Word and Music Studies: Defining the Field : Proceedings of the First International Conference on Word and Music Studies at Graz, 1997 /

The nineteen interdisciplinary essays assembled in WORD AND MUSIC STUDIES I were first presented in 1997 at the founding conference of the International Association for Word and Music Studies (WMA) in Graz, Austria. Diverse in subject matter, theoretical orientation, critical approach, and interpret...

Full description

Saved in:

Other Authors: Bernhart, Walter (Editor), Scher, Steven Paul (Editor), Wolf, Werner (Editor)

Format: eBook

Language: English

Published: Leiden ; Boston : Brill, 1999.

Series: Literature and Cultural Studies - Book Archive pre-2000.
Word and Music Studies ; 1.

Subjects:

Online Access: Login to view Source

Tags: Add Tag

No Tags, Be the first to tag this record!

Call Number: ML3849

LEADER 04983nam a22005538i 4500
001 BRILL9789004649217
003 nllekb
005 20241030073701.0
006 m d
007 cr un uuuua
008 240912s1999 gw sb 001 0 eng d
020 |a 9789004649217  |q (electronic book) 
020 |z 9789042005877  |q (print) 
024 7 |a 10.1163/9789004649217  |2 DOI 
035 |z (OCoLC)42920360 
040 |a NL-LeKB  |c NL-LeKB  |e rda 
041 |a eng 
050 4 |a ML3849 
072 7 |a GT  |2 bicssc 
072 7 |a HIS  |x 000000  |2 bisacsh 
072 7 |a POL  |x 000000  |2 bisacsh 
072 7 |a SOC  |x 000000  |2 bisacsh 
082 0 4 |a 780.08  |2 23 
245 1 0 |a Word and Music Studies: Defining the Field :  |b Proceedings of the First International Conference on Word and Music Studies at Graz, 1997 /  |c edited by Walter Bernhart, Steven Paul Scher and Werner Wolf. 
246 3 |a Proceedings of the First International Conference on Word and Music Studies at Graz, 1997 
264 1 |a Leiden ;  |a Boston :  |b Brill,  |c 1999. 
264 4 |c ©1999 
300 |a 1 online resource (352 pages) :  |b illustrations. 
336 |a text  |b txt  |2 rdacontent 
337 |a computer  |b c  |2 rdamedia 
338 |a online resource  |2 rdacarrier 
490 1 |a Literature and Cultural Studies - Book Archive pre-2000 
490 1 |a Word and Music Studies ;  |v 1 
504 |a Includes bibliographical references and index. 
505 0 |t Front Matter -- Preliminary Material /  |r Walter Bernhart , Steven Paul Scher , and Werner Wolf -- Introduction /  |r Walter Bernhart -- Melopoetics Revisited /  |r Steven Paul Scher -- Some Reflections on Literary Genres and Music /  |r Walter Bernhart -- Musicalized Fiction and Intermediality /  |r Werner Wolf -- Bartók and the Politics of Folk Music /  |r John Neubauer -- Untwisting the Serpent /  |r Daniel Albright -- Recent Approaches to Text/Music Analysis in the Lied /  |r Suzanne M. Lodato -- The Romantic Song Cycle as Literary Genre /  |r Cyrus Hamlin -- Narrative Elements in Opera /  |r Michael Halliwell -- "Wovon man nicht sprechen kann, davon muß man singen" /  |r Ulrich Weisstein -- The Musikgedicht /  |r Claus Clüver -- Reading Musicalized Texts as Self-Reflexive Texts /  |r Ulla-Britta Lagerroth -- Some Functions of Music in Chinese Classical Literature /  |r Kii-Ming Lo -- Musical Form as a Problem in Literary Criticism /  |r William E. Grim -- A Playful Comment on Word and Music Relations /  |r Anja Müller-Muth -- Pli selon pli : A Conflation of Theoretical Stances /  |r Mary Breatnach -- Piano Poems and Orchestral Recitations /  |r Siglind Bruhn -- Beyond Words and Music /  |r Lawrence Kramer -- "Gott! erhalte": National Anthems and the Semantics of Music /  |r Albrecht Riethmüller -- Music, Word, Performance /  |r Aubrey S. Garlington -- Back Matter -- Notes on the Contributors /  |r Walter Bernhart , Steven Paul Scher , and Werner Wolf. 
520 |a The nineteen interdisciplinary essays assembled in WORD AND MUSIC STUDIES I were first presented in 1997 at the founding conference of the International Association for Word and Music Studies (WMA) in Graz, Austria. Diverse in subject matter, theoretical orientation, critical approach, and interpretive strategy, they share a keen scholarly interest in contemporary word-music reflection. Registering the impact of cultural studies on word-music relations, as manifested in the 'new musicology' and other 'historicist' approaches, the volume aims to assess the entire field of word and music studies, to define its subject, objectives, and methodology and to describe the field's state of the art. Within the broader context of generic, structural, performative, and ideological considerations concerning the manifold interrelations between literature and music, contributors explore wide-ranging topics, such as the vexing question of terminology (e.g. 'word and music', 'melopoetics', 'interart', 'intermedial', 'transmedial'); inquiry into the meaning, narrative potential, and verbalization of music; analysis of texted music (the Lied and opera) and instrumental music; and discussion of individual issues (e.g. 'ekphrasis', 'musicalization of fiction', 'word music', and 'verbal music') and interart loanwords (e.g. 'narrativity', 'counterpoint', and 'leitmotif'). See Less 
546 |a English 
588 |a Description based on print version record. 
650 0 |a Music and literature  |v Congresses.  
650 0 |a Music in literature  |v Congresses.  
700 1 |a Bernhart, Walter,  |e editor. 
700 1 |a Scher, Steven Paul,  |e editor. 
700 1 |a Wolf, Werner,  |e editor. 
776 0 8 |i Print version:  |t Word and Music Studies: Defining the Field : Proceedings of the First International Conference on Word and Music Studies at Graz, 1997.  |d Leiden ; Boston : Brill, 1999.  |z 9789042005877 
830 0 |a Literature and Cultural Studies - Book Archive pre-2000. 
830 0 |a Word and Music Studies ;  |v 1. 
856 4 |z DOI:   |u http://dx.doi.org/10.1163/9789004649217 
942 |2 lcc  |c EBOOK 
999 |c 59678  |d 59678