From Onomatodoxy to Aesthetics: Aleksei Losev's Concept of Symbol /
In From Onomatodoxy to Aesthetics: Aleksei Losev's Concept of Symbol , Teresa Obolevitch analyzes the category of symbol in broad historical and philosophical context, with a focus on Losev's exploration of symbol over his prolific and tragic career. A survivor of the Stalinist camps, Lose...
Main Author:
Format: eBook
Language: English
Published:
Leiden ; Boston :
Brill,
2025.
Series:
Contemporary Russian Philosophy ;
7.
Religious Studies, Theology and Philosophy E-Books Online, Collection 2025.
Subjects:
Online Access: Login to view Source
Tags: Add Tag
Call Number: PZ7.S588
| LEADER | 04521nam a22004818i 4500 | ||
|---|---|---|---|
| 001 | BRILL9789004721999 | ||
| 003 | nllekb | ||
| 005 | 20250515095716.0 | ||
| 006 | m d | ||
| 007 | cr un uuuua | ||
| 008 | 250404s2025 gw sb 001 0 eng d | ||
| 020 | |a 9789004721999 |q (electronic book) | ||
| 020 | |z 9789004721982 |q (print) | ||
| 024 | 7 | |a 10.1163/9789004633544 |2 DOI | |
| 035 | |z (OCoLC)1483639796 | ||
| 040 | |a NL-LeKB |c NL-LeKB |e rda | ||
| 041 | |a eng | ||
| 050 | 4 | |a PZ7.S588 | |
| 072 | 7 | |a HPN |2 bicssc | |
| 072 | 7 | |a PHI |x 001000 |2 bisacsh | |
| 082 | 0 | 4 | |a 100 |2 23 |
| 100 | 1 | |a Obolevitch, Teresa, |e author. | |
| 245 | 1 | 0 | |a From Onomatodoxy to Aesthetics: Aleksei Losev's Concept of Symbol / |c Teresa Obolevitch. |
| 264 | 1 | |a Leiden ; |a Boston : |b Brill, |c 2025. | |
| 264 | 4 | |c ©2025 | |
| 300 | |a 1 online resource (385 pages) : |b illustrations. | ||
| 336 | |a text |b txt |2 rdacontent | ||
| 337 | |a computer |b c |2 rdamedia | ||
| 338 | |a online resource |2 rdacarrier | ||
| 490 | 1 | |a Contemporary Russian Philosophy ; |v 7 | |
| 490 | 1 | |a Religious Studies, Theology and Philosophy E-Books Online, Collection 2025 | |
| 504 | |a Includes bibliographical references and index. | ||
| 505 | 0 | |t Contents -- List of Figures and Tables -- Note on Transliteration -- Introduction -- 1 The Twentieth-Century Debate over Onomatodoxy, and Its Participants -- 1 The History of the Debate -- 2 Aleksei Losev: the Man and His Work -- 2 Patristic Foundations of Imiaslavie -- 1 Apophasis and Its Philosophical Premises -- 2 Divine Names and Energies -- 3 Eastern Christian Symbolism -- 4 Interpretation of the Patristic Doctrine of the Divine Name in Russian Philosophy -- 3 Platonic Determinants of Onomatodoxy as Interpreted by Losev -- 1 A Thesis about God's Immanence and Platonism -- 2 Losev's Characterization of the Platonic "Idea" -- 3 The One-Good as the Principle of Reality -- 4 Platonic Symbolism -- 4 The Structure of the Name -- 1 Antinomy between Freedom and Necessity -- 2 Ancient Concepts of the Inner and Outer Aspects of the Word, and Their Interpretation among the Name Glorifiers -- 3 Losev's Dialectic of the Name -- 4 Synergism between Divine and Human Energies -- 5 The Origin of the Name -- 1 The Ontological Foundation of the Name -- 2 The World as a Name -- 3 The Symbolism of the Cosmos -- 6 The Mythic Nature of the Name -- 1 Losev's Analysis of Mythology -- 2 Myth and Symbol -- 3 Absolute Mythology-Christianity -- 4 Indispensability of Myth -- 7 The Open Structure of the Symbol -- 1 The "Logic" of the Symbol -- 2 The Symbol as a Category of Expression -- 3 The Symbol as Interpretation of Reality -- 8 The Symbol in Aesthetics -- 1 Losev's Definition of Aesthetics -- 2 The Symbol in Art -- 3 Philosophy of Music -- 4 The Symbol in Mathematics -- 5 Philosophy of Expression as Philosophy Par Excellence -- Afterword -- Bibliography -- Index. | |
| 520 | |a In From Onomatodoxy to Aesthetics: Aleksei Losev's Concept of Symbol , Teresa Obolevitch analyzes the category of symbol in broad historical and philosophical context, with a focus on Losev's exploration of symbol over his prolific and tragic career. A survivor of the Stalinist camps, Losev is recognized as the "last classic" of Russian Silver Age philosophy. This book addresses Losev's critical role within the divisive debate over onomatodoxy (imiaslavie), or the divine name, which occupied the minds of Russian thinkers in the early nineteenth century. Obolevitch presents the ancient and patristic roots of onomatodoxy and elucidates its importance for Losev's work in a range of fields, including aesthetics, mathematics, philosophy of language, and religion. Losev's work revolves around the possibility of expressing reality in language and his conception of symbol reflects both the apophatic aspect of Logos, as well as the possibility for new interpretations of reality. | ||
| 546 | |a English | ||
| 588 | |a Description based on print version record. | ||
| 650 | 0 | |a Philosophy. | |
| 776 | 0 | 8 | |i Print version: |t From Onomatodoxy to Aesthetics: Aleksei Losev's Concept of Symbol. |d Leiden ; Boston : Brill, 2025. |z 9789004721982 |
| 830 | 0 | |a Contemporary Russian Philosophy ; |v 7. | |
| 830 | 0 | |a Religious Studies, Theology and Philosophy E-Books Online, Collection 2025. | |
| 856 | 4 | |z DOI: |u http://dx.doi.org/10.1163/9789004721999 | |
| 942 | |2 lcc |c EBOOK | ||
| 999 | |c 60873 |d 60873 | ||
