Japanese Art - Transcultural Perspectives /

Japanese Art - Transcultural Perspectives /

The transcultural approach to Japanese art history embraced by the contributors to this volume centers on the dynamic aesthetic, artistic, and conceptual negotiations across cultural, temporal, and spatial boundaries. It not only acknowledges material objects, people, and technologies as agents, but...

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Other Authors: Guth, Christine (Editor), Trede, Melanie (Editor), Wakita, Mio (Editor)

Format: eBook

Language: English
Japanese

Published: Leiden ; Boston : Brill, 2025.

Series: Asian Studies E-Books Online, Collection 2025.
Studies in Asian Art and Archaeology ; 29.

Subjects:

Asian Studies.
Japanese Art.

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Call Number: DS501

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Table of Contents:
  • Acknowledgments
  • List of Figures
  • List of Tables
  • Notes on Contributors
  • Notes to Reader
  • Japanese Art: Transcultural Perspectives
  • Melanie Trede, Mio Wakita and ChristineM.E. Guth
  • Part1 Methodologies, Texts, and Discourses
  • Commentary
  • Monica Juneja
  • 1 The Origin of Species and the Rise of World Art History: Ernst Grosse's Encounter with the Beginnings of Art
  • Ingeborg Reichle
  • 2 Inverting the Cultural Order: Naitō Konan and East Asian Art History
  • Tamaki Maeda
  • 3 Artifactual Hybridity and the Dynamics of Global Integration
  • ChristineM.E. Guth
  • 4 A View of the Avant-Garde from Postwar Japanese Calligraphy
  • Eugenia Bogdanova-Kummer
  • 5 How to Build a World Art History on Stones: Robert Smithson, Horikawa Michio, and 1960s Art in Japan
  • Reiko Tomii
  • Part2 Images, Imaginations, and Visions: Japan and Beyond
  • Commentary
  • Bernd Schneidmüller
  • 6 The Uncultured in the Photography of Miyamoto Tsuneichi: Its Historical Complexity and Affective Dimension
  • Michio Hayashi
  • 7 Stripes and Feathers: Trade and the Spatial Imaginary in Late Seventeenth-Century Japan
  • Radu Leca
  • 8 Japan, Cartography, and the Art of World-Making
  • D.Max Moerman
  • 9 The World of Mount Sumeru Diagrams: Representations and Discourses
  • Komine Kazuaki
  • Part3 Artifacts and Materialities
  • Commentary
  • Craig Clunas
  • 10 Japanese Export Porcelain for the Chinese and Korean Markets in the Meiji Period
  • Maezaki Shinya
  • 11 Lacquerware as a Global Commodity: Distribution and Imitation of Maki-e
  • Hidaka Kaori with Sono Yuan Werhahn
  • 12 Mediating Tradition: Japanese Copperplate Printing and Art Reproduction in 1880s Shanghai
  • Lai Yu-chih
  • 13 Asahi Gyokuzan: Defining Sculpture in an Age of Change
  • Martha Chaiklin
  • 14 Gao Jianfu's Aesthetic of Dilapidation: Modern Chinese Visuality and Its Relations to Japan and the Stele School
  • AidaYuen Wong
  • 15 Fields of Contested Vision and Materiality: Globetrotter Tourism, Living Dolls, and Meiji Souvenir Photography
  • Mio Wakita
  • 16 A World Somewhere between the New World and Asia
  • Sofía Sanabrais
  • Part4 Collecting and Display: Authority and Eccentricity of Japanese Art in Transcultural Fields
  • Commentary
  • Noriko Murai
  • 17 Comparing East and West: The Collections of Enrico Cernuschi
  • Silvia Davoli
  • 18 Hayashi Tadamasa, Art Historian, Collector, and Dealer: Negotiating the Concept of "Fine Arts" in Europe and " Bijutsu " in Japan
  • Yamanashi Emiko
  • 19 Collecting and Exhibiting Japanese Art in the German Empire (1871-1918)
  • Doris Croissant
  • 20 An Evolving Appreciation of Japanese Premodern Art
  • The 1910 Japan-British Exhibition in London and the 1939 Exhibition of Old Japanese Art in Berlin
  • Yasumatsu Miyuki
  • 21 Exhibiting Manga, Representing "Japan"
  • Jaqueline Berndt
  • 22 Ganbare, Nippon : Curator's Notes for the Japan Pavilion at the Venice Biennale-A Map of the World
  • Kuraya Mika
  • Index.