Motus mixti et compositi: The Portrayal of Mixed and Compound Emotions in the Visual and Literary Arts of Europe, 1500-1700 /

Motus mixti et compositi: The Portrayal of Mixed and Compound Emotions in the Visual and Literary Arts of Europe, 1500-1700 /

This book examines deployments of mixed emotion in the literary and pictorial arts of early modern Europe. It consists of two parts, the first focusing on portrayals of mixed emotion in theatre, poetry, and prose, the second on forms and functions of mixed emotion in spiritual exercises centering on...

Full description

Saved in:

Other Authors: Enenkel, Karl A.E. (Editor), Melion, Walter S. (Editor)

Format: eBook

Language: English

Published: Leiden ; Boston : Brill, 2025.

Series: Early Modern History and Modern History E-Books Online, Collection 2024.
Intersections ; 90.

Subjects:

Emotions in literature.
European literature > Renaissance, 1450-1600 > History and criticism.
Painting, European > 16th century.

Online Access: Login to view Source

Tags: Add Tag

No Tags, Be the first to tag this record!

Call Number: PN56.E6

Save to List Photographic Request Become a member
Table of Contents:
  • Front Matter
  • Preliminary Material /
  • Walter S. Melion
  • Part 1 Portraying Mixed Emotions in the Literary Arts
  • Section A Mixed Emotions in Dutch and Latin Drama
  • Chapter 2 All Motion Discovers Us: Moral Discernment and the Role of the Passions in Willem van Nieulandt's Nero (1618) /
  • Bart Ramakers
  • Chapter 3 Staging the In-Between: Compound, Conflicting and Shifting Emotions in Seventeenth-Century Neo-Latin Drama from the Dutch Republic /
  • Lukas Reddemann
  • Section B Mixed Emotions in Neo-Latin and French Poetry
  • Chapter 4 Between Fleeting and Compound Emotions in Neo-Latin Lyric Poetry on 'Turks': Georgius Sisgoreus' Elegia de Sibenicensis agri vastatione /
  • Ludovica Sasso
  • Chapter 5 Shifting Emotions in Neo-Latin Psalm Poetry and Erotic Elegy: George Buchanan and Janus Lernutius /
  • Carolin A. Giere
  • Chapter 6 On Red and White Cheeks: Jakob Balde's Poetic Ekphrases on a Triptych by Christoph Schwarz in the Light of the Scholastic Theory of the Passions /
  • Aline Smeesters
  • Chapter 7 Mixed Motives: the Art of Joachim Du Bellay, 1549-1558 /
  • Tom Conley
  • Section C Mixed Emotions in Prose Literature
  • Chapter 8 Tears of Love and Sorrow: the Affective Regime of the European Pastoral Tradition /
  • Anita Traninger
  • Chapter 9 'How We Weep and Laugh at the Same Thing': Conflicting Emotions in Rabelais and Montaigne /
  • Paul J. Smith
  • Chapter 10 The Troubles of Christian Perfection: Berinzaga, Gagliardi, Borromeo /
  • Wietse de Boer
  • Part 2 Portraying Mixed Emotions in the Visual Arts
  • Section A Mixed Emotions in Image-based Spiritual Exercises
  • Chapter 11 O vos omnes : Recognition, Tragic Emotion, and the Passerby Topos in Northern European Art around 1500 /
  • Mitchell Merback
  • Chapter 12 Mixed Emotion and Spiritual Perfection in Abraham Bloemaert's Sylva anachoretica of 1619 /
  • Walter S. Melion
  • Chapter 13 Spiritual Joy in the Face of Death: Compound Emotions in Texts and Images of the Martyrs of the Japan Mission /
  • Raphaèle Preisinger
  • Chapter 14 Materialities of Mixed Emotions and Spiritual Martyrdom between the Grand Duchy of Lithuania and Grand Duchy of Tuscany /
  • Ruth Sargent Noyes
  • Section B Heuristic and Sanative Images of Mixed Emotions
  • Chapter 15 Francisci chorda traxit ad se plurima corda : 'Drawing' the Heart's Emotions in Jan Provoost's Diptych of Christ Carrying the Cross /
  • Elliott D. Wise
  • Chapter 16 'Symbolic Anatomies': Hendrick Goltzius and the Ambiguities of Early Modern Disability /
  • Barbara A. Kaminska
  • Chapter 17 Exploring Complex Emotions through the Portrayal of Dialogic Exchange: Pieter Lastman's Paul and Barnabas in Lystra of 1617 /
  • Graham R. Lea
  • Chapter 18 Between Despair and Hope: Raising Emotions with Dutch Seventeenth-Century Marine Paintings and Prints /
  • Stijn Bussels and Bram Van Oostveldt
  • Back Matter
  • Index Nominum.