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Bernhard Lang
Bernhard Lang (born 24 February 1957 Linz, Austria) is an Austrian composer, improviser and programmer of musical patches and applications. His work can be described as contemporary classical, with roots, however, in various genres such as 20th-century avant-garde, European classical music, jazz, free jazz, rock, punk, techno, EDM, electronica, electronic music, and computer-generated music. His works range from solo pieces and chamber music to large ensemble pieces and works for orchestra and musical theatre. Besides music for concert halls, Lang designs sound and music for theatre, dance, film and sound installations.Bernhard Lang came to prominence with his work cycle ''Differenz/Wiederholung'' (''DW'', ''Difference/Repetition''), composed since 1998, in which he illuminated and examined the themes of reproductive and DJ cultures based on the philosophic work of Gilles Deleuze. Sociocultural and socially critical questions, as in ''Das Theater der Wiederholungen''/''The Theatre of Repetitions'' (2003) are examined as closely as intrinsically musical and music-cultural problems ("I hate Mozart", 2006).
Another focus is the "recycling" of historic music, which Lang creates using self-programmed patches, applying filter and mutation processes (as in the "Monadologie" cycle).
In the works of Lang's Game series, the performers are given a set of predetermined rules by which they must guide their decisions and interactions. In other words, these works are based on the principles of controlled improvisation or determined indeterminacy.
In addition to classical European instruments, Lang also makes use of their amplified electrical counterparts (e.g. electric viola) as well as mutually microtonally de-tuned ensemble groups. Analogue and digital synthesizers, keyboards, rock music instruments (electric guitar and bass, drumset), turntables (the trailblazing instrument of the hiphop culture), rappers, Arabian singers, the spoken voice and live-electronics (mainly the self-programmed "Loop Generator") are similarly used. Provided by Wikipedia
Joseph in Egypt : a cultural icon from Grotius to Goethe /
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392 pages : illustrations ; 24 cm. :
Includes bibliographical references (pages [340]-384) and index. :
9780300151565
030015156X (ci : alk. paper) :
https://catalog.loc.gov/vwebv/staffView?searchId=37975&recPointer=0&recCount=25&searchType=0&bibId=15679311
Omnia
International review of biblical studies.
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Formerly known by its subtitle "Internationale Zeitschriftenschau für Bibelwissenschaft und Grenzgebiete", the International Review of Biblical Studies has served the scholarly community ever since its inception in the early 1950's. Each annual volume includes approximately 2,000 abstracts and summaries of articles and books that deal with the Bible and related literature, including the Dead Sea Scrolls, Pseudepigrapha, Non-canonical gospels, and ancient Near Eastern writings. The abstracts - which may be in English, German, or French - are arranged thematically under headings such as e.g. "Genesis", "Matthew", "Greek language", "text and textual criticism", "exegetical methods and approaches", "biblical theology", "social and religious institutions", "biblical personalities", "history of Israel and early Judaism", and so on. The articles and books that are abstracted and reviewed are collected annually by an international team of collaborators from over 300 of the most important periodicals and book series in the fields covered.
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Includes indexes. :
1 online resource. :
9789047419228 :
Available to subscribing member institutions only.