Interart Poetics : Essays on the Interrelations of the Arts and Media /

In this anthology are gathered 28 essays, devoted to the interrelations of the arts and media. They present together the current state of the emerging field of Interart Studies. The contributors - Stephen Greenblatt, Claus Clüver, Erika Fischer-Lichte, John Neubauer, Steven Paul Scher, Walter Bernha...

Full description

Saved in:

Other Authors: Hedling, Erik (Editor), Lagerroth, Ulla-Britta (Editor), Lund, Hans (Editor)

Format: eBook

Language: English

Published: Leiden ; Boston : Brill, 1997.

Series: Faux Titre ; 131.
Literature and Cultural Studies - Book Archive pre-2000.

Subjects:

Online Access: Login to view Source

Tags: Add Tag

No Tags, Be the first to tag this record!

Call Number: N72.M28

Table of Contents:
  • Front Matter
  • Preliminary Material /
  • Ulla-Britta Lagerroth , Hans Lund , and Erik Hedling
  • Introduction: Towards a Poetics of Interart Discourse /
  • Ulla-Britta Lagerroth , Hans Lund , and Erik Hedling
  • The Interart Moment /
  • Stephen Greenblatt
  • Ekphrasis Reconsidered On Verbal Representations of Non-Verbal Texts /
  • Claus Clüver
  • Verbal Frames and Ekphrastic Figuration /
  • Tamar Yacobi
  • New Perspectives in a Love Triangle "Ondine" in Musical Ekphrasis /
  • Siglind Bruhn
  • Rilke's Poetical Figures /
  • Arne Melberg
  • Performance as Art - Art as Performance /
  • Erika Fischer-Lichte
  • Museum-Stage The Frames Move into the Exhibition Hall /
  • Willmar Sauter
  • Beyond Interart? Displacing the Grand Narrative of Performer-Viewer-Art Object /
  • Lena Hammergren
  • "Everything Represents, Nothing Is" Some Relations between Ingmar Bergman's Films and Theatre Productions /
  • Maaret Koskinen
  • Extra-Terrestrial Novels /
  • Claes-Göran Holmberg
  • Tales of Hoffmann and Others On Narrativizations of Instrumental Music /
  • John Neubauer
  • Cardillac, the Criminal Artist A Challenge to Opera as a Musico-Literary Form /
  • Walter Bernhart
  • Mozart - an Epistolary Aesthetician? /
  • Steven Paul Scher
  • How to Read an Opera Some Methodological Remarks with Examples Drawn from Mozart's Zauberflöte /
  • Ulrich Weisstein
  • Søren Kierkegaard's Aestheticist and Mozart's Don Giovanni /
  • Nils Holger Petersen
  • William Gilpin The Poetics of Picturesque (Painterly) Perception and Representation /
  • Lauren S. Weingarden
  • Reviving the Medieval Model The Cathedrals of Claude Monet, Joris-Karl Huysmans and Claude Debussy /
  • Stephanie A. Moore
  • Image-Text Intersections Baudelaire and "Bénédiction" /
  • Eric T. Haskell
  • E. E. Cummings and the Reader Technique as Critique /
  • Michael Webster
  • Interart as a Deconstructive Device Word-Image Syncopation in Matisse's Jazz /
  • Kathleen Lundeen
  • Mute Narratives New Issues in the Study of Pictorial Texts /
  • Göran Sonesson
  • Innovation, Sex and Spatial Structure Examples from Mallarmé, Manet and the late Nineteenth Century /
  • Penny Florence
  • Alchemy and Interart /
  • Mona Sandqvist
  • The Common Deep Structure of Verbal and Iconic Metaphors /
  • Eli Rozik
  • Intermediality A Plea and Some Theses for a New Approach in Media Studies /
  • Jürgen E. Müller
  • Man, Body Movement and Time in the New Media of Art /
  • Jan-Gunnar Sjölin
  • The Eternal Network Mail Art, Intermedia Semiotics, Interarts Studies /
  • Eric Vos
  • History and Hyberbole Towards an Archeology of Interactive Systems /
  • Thomas Elsaesser
  • Back Matter
  • Notes on Contributors /
  • Ulla-Britta Lagerroth , Hans Lund , and Erik Hedling
  • Index /
  • Ulla-Britta Lagerroth , Hans Lund , and Erik Hedling.