A Walk in the Park: Kinesthesia in the Arts of Landscape /
Current neuroscience discloses that all emotional feeling originates as movement. Kinesthesia, our sixth sense, begins with movement of muscle cells and ends as emotion. Depth perception, which depends on movement, is always feeling-laden. To be expressive, art must somehow move our bodies. Studies...
المؤلف الرئيسي:
التنسيق: كتاب الكتروني
اللغة: English
منشور في:
Leiden ; Boston :
Brill,
2024.
سلاسل:
Religious Studies, Theology and Philosophy E-Books Online, Collection 2024.
Transcultural Aesthetics ;
3.
الموضوعات:
الوصول للمادة أونلاين: Login to view Source
الوسوم: إضافة وسم
رقم الطلب: BH301.L3
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| 100 | 1 | |a Pashman, Susan, |e author. | |
| 245 | 1 | 2 | |a A Walk in the Park: Kinesthesia in the Arts of Landscape / |c Susan Pashman. |
| 264 | 1 | |a Leiden ; |a Boston : |b Brill, |c 2024. | |
| 264 | 4 | |c ©2024 | |
| 300 | |a 1 online resource (452 pages) : |b illustrations. | ||
| 336 | |a text |b txt |2 rdacontent | ||
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| 338 | |a online resource |2 rdacarrier | ||
| 490 | 1 | |a Religious Studies, Theology and Philosophy E-Books Online, Collection 2024 | |
| 490 | 1 | |a Transcultural Aesthetics ; |v 3 | |
| 504 | |a Includes bibliographical references and index. | ||
| 505 | 0 | |t Introduction / |r Susan Pashman -- Part 1 The Double Problem of Landscape / |r Susan Pashman -- Part 2 Kinesthesia: the Key to Understanding Landscape's Medium / |r Susan Pashman -- Part 3 From Motion to Emotion / |r Susan Pashman -- Part 4 Kinesthesia Lies at the Core of Artistic Expression / |r Susan Pashman -- Part 5 Landscape as Art / |r Susan Pashman -- Part 6 Kinesthesia is the Basis of All Artistic Expression / |r Susan Pashman. | |
| 520 | |a Current neuroscience discloses that all emotional feeling originates as movement. Kinesthesia, our sixth sense, begins with movement of muscle cells and ends as emotion. Depth perception, which depends on movement, is always feeling-laden. To be expressive, art must somehow move our bodies. Studies of expressive dance demonstrate that we unconsciously model observed movements, duplicating in ourselves the feelings that generated the dancer's movements. The art of landscape creates choreography for a walk. But each of the fine arts play a role in landscape design. Here, then, is a new theory of landscape that easily extends to all the fine arts, explaining our enjoyment in landscape, as well as aesthetic enjoyment more generally. | ||
| 546 | |a English | ||
| 588 | |a Description based on print version record. | ||
| 650 | 0 | |a Landscapes. | |
| 650 | 0 | |a Muscular sense. | |
| 650 | 0 | |a Paysages. | |
| 650 | 0 | |a Senses and sensation. | |
| 776 | 0 | 8 | |i Print version: |t A Walk in the Park: Kinesthesia in the Arts of Landscape. |d Leiden ; Boston : Brill, 2024. |z 9789004696921w(DLC) 2024002950 |
| 830 | 0 | |a Religious Studies, Theology and Philosophy E-Books Online, Collection 2024. | |
| 830 | 0 | |a Transcultural Aesthetics ; |v 3. | |
| 856 | 4 | |z DOI: |u http://dx.doi.org/10.1163/9789004697591 | |
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