art reference » a reference (Expand Search), past references (Expand Search), short reference (Expand Search)
what art » what sort (Expand Search), what marx (Expand Search), what a (Expand Search)
Seeing What Is Not There : Figuring the Anarchive /
:
Any encounter with colonial archives leaves one deeply aware that the voices of the oppressed have been rendered mute. In this book, Zaayman delves into the archives associated with Krotoa and Anne Barnard, two women who lived in the Cape colony. Through them, she identifies the absolute absences that attend all archives, and names them "the Anarchive". This term signals irrecoverability and compels us to turn our attention towards the intangible ways in which the past lives with us in the present, away from the archive. Employing artistic methodologies to instantiate the Anarchive, Zaayman intimates the immense losses brought about by colonialism.
:
1 online resource (314 pages) : illustrations. :
Includes bibliographical references and index. :
9789004706972
Performing the Sacred: Christian Representation and the Arts /
:
What does 'performance' mean in Christian culture? How is it connected to rituals, dramatic and visual arts, and the written word? This book addresses the issue from the Middle Ages to the Modern era and showcases examples of how Christians have represented their biblical narrative.
What does 'performance' mean in Christian culture? How is it connected to rituals, dramatic and visual arts, and the written word? Performing the Sacred: Christian Representation and the Arts explores both the meaning of re-presentation and the role of performance within the Christian tradition between arts and drama. The essays in this book demonstrate that the idea of performance was central to Christian theology and that-from the Middle Ages to the Early Modern era-it became a device through which people saw, prayed, preached, wrote, imagined, officiated rites, celebrated cults, and practiced devotions. Seen that performance is a habitus within Christianity, performing the sacred does not just mean representing it, but rather enacting it in a tangible, visible and involved way.
:
1 online resource. :
Includes bibliographical references and index. :
9789004522183
9789004517462
Gandhāran art in its Buddhist context : papers from the Fifth International Workshop...
:
This edited volume considers Gandharan art in relation to its religious contexts and meanings within ancient Buddhism. Addressing the responses of patrons and worshippers at the monasteries and shrines of Gandhara, papers seek to understand more about why Gandharan art was made and what its iconographical repertoire meant to ancient viewers.
:
Also issued in print: 2023. :
1 online resource (viii, 87 pages) : illustrations (black and white, and colour), maps (black and white, and colour) :
Specialized. :
Includes bibliographical references. :
9781803274744 (PDF ebook) : :
Open access.
Body language in Hellenistic art and society /
:
Revision of the author's thesis (Ph. D.--University of Oxford, 1980) under the title : Gestures, postures and body actions in Hellenistic art. :
xxiv, 362 pages : illustrations (black and white) ; 25 cm. :
Includes bibliographical references (pages 329-355) and index. :
9780198723592 (hardback)
0198723598 (hardcover)
Subversive strategies in contemporary Chinese art
:
What is art and what is its role in a China that is changing at a dizzying speed? These questions lie at the heart of Chinese contemporary art. Subversive Strategies paves the way for the rebirth of a Chinese aesthetics adequate to the art whose sheer energy and imaginative power is subverting the ideas through which western and Chinese critics think about art. The first collection of essays by American and Chinese philosophers and art historians, Subversive Strategies begins by showing how the art reflects current crises and is working them out through bodies gendered and political. The essays raise the question of Chinese identity in a global world and note a blurring of the boundary between art and everyday life.
:
1 online resource. :
Includes bibliographical references and index. :
9789004201477 :
Available to subscribing member institutions only.
