The Romantic Imagination : Literature and Art in England and Germany /

The Romantic Imagination : Literature and Art in England and Germany /

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Other Authors: Burwick, Frederick (Editor), Klein, Jürgen (Editor)

Format: eBook

Language: English

Published: Leiden ; Boston : Brill, 1996.

Series: Duitse Kroniek ; 46.
Literature and Cultural Studies - Book Archive pre-2000.

Subjects:

Art > Philosophy.
Romanticism in art.
Romanticism > England.

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Call Number: NX543

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Table of Contents:
  • Front Matter
  • Preliminary Material /
  • Frederick Burwick and Jürgen Klein
  • Acknowledgments /
  • Frederick Burwick and Jürgen Klein
  • Illustrations /
  • Frederick Burwick and Jürgen Klein
  • Verbal and Visual Modes of Imagination /
  • Frederick Burwick
  • Genius, Ingenium, Imagination: Aesthetic Theories of Production from the Renaissance to Romanticism /
  • Jürgen Klein
  • "The Dark Total Idea": Schiller on the Creative Process /
  • Werner Hofmann
  • The Parricidal Imagination: Schiller, Blake, Fuseli and the Romantic Revolt against the Father /
  • Horst Meller
  • Imagination in the Transcendental Poetics of Novalis /
  • Gabriele Rommel
  • Blake's Laocoön and Job : or, On the Boundaries of Painting and Poetry /
  • Frederick Burwick
  • Physiology of Perception: Achim von Arnim's Practical and Historical Aesthetics /
  • Roswitha Burwick
  • Grounds for Change: Wordsworth, Constable and the Uses of Place /
  • Wilhelmina L. Hotchkiss
  • Poet and Painter: Beaumont's Illustrations in the Poetry of William Wordsworth /
  • Norma S. Davis
  • Turner and Shelley: The Sense of a Comparison /
  • J. Drummond Bone
  • Immortality or Monstrosity? Reflections on the Sublime in Romantic Literature and Art /
  • Anne K. Mellor
  • The Picturesque: A Key Concept of the Eighteenth Century /
  • Hans-Ulrich Mohr
  • In Other Voices: Wackenroder's Herzensergießungen and the Creation of a Romantic Mythology /
  • Lilian R. Furst
  • Byron and Sculpture /
  • James A. W. Heffernan
  • How Dreams Become Poems: Keats's Imagined Sculpture and Re-Vision of Epic /
  • Wolf Z. Hirst
  • Shelley, Medusa, and the Perils of Ekphrasis /
  • Grant F. Scott
  • Bare versus Prismatic Style: Newton, Piranesi and Eighteenth-Century Theories of Abstraction in Art and Science /
  • Barbara Maria Stafford
  • Pigment into Light: Turner, and Goethe's 'Theory of Colours' /
  • Gerald Finley
  • The Contemplative Mode /
  • Murray Roston
  • The Clarity of the Mysterious and the Obscurity of the Familiar: Friedrich and Turner /
  • Karl Kroeber
  • "... As if one's Eyelids had been Cut Away": Imagination in Turner, Friedrich, and David /
  • Jörg Traeger
  • Back Matter
  • Index /
  • Frederick Burwick and Jürgen Klein
  • Illustrations /
  • Frederick Burwick and Jürgen Klein.