Une paratextualité émergente dans les tombes privées /
In this paper, I investigate the speech captions (the so-called ‘Reden und Rufe’) in the private tombs from the Old Kingdom to the Late Period. I aim to show some of the ways used by the Egyptian scribes and/or artists to formally distinguish these speeches from other captions and inscriptions displ...
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| LEADER | 01242nam a2200109Ia 4500 | ||
|---|---|---|---|
| 008 | 220712s9999||||xx |||||||||||||| ||und|| | ||
| 100 | 1 | |a Motte, Aurore. | |
| 245 | 1 | 0 | |a Une paratextualité émergente dans les tombes privées / |c Aurore Motte. |
| 520 | 3 | |a In this paper, I investigate the speech captions (the so-called ‘Reden und Rufe’) in the private tombs from the Old Kingdom to the Late Period. I aim to show some of the ways used by the Egyptian scribes and/or artists to formally distinguish these speeches from other captions and inscriptions displayed in private tombs. After presenting the text- image interrelation and the most common speech caption layouts, I turn my attention to the form(s) of these captions and trace back the appearance of discursive marks in Old Kingdom mastaba as first evidence of paratextuality. I then offer a diachronic overview of the other paratextual means used to categorize a caption as a speech or a song: Dd-formulas, the parenthetic in indicating a direct quotation as well as the expression xn n wSb and xn n nhm. | |
| 856 | 4 | |u https://lockwoodonlinejournals.com/index.php/jarce/workflow/access/1977 | |
| 952 | |0 0 |1 0 |4 0 |7 1 |9 42438 |a JARCE |b JARCE |d 2022-08-09 |l 0 |r 2022-08-09 00:00:00 |w 2022-08-09 |y PT | ||
| 999 | |c 49201 |d 49201 | ||