The Anthologist's Art : Abū Manṣūr al-Thaʿālibī and His Yatīmat al-dahr.
Why did premodern authors in the Arabic-Islamic culture compile literary anthologies, and why were these works remarkably popular? How can an anthology that consists of reproduced material be original and creative, and serve various literary and political ends? How did anthologists select their mate...
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Format: eBook
Language: English
Published:
Leiden :
BRILL,
2016.
Series:
Brill Studies in Middle Eastern Literatures
37.
Middle East and Islamic Studies E-Books Online, Collection 2016, ISBN: 9789004303935.
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Call Number: PJ7521.T4555 2016
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| 100 | 1 | |a Orfali, Bilal. | |
| 245 | 1 | 4 | |a The Anthologist's Art : |b Abū Manṣūr al-Thaʿālibī and His Yatīmat al-dahr. |
| 264 | 1 | |a Leiden : |b BRILL, |c 2016. | |
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| 338 | |a online resource |2 rdacarrier | ||
| 490 | 1 | |a Brill Studies in Middle Eastern Literatures ; |v v.37 | |
| 500 | |a Description based upon print version of record. | ||
| 504 | |a References to the Earlier Version of the Yatīma References to Other Works by Thaʿālibī ; Later Additions to the Yatīma ; Authenticity and Misattribution ; Forgotten, Lost, and Inconsistent Material ; Chapter 4. The Sources of Thaʿālibī in Yatīmat al-Dahr and Tatimmat al-Yatīma; Written Sources ; Dīwāns; Books; Other Written Media ; Oral and Aural Sources ; Main Guarantors in the Yatīma ; Main Guarantors in the Tatimma ; Conclusion ; Chapter 5. Material within the Entry; Categorization and Arrangement of Material within Entries ; The Biographical Summary ; Dates; Deaths of Poets. | ||
| 505 | 0 | 0 | |a Preliminary Material -- 1 The Art of Anthology in Premodern Arabic Literature -- 2 Life and Legacy of Thaʿālibī -- 3 An Anthologist at Work: The Organization and Structure of the Yatīma and Tatimma -- 4 The Sources of Thaʿālibī in Yatīmat al-Dahr and Tatimmat al-Yatīma -- 5 Material within the Entry -- Conclusion -- Appendices -- Bibliography -- Index. |
| 506 | |a Available to subscribing member institutions only. | ||
| 520 | |a Why did premodern authors in the Arabic-Islamic culture compile literary anthologies, and why were these works remarkably popular? How can an anthology that consists of reproduced material be original and creative, and serve various literary and political ends? How did anthologists select their material, then record and arrange it? This book examines the life and works of Abū Manṣūr al-Thaʿālibī (350-429/961-1039), an eminent anthologist from Nīshāpūr, paying special attention to his magnum opus, Yatīmat al-dahr ( The Unique Pearl ), and its sequel, Tatimmat al-Yatīma ( The Completion of the Yatīma ). This book is a direct window on to an anthologist's workshop in the second half of the fourth/tenth century. It examines the methodological consciousness expressed in Thaʿālibī's selection and arrangement, and his sophisticated system of internal references and cross-references to other works; how he selected from his contemporaries' oeuvres; how he sought, recorded, memorized, misplaced, and sometimes lost or forgot his selections; how he scrutinized the authenticity of material, accepting, questioning, or rejecting its attribution; and the errors and inconsistencies that resulted from this process. | ||
| 655 | 0 | |a Electronic books. | |
| 776 | 0 | 8 | |i Print version: |a Orfali, Bilal |t Anthologist's Art : Abū Manṣūr al-Thaʿālibī and His Yatīmat al-dahr |d Leiden : BRILL,c2016 |z 9789004316294 |
| 830 | 0 | |a Brill Studies in Middle Eastern Literatures |v 37. | |
| 830 | 0 | |a Middle East and Islamic Studies E-Books Online, Collection 2016, ISBN: 9789004303935. | |
| 856 | 4 | |z DOI: |u http://dx.doi.org/10.1163/9789004317352 | |
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