Taḥqīq dar majālis-i tafsīri-yi Faḍl b. Muḥibb-i Nīshābūrī wa abyāt-i Fārsi-yi ān : Ganjīnaʾī az surūdhā-yi Zāhidāna-yi Fārsī az sada-yi panjum-i hijrī /

In Persian literature, so-called ' majālis ' (sg. majlis , 'session') works typically evoke the atmosphere of a religious gathering. In some of these gatherings, a lecturer recounted parts of the history of Islam and the lives and times of its prominent representatives. In others...

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المؤلف الرئيسي: Nīshāpūrī, Faḍl b. Muḥibb (مؤلف)

مؤلفون آخرون: Basharī, Javād (المحرر), Vafāʿī, Muḥammad Afshīn (المحرر)

التنسيق: كتاب الكتروني

اللغة: English
Persian

منشور في: Leiden; Boston : BRILL, [2019]

سلاسل: Miras Maktoob, ISBN: 9789004365452.

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رقم الطلب: BP88.N39

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245 1 0 |6 880-02  |a Taḥqīq dar majālis-i tafsīri-yi Faḍl b. Muḥibb-i Nīshābūrī wa abyāt-i Fārsi-yi ān :  |b Ganjīnaʾī az surūdhā-yi Zāhidāna-yi Fārsī az sada-yi panjum-i hijrī /  |c by Faḍl b. Muḥibb Nīshāpūrī ; (Edited by) Javād Basharī, Muḥammad Afshīn Vafāʿī. 
880 1 0 |6 245-02/(3/r  |a تحقیق در مجالس تفسیری فضل بن محب نیشابوری و ابیات فارسی آن (گنجینه ای از سروده های زاهدانه فارسی) /  |c by فضل بن محب نیشابوری ; (Edited by) جواد بشری، محمد افشین وفایی. 
246 3 |a Ganjīnaʾī az surūdhā-yi Zāhidāna-yi Fārsī az sada-yi panjum-i hijrī 
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520 |a In Persian literature, so-called ' majālis ' (sg. majlis , 'session') works typically evoke the atmosphere of a religious gathering. In some of these gatherings, a lecturer recounted parts of the history of Islam and the lives and times of its prominent representatives. In others, his focus was on the interpretation of the Qurʾān or some other subject. Sometimes, a speaker answered questions and at others, he sermonized. An early work in this genre is a majālis text on Qurʾān interpretation by Faḍl b. Muḥibb Nīshāpūrī (d. 472/1079). Issuing from a well-educated family of Nishapur, Faḍl was known for his learning and his virtue, earning him the nicknames of ustādh ('master') and wāʿiẓ ('preacher'). The lines of poetry published here were culled from a majālis text by him, the title of which remains unknown. Testimony to his use of rhetorical means to enhance the impact of his talk, these lines of poetry are also among the earliest in their genre in Khurāsān. 
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