralising discourse, blatant authoritarianism, and gleeful derision of fellow intellectuals. Yet many were attracted to the text's practical advice, especially its advocacy of reliance on impartial standards rather than on the personal qualities of the leaders (who may be dupes, selfish, or both). And many more admired the text's incisiveness, wit, humour, and realistic approach to politics. The new translation makes the text's political philosophy and its literary gems accessible to the interested readers.
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1 online resource (1050 pages) : illustrations. :
Includes bibliographical references and index. :
9789004723535