The Narrowest Path : Antinomies of Self-Determination in Four Aesthetic Studies /
:
A strategic reconstruction of modern German thought from the standpoint of aesthetic theory, The Narrowest Path reveals the characteristically modern, revolutionary project of freedom-as-autonomy to be unresolvably antinomic. Basing himself on four seminal texts by Kleist, Hegel, Marx, and Adorno, Mehrgan develops four basic figures: the literary, the person, the republic, and the artwork. All flourished during the long period between the French Revolution and the aftermath of the Second World War in Europe. The key antagonist is the rule of capital, paradoxically enabling self-determination and thwarting it. Still present in contemporary revolutionary experiments, this daunting conflict, the book argues, shows itself best in the aesthetic - but the resolution lies elsewhere. See Less
:
1 online resource (284 pages) : illustrations. :
Includes bibliographical references and index. :
9789004711150
Art and architecture of the synagogue in late antique Palestine : in the shadow of the church /
:
This study examines the material evidence for synagogues and churches in the Holy Land from the age of Constantine in the fourth century CE to the Arab conquest of the eastern provinces in the seventh century CE. Whereas scholars once viewed the growth of the Byzantine empire as time of persecution, a re-evaluation of the archaeological evidence indicates that Jews prospered along with their Christian neighbours. What influence did Christian art and architecture have on ancient synagogues? In the sixth century, one-third of all known synagogues in Palestine bear features similar to early Byzantine churches: basilical layouts, mosaic floors, apses, and chancel screens. Focusing on these features sheds light on how Jewish communities met the challenges posed by the Church's development into a major religious and political power. This book provides a critical analysis of the archaeological evidence as a basis for our better understanding of Jewish identity and community in late Antique Palestine.
:
1 online resource. :
Includes bibliographical references (p. [273]-297) and index. :
9789047418719 :
Available to subscribing member institutions only.
The Art of Rhetoric (Institutiones Oratoriae, 1711-1741) : From the definitive Latin text and notes...
:
Gustavo Costa reviewing the Italian edition of Vico's Institutiones Oratoriae in New Vico Studies 9 (1991), has written that Rhetoric is the mainspring of an important trend of Vichian studies which initiated at the beginning of the twentieth century and had its manifestation in John D. Schaeffer's Sensus Communis: Vico, Rhetoric, and the Limits of Relativism (Durham: Duke University Press, 1990), where Schaeffer aptly noted, summing up a long exegetic tradition, Vico was imbued with rhetoric and convinced of its centrality to Western civilization. Unfortunately, the editions of Vico's works published in English have not yet included the Institutiones Oratoriae , which more or less reflects the lectures on rhetoric given by Vico at the University of Naples, starting with the academic year 1699-1700 and going through 1739-1741. The manual on rhetoric was used in Italy up to the end of the nineteenth century and established the common curriculum in rhetoric to be followed in all Universities. This English edition offers a text of the Institutiones complete on the base of the four known extant manuscripts. It offers the marginal glosses made by Vico's students, a collection of Vico's phrases and explanations of terms collected by some of the students, a glossary of Latin words and rhetorical terms from the Latin text, and a wealth of information in the commentary. The Art of Rhetoric is the manual for everyone who wants to know what rhetoric is, how it was employed in the forum or the courts, how it could be learned from the classic orators, and how it can be used whenever we speak for convincing, praising or motivating.
:
1 online resource. :
Includes bibliographical references and index. :
9789401200202
9789051839159
Devoted Resistance : Jewish Feminist Art in the US and Israel /
:
What is Jewish-feminist art, and how does it contribute to the spaces of art, society, and religion? Devoted Resistance examines the nature, methods of operation, and contribution of the feminist art movement, which has developed in traditional Jewish spheres since the late 1990s in the two major Jewish centers - the United States and Israel. The book analyzes critical Jewish feminist art and the different fields in which it operates; it explores the interrelationships between feminist Jewish art and feminist theories; the connection between critical discourse and feminist activism in observant Jewish worlds; and feminist artists and artwork in these spaces. Devoted Resistance highlights aspects common to feminist Jewish artists who create from traditional spheres and amalgamate the "social" with the "theological," connecting private experience with community existence. It offers new and vital contextual understandings regarding the relationship between feminist art and Jewish Identity, illuminating their relationship through Jewish religion rather than merely Jewish ethnicity. By doing so, the book demonstrates how art, theology, feminism, and critical thinking interwind.
