The Modeller : Adriaen de Vries in Search of the viva figura /

"In these days the most famous modeller": this is how the Dutch sculptor Adriaen de Vries (1556-1626) was characterised in 1621. A virtuoso modeller, De Vries explored new ways to enliven his art. His bronze sculptures were made in a radically new, sketchy style, with free figure compositi...

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المؤلف الرئيسي: Scholten, Frits (مؤلف)

التنسيق: كتاب الكتروني

اللغة: English

منشور في: Leiden ; Boston : Brill, 2025.

سلاسل: Early Modern History and Modern History E-Books Online, Collection 2025.
Studies in Netherlandish Art and Cultural History ; 19.

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رقم الطلب: NB653.V74

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300 |a 1 online resource (428 pages) :  |b illustrations. 
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490 1 |a Early Modern History and Modern History E-Books Online, Collection 2025 
490 1 |a Studies in Netherlandish Art and Cultural History ;  |v 19 
504 |a Includes bibliographical references and index. 
505 0 |t Front Matter -- Preliminary Material /  |r Frits Scholten -- Chapter 2 Orefice to sculptor nuovo /  |r Frits Scholten -- Chapter 3 Wax: ex caera formatas /  |r Frits Scholten -- Chapter 4 A Loose and Careless Style /  |r Frits Scholten -- Chapter 5 Imperfetto and non-finito : Perfection in the Imperfect /  |r Frits Scholten -- Chapter 6 Vivezza, Skin and Touch: between the Seen and Unseen /  |r Frits Scholten -- Chapter 7 Pose and Movement: the viva figura /  |r Frits Scholten -- Chapter 8 Turning the Farnese Bull /  |r Frits Scholten -- Chapter 9 Living Bronze /  |r Frits Scholten -- Chapter 10 Epilogue: Plasticity, Movement, and the Loose Style as a Sign of Modernity /  |r Frits Scholten -- Back Matter -- Notes /  |r Frits Scholten -- Bibliography /  |r Frits Scholten. 
520 |a "In these days the most famous modeller": this is how the Dutch sculptor Adriaen de Vries (1556-1626) was characterised in 1621. A virtuoso modeller, De Vries explored new ways to enliven his art. His bronze sculptures were made in a radically new, sketchy style, with free figure compositions and a vigorous treatment of human anatomy, often balancing on the border between realism and distortion. This book explores how and why a Late-Renaissance sculptor broke so drastically with the prevailing stylistic paradigm of his time, in search of vivezza, natural liveliness, and the viva figura, the statