The Painting Master's Shame : Liang Shicheng and the Xuanhe Catalogue of Paintings /

Overturning the long-held assumption that the Xuanhe Catalogue of Paintings was the work of the Northern Song emperor Huizong (r. 1100-1126), Amy McNair argues that it was compiled instead under the direction of Liang Shicheng. Liang, a high-ranking eunuch official who sought to raise his social sta...

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Main Author: McNair, Amy (Author)

Format: eBook

Language: English

Published: Massachusetts ; Cambridge : Harvard University Asia Center, 2023.

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Call Number: ND1043.4

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100 1 |a McNair, Amy,  |e author. 
245 1 4 |a The Painting Master's Shame :  |b Liang Shicheng and the Xuanhe Catalogue of Paintings /  |c Amy McNair. 
246 3 |a Liang Shicheng and the Xuanhe Catalogue of Paintings 
264 1 |a Massachusetts ;  |a Cambridge :  |b Harvard University Asia Center,  |c 2023. 
264 4 |c ©2023 
336 |a text  |b txt  |2 rdacontent 
337 |a computer  |b c  |2 rdamedia 
338 |a online resource  |2 rdacarrier 
504 |a Includes bibliographical references and index. 
505 0 |t Preliminary Material /  |r Author: Amy McNair -- Introduction /  |r Author: Amy McNair -- Politics, Eunuch Officials, and Painting Theory in Late Northern Song /  |r Author: Amy McNair -- The Audiences and Early Uses of the Catalogue /  |r Author: Amy McNair -- Constructing the Biographies, Establishing the Painting Master Narreme /  |r Author: Amy McNair -- Su Shi and Scholar-Amateur Painting Theory in the Catalogue /  |r Author: Amy McNair -- Li Gonglin and Anxiety about Amateur Status /  |r Author: Amy McNair -- Eunuch Officials as Painters, Fathers, and Sons /  |r Author: Amy McNair -- Liang Shicheng and the Authorship of the Catalogue /  |r Author: Amy McNair -- Epilogue /  |r Author: Amy McNair -- Notes /  |r Author: Amy McNair -- Bibliography /  |r Author: Amy McNair -- Glossary-Index. 
520 |a Overturning the long-held assumption that the Xuanhe Catalogue of Paintings was the work of the Northern Song emperor Huizong (r. 1100-1126), Amy McNair argues that it was compiled instead under the direction of Liang Shicheng. Liang, a high-ranking eunuch official who sought to raise his social status from that of despised menial to educated elite, had privileged access to the emperor and palace. McNair's study, based on her translation and extensive analysis of the text of the Xuanhe Catalogue of Paintings , offers a definitive argument for the authorship of this major landmark in Chinese painting criticism and clarifies why and how it was compiled. The Painting Master's Shame describes the remarkable circumstances of the period around 1120, when the catalogue was written. The political struggles over the New Policies, the promotion of the "scholar amateur" ideal in painting criticism and practice, and the rise of eunuch court officials as a powerful class converged to allow those officials the unprecedented opportunity to enhance their prestige through scholarly activities and politics. McNair analyzes the catalogue's central polemical narrative-the humiliation of the high-ranking minister mistakenly called by the lowly title "Painting Master"-as the key to understanding Liang Shicheng's methods and motives. See Less 
546 |a English 
588 |a Description based on print version record. 
650 0 |a Eunuchs  |z China  |x History  |y To 1500. 
650 0 |a Painting, Chinese  |y Song-Yuan dynasties, 960-1368. 
776 0 8 |i Print version:  |t The Painting Master's Shame : Liang Shicheng and the Xuanhe Catalogue of Paintings.  |d Massachusetts ; Cambridge : Harvard University Asia Center, 2023.  |z 9780674293748  |w (DLC) 2023004965 
856 4 |z DOI:   |u http://dx.doi.org/10.1163/9781684176809 
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