Theatre of Sexual Attraction and Psychological Destruction : The Myth of Hercules and Omphale in the Visual Arts, 1500-1800 /
The book examines the myth of Hercules and Omphale/Iole which became an important topic in the visual arts, 1500-1800. It offers an analysis of the iconography from the perspective of the history of emotions, classical and Neo-Latin philology, reception and gender studies. The early modern invention...
محفوظ في:
المؤلف الرئيسي:
التنسيق: كتاب الكتروني
اللغة: English
منشور في:
Leiden ; Boston :
Brill,
2025.
سلاسل:
Early Modern History and Modern History E-Books Online, Collection 2024.
Intersections ;
91.
الموضوعات:
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الوسوم: إضافة وسم
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رقم الطلب: N7763.H47
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| 100 | 1 | |a Enenkel, Karl, |e author. | |
| 245 | 1 | 0 | |a Theatre of Sexual Attraction and Psychological Destruction : |b The Myth of Hercules and Omphale in the Visual Arts, 1500-1800 / |c Karl Enenkel. |
| 246 | 3 | |a The Myth of Hercules and Omphale in the Visual Arts, 1500-1800 | |
| 264 | 1 | |a Leiden ; |a Boston : |b Brill, |c 2025. | |
| 264 | 4 | |c ©2025 | |
| 300 | |a 1 online resource (528 pages) : |b illustrations. | ||
| 336 | |a text |b txt |2 rdacontent | ||
| 337 | |a computer |b c |2 rdamedia | ||
| 338 | |a online resource |2 rdacarrier | ||
| 490 | 1 | |a Early Modern History and Modern History E-Books Online, Collection 2024 | |
| 490 | 1 | |a Intersections ; |v 91 | |
| 504 | |a Includes bibliographical references and index. | ||
| 505 | 0 | |t Front Matter -- Preliminary Material / |r Karl A.E. Enenkel -- Chapter 2 Hercules and Omphale: the Myth in the Literary Tradition of Greek and Roman Antiquity and of the Middle Ages / |r Karl A.E. Enenkel -- Chapter 3 Boccaccio's De mulieribus claris : Psychopathology of Love, Hercules's furor and Yole's Strategy of Cunning / |r Karl A.E. Enenkel -- Chapter 4 A Bestseller of the Cranach Factory: Hercules furens as Didactic Tragicomedy of "Weiberlist" (Women's guile) and "Weibermacht" (Women's Power) / |r Karl A.E. Enenkel -- Chapter 5A Women's Guile in Manuscript Illuminations of De mulieribus claris and 16th-Century Representations of the Myth / |r Karl A.E. Enenkel -- Chapter 5B The Myth as Allegorical Court Satire on the Bad Ruler: Dosso Dossi (ca. 1535-1537) / |r Karl A.E. Enenkel -- Chapter 6 Erotic Farce: Bartholomeus Spranger's Invention of the Myth as Brothel Scene (ca. 1585-1600) / |r Karl A.E. Enenkel -- Chapter 7 The Invention of the Myth as Multimedia Entertainment: Gillis Coignet (1590-1599) / |r Karl A.E. Enenkel -- Chapter 8 Hercules furens as Tragedy and as Comedy: Alessandro Turchi's Pendant Paintings in the Alte Pinakothek (ca. 1620) / |r Karl A.E. Enenkel -- Chapter 9 Comedy and Courtly Decorum: Adaptations and Transformations of Spranger's Brothel Scene, 1600-1800 / |r Karl A.E. Enenkel -- Chapter 10 How Low Can Hercules Go? - the Development of Spranger's Brothel Scene as Vulgar Farce in the 17th and 18th Centuries / |r Karl A.E. Enenkel -- Chapter 11 Music and Madness, Furor and Frenzy: Staging the Myth as Bacchus Feast and Sacred Marriage (Statius, Ovid's Fasti ) / |r Karl A.E. Enenkel -- Chapter 12 Hercules's Perturbatio mentis and Female Emotions of the Male Hero / |r Karl A.E. Enenkel -- Chapter 13 Iole's/Omphale's Triumph or 'omnia vincit amor' - the Compound of Triumphant Emotions / |r Karl A.E. Enenkel -- Chapter 14 The Humiliation of the Male: Slapstick Humour, Physical Violence / |r Karl A.E. Enenkel -- Chapter 15 Omphale as a Moral Example of Chastity and Template for a Female Political Leader? - Simon Vouet's Comedy and Tragedy of Love / |r Karl A.E. Enenkel -- Chapter 16 Sincere Love or Feigned Love? The Art of Creating Ambiguous Emotional Compounds and Erotic Tension / |r Karl A.E. Enenkel -- Chapter 17 From Feigned Love to Performative Erotic Techniques: Nude Dance, Dress-Dropping, Erotic Motion, Striptease / |r Karl A.E. Enenkel -- Chapter 18 Conclusion / |r Karl A.E. Enenkel -- Back Matter -- Bibliography / |r Karl A.E. Enenkel. | |
| 520 | |a The book examines the myth of Hercules and Omphale/Iole which became an important topic in the visual arts, 1500-1800. It offers an analysis of the iconography from the perspective of the history of emotions, classical and Neo-Latin philology, reception and gender studies. The early modern inventions of the myth excel in a skilful display of mixed and compound emotions, such as the male character's psychopathology, and of the theatrical performance of emotions by the female character. | ||
| 546 | |a English | ||
| 588 | |a Description based on print version record. | ||
| 650 | 0 | |a Art, European |x Themes, motives. | |
| 650 | 0 | |a Emotions in art. | |
| 776 | 0 | 8 | |i Print version: |t Theatre of Sexual Attraction and Psychological Destruction : The Myth of Hercules and Omphale in the Visual Arts, 1500-1800. |d Leiden ; Boston : Brill, 2025. |z 9789004694644 |w (OCoLC)1452966320 |w (DLC) 2024033599 |
| 830 | 0 | |a Early Modern History and Modern History E-Books Online, Collection 2024. | |
| 830 | 0 | |a Intersections ; |v 91. | |
| 856 | 4 | |z DOI: |u http://dx.doi.org/10.1163/9789004694651 | |
| 942 | |2 lcc |c EBOOK | ||
| 999 | |c 60444 |d 60444 | ||