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Majlis dar qiṣṣa-yi rasūl (ṣalawāt Allāh ʿalayhi) /
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In Persian literature, so-called ' majālis ' works typically evoke the atmosphere of a religious gathering. In such a gathering, a chronicler relates parts of the history of Islam and the lives and times of its prominent representatives, often referring to trustworthy sources. Besides, questions may be asked, while teachings or sermons may also be given. Examples are Jalāl al-Dīn Rūmī's (d. 672/1273) Majālis-i sabʿa and Saʿdī's (d. 691/1292) Majālis-i panj-gānah . Judging by its title, the present work by an unknown author from the 5th/12th century-it is not known if it was originally written in Persian or translated from Arabic-would seem to belong to this same type of writings. Only, on closer inspection this is not the case. Being mostly inspired by Ibn Isḥāq's (d. 150/767) al-Sīra al-nabawiyya and Abū Ḥātim al-Rāzī's (d. 322/933-4) Aʿlām al-nubuwwa , only its last five chapters are called majlis , but then lack the characteristics of a typical majālis work.
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1 online resource. :
9789004405769
9786002030122
Fihrist-i nuskhahā-yi khaṭṭi-yi madrasa-yi Imām Ṣādiq-i ('alayhi al-salām) Chālūs /
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Many studies on the Islamic world refer to writings that were originally published in manuscript. Even if a lot of these texts are now available in print, countless others are not, while printed works are often superseded by later, more critical editions. This means that the importance of Islamic manuscripts remains undiminished. In the West, major collections were established before 1900 and it is exceptional for new collections to be founded. In Iran, a country whose libraries host over 345.000 manuscripts, the establishment of new collections, often by testamentary disposition, is not uncommon. The Imām Ṣādiq Madrasa of Chalus near the Caspian Sea was founded in 1948. Its library contained just printed books. From 1979 onward, its third director, Sayyid Jamāl al-Dīn Mūsawī, introduced a programme for the active collection of manuscripts from among the inhabitants of Chalus and the surrounding region. By 2002, some 700 manuscripts had been obtained, all described in this catalogue.
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1 online resource. :
9789004402775
9789646781610
Adab and modernity : a "civilising" process? (sixteenth--twenty-first century) /
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Adab is a concept situated at the heart of Arabic and Islamic civilisation. Adab is etiquette, ethics, and literature. It is also a creative synthesis, a relationship within a configuration. What became of it, towards modernity ? The question of the "civilising process" (Norbert Elias) helps us reflect on this story. During the modern period, maintaining one's identity while entering into what was termed "civilisation" ( al-tamaddun ) soon became a leitmotiv . A debate on what was or what should be culture, ethics, and norms in Middle Eastern societies accompanied this evolution. The resilient notion of adab has been in competition with the Salafist focus on mores ( akhlāq ). Still, humanism, poetry, and transgression are constants in the history of adab . Contributors: Francesca Bellino, Elisabetta Benigni, Michel Boivin, Olivier Bouquet, Francesco Chiabotti, Stéphane Dudoignon, Anne-Laure Dupont, Stephan Guth, Albrecht Hofheinz, Katharina Ivanyi, Felix Konrad, Corinne Lefevre, Cathérine Mayeur-Jaouen, Astrid Meier, Nabil Mouline, Samuela Pagani, Luca Patrizi, Stefan Reichmuth, Iris Seri-Hersch, Chantal Verdeil, Anne-Sophie Vivier-Muresan.
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Includes index. :
1 online resource. :
9789004415997