Horace's iambic criticism : casting blame (Iambike Poiesis) /
To date the positive value of Horace's iambic criticism has been underestimated, and overall Horace has been tamed too much. By examining the relationship of the iambic tradition with ritual, this book studies how Horace's Epodes are more than partisan (consolidating Octavian's victor...
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Format: eBook
Language: English
Published:
Leiden ; Boston :
Brill,
2012.
Series:
Mnemosyne, Supplements
334.
Mnemosyne Supplements Online, Volumes 204-407, ISBN: 9789004322288.
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Call Number: PA6411 .J56 2012
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| 100 | 1 | |a Johnson, Timothy S. | |
| 245 | 1 | 0 | |a Horace's iambic criticism : |b casting blame (Iambike Poiesis) / |c by Timothy S. Johnson. |
| 264 | 1 | |a Leiden ; |a Boston : |b Brill, |c 2012. | |
| 300 | |a 1 online resource (xii, 314 pages) | ||
| 336 | |a text |b txt |2 rdacontent | ||
| 337 | |a computer |b c |2 rdamedia | ||
| 338 | |a online resource |2 rdacarrier | ||
| 490 | 1 | |a Mnemosyne. Supplements, |x 0169-8958 ; |v v. 334 | |
| 504 | |a Includes bibliographical references and indexes. | ||
| 505 | 0 | 0 | |a Preliminary Material -- A Personal Introduction -- Chapter . Non Res Et Agentia Verba Lycamben: On Not Hunting Down Lykambes -- Chapter 2. Society, Iambic Rage, and Self-Destruction (Epodes 1-7) -- Chapter . Rage-Repression-Rage: Iambic Responsions (Epodes -) -- Chapter 4. Horace's Lying Lyre (Epodes 16-17) -- Chapter 5. Horace's Iambic to Lyric Re/cantation (C. I.1; 5; 13-17) -- Chapter . Critical Pluralities: Iambikē Poiēsis in the Start and Stop of the Ars Poetica -- An Iambic Post-Lude -- Works Cited -- Subject Index -- IndexNominum. |
| 506 | |a Available to subscribing member institutions only. | ||
| 520 | |a To date the positive value of Horace's iambic criticism has been underestimated, and overall Horace has been tamed too much. By examining the relationship of the iambic tradition with ritual, this book studies how Horace's Epodes are more than partisan (consolidating Octavian's victory by projecting hostilities onto powerless others) but meta-partisan (forming fractured entities into a diversified unity). As Horace moves through his iambics to lyrics ( Epodes to Odes ), he stages acts of aggression and retaliation along with attempts at resistance and reconciliation so that this shifting back and forth creates a correspondence between perspectives. Unity develops from diversity, polyeideia . This is the point at which Horace socializes literary criticism ( Ars Poetica ): societas becomes the telos of his poetics. | ||
| 559 | 4 | |a PA6411 .J56 2012 | |
| 600 | 0 | 0 | |a Horace |x Criticism and interpretation. |
| 650 | 0 | |a Iambic pentameter. | |
| 776 | 0 | 8 | |i Print version: |t Horace's Iambic Criticism: Casting Blame (Iambikē Poiēsis) |d Leiden, Boston : BRILL, 2012, |z 9789004215238 |
| 830 | 0 | |a Mnemosyne, Supplements |v 334. | |
| 830 | 0 | |a Mnemosyne Supplements Online, Volumes 204-407, ISBN: 9789004322288. | |
| 856 | 4 | |z DOI: |u http://dx.doi.org/10.1163/9789004216037 | |
| 880 | 0 | |6 505-00 |a Civil War and "I" -- Horace's Iambic Drama -- Singing with Canidia -- Iambike Poiesis: Action and Continuity -- Life, Times, and Literature -- Disavowing Iambic: The Negative and Positive -- Archilochus and the Lykambid Tradition -- Horace on Archilochus: The Limits of Mockery -- Another Side to Iambic -- Complicating Loyalties (Epodes 1-4) -- Lykambid Infection (Epodes 5-6) -- Lykambid Rome (Epode 7) -- ư£ Đłoư -- Keeping Vendetta Down? (Epode 8) -- Sympotic Anxiety (Epode 9) -- Cursing Maevius (Epode 10) -- Elegy, Iambic-Style (Epodes 11 and 15) -- Mixing-Up Iambic Expectations (Epode 12) -- Late Delivery: Maecenas and His Love-Sick Poet (Epodes 13-14) -- Sailing Away: Iambic Hopes (Epode 16) -- Horace's Duet with Canidia (Epode 17) -- Overture to Re/cantation: Acts of Resolution (C. I.1.5; 13-15) -- Lyric Attraction (C. I.1) -- From Outrage to Blessing (C. I.5; 13-15) -- Re/cantation (C. I.16; 17) -- Inviting Consonance (C. I.16) -- P.S. Tyndaris (C. I.17) -- Summation -- The Critical "Older Horace" -- The Bad Painter and Mad Poet: Artistic and Social Fragmentation -- At the Middle of Horace's Ars -- The Value of Criticism: Artistic and Social Cohesion -- Quintilius: The Necessity of Constructive Criticism (Ars Poetica 419-452) -- The Death of Vergil's Quintilius: Criticism As Comfort (C. I.24) -- An Iambic Post-Lude. | |
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