:
1 online resource (311 pages) : illustrations. :
Includes bibliographical references and index. :
9789004730809
Numinous Fields: Perceiving the Sacred in Nature, Landscape, and Art /
:
Numinous Fields has its roots in a phenomenological understanding of perception. It seeks to understand what, beyond the mere sensory data they provide, landscape, nature, and art, both separately and jointly, may mean when we experience them. It focuses on actual or potential experiences of the numinous, or sacred, that such encounters may give rise to. This volume is multi-disciplinary in scope. It examines perceptions of place, space, nature, and art as well as perceptions of place, space, and nature in art. It includes chapters written by art curators, and historians and scholars in the fields of landscape, architecture, cultural geography, religious studies, philosophy, and art. Its chapters examine ideas, objects, and practices from the ancient time of Aboriginal Australians' Dreaming through to the present. The volume is also multi-cultural in scope and includes chapters focussed on manifestations of the sacred in indigenous culture, in cultures influenced by each of the world's major religions, and in the secular, contemporary world. Foreword by Jeff Malpas Contributors: Samer Akkach, James Bennett, Veronica della Dora, Alasdair Forbes, Virginia Hooker, Philip Jones, Russell Kelty, Muchammadun,Tracey Lock, Ellen Philpott-Teo, John Powell, Rebekah Pryor, Wendy Shaw.
:
1 online resource (412 pages) : illustrations. :
Includes bibliographical references and index. :
9789004687387
tacking and a tacktical methodology : moving towards a different politics for art /
:
How can artists (and others) who find themselves in positions of privilege think differently about the way they do what they do in order to create the conditions for better, more just relations to flourish? Finding an answer to that question is at the heart of this book. After critiquing the relationship between contemporary art, race and privilege the author brings together First Nation and feminist philosophies of relationality, the game of string figuring, and her own history as an artist to propose an alternate methodology that puts relation at the centre of practice. She introduces the multivalent concept of "tacking"-a movement at an oblique angle to prevailing winds-in order to traverse the waters of contemporary art to challenge power and create a more just future. See Less
:
1 online resource (298 pages) : illustrations. :
Includes bibliographical references and index. :
9789004706958
Arthur Upham Pope and a new survey of Persian art /
:
In Arthur Upham Pope and A New Survey of Persian Art , fourteen scholars explore the legacy of Arthur Upham Pope (1881-1969) by tracing the formation of Persian art scholarship and connoisseurship during the twentieth century. Widely considered as a self-made scholar, curator, and entrepreneur, Pope was credited for establishing the basis of what we now categorize broadly as Persian art. His unrivalled professional achievement, together with his personal charisma, influenced the way in which many scholars and collectors worldwide came to understand the art, architecture and material culture of the Persian world. This ultimately resulted in the establishment of the aesthetic criteria for assessing the importance of cultural remains from modern-day Iran. With contributions by Lindsay Allen, Sheila S. Blair, Jonathan M. Bloom, Talinn Grigor, Robert Hillenbrand, Yuka Kadoi, Sumru Belger Krody, Judith A. Lerner, Kimberly Masteller, Cornelia Montgomery, Bernard O'Kane, Keelan Overton, Laura Weinstein, and Donald Whitcomb.
:
1 online resource. :
Includes bibliographical references and index. :
9789004309906 :
Available to subscribing member institutions only.
Michel Henry et l'affect de l'art : recherches sur l'esthétique de la phénoménologie matérielle /
:
Quel est le statut de l'art et de l'affectivité esthétique chez Michel Henry ? Le champ occupé par l'art dans l'économie de la phénoménologie matérielle est-il le lieu le plus propre pour l'exploration immanente de l'apparaître et l'auscultation de l'affectivité transcendantale de la vie ? Ce livre offre un repérage de quelques pistes remarquables à partir desquelles le besoin de poser les jalons d'une esthétique matérielle se fait suffisamment pressant pour qu'on y prête attention. C'est pour frayer cette voie et faire les premiers pas dans la direction qu'elle infléchit que les études ici réunies engagent, chacune à sa manière, l'examen du statut de l'art chez Michel Henry : du côté de la peinture bien sûr, mais aussi dans les champs du langage, de la littérature, de la danse, de l'architecture et de la musique. L'ensemble est précédé par un texte de Michel Henry, consacré à l'œuvre picturale de Pierre Magré. What is the status of art and aesthetic affectivity in Michel Henry? Is the place occupied by art within the economy of his material phenomenology the most appropriate site for the immanent exploration of appearing and the auscultation of the transcendental affectivity of life? This book locates some remarkable avenues through which the need to prepare the ground for a material aesthetic becomes urgent enough to be given attention. In order to clear this path and take the first steps in the direction it leads, the studies gathered here, each in its own way, are engaged in the study of the status of art in Michel Henry, from the perspective of painting, of course, but also the fields of language, literature, dance, architecture and music. The collection is preceded by an essay by Michel Henry, devoted to the painting of Pierre Magré.
:
1 online resource (xlii, 343 pages) : illustrations. :
Includes bibliographical references and indexes. :
9789004186811 :
1875-2470 ; :
Available to subscribing member institutions only.
Seven Weeks after the Buddha's Enlightenment : Contradictions in Text, Confusions in Art /
:
This groundbreaking volume explores a revelatory Andharan style relief recently discovered in Sri Lanka. It adds to the growing body of archaeological evidence of important exchanges between the Buddhists of Sri Lanka and their co-religionists in the Krishna Valley. This relief is the most ancient document attested to date depicting the events that took place during the first seven weeks following the enlightenment of the Buddha. Its unique iconography leads the author to closely examine contradictions between literary evidence and visual representations of what is known as the sambodhi, or 'perfect awakening', of the Buddha. According to the classic Buddhist texts, the Mahāvastu and the Lalitavistara, the Buddha spent seven weeks after his enlightenment near the Bodhi tree. By contrast, the Buddhist canonical text the Vinaya-Pitaka describes this period as only four weeks long. Sri Lankan and Burmese artists have preferred to depict the seven-week account. Furthermore, the 'seven-week' motif depicted in this Andharan relief follows the chronological order given in the important Pāli texts, the Nidānakathā and the Mahābodhi-Vamsa. The textual confusions and artistic contradictions uncovered by this volume present a bigger picture of the complex ways in which the story of the Buddha's life was imagined in the earliest period of recorded Buddhist history. The present study is the first in a series of books by this author on Buddhist art.
:
1 online resource (76 pages) : illustrations. :
Includes bibliographical references and index. :
9789004752061
Ancient Egypt transformed : the Middle Kingdom /
:
The Middle Kingdom (ca. 2030-1700 B.C.), the second great era of ancient Egyptian culture, was a transformational period during which the artistic conventions, cultural principles, religious beliefs, and political systems formed during earlier dynasties were developed and reimagined. This comprehensive volume presents a detailed picture of the art and culture of the Middle Kingdom, arguably the least known of Egypt's three kingdoms yet a time of remarkable prosperity and unprecedented change. International specialists present new insights into how Middle Kingdom artists refined existing forms and iconography to make strikingly original architecture, statuary, tomb and temple relief decoration, and stele. Thematic sections explore art produced for different strata of Egyptian society, including the pharaoh, royal women, the elite, and the family, while other chapters provide insight into Egypt's expanding relations with foreign lands and the themes of Middle Kingdom literature. More than 250 objects from major collections around the world are sumptuously illustrated, many with new photography undertaken specifically for this catalogue.
:
Catalog of an exhibition held at the Metropolitan Museum of Art, New York, October 12, 2015-January 24, 2016. :
xix, 379 pages : illustrations (some color), color maps ; 31 cm. :
Includes bibliographical references (pages 337-367) and index. :
1588395642
9781588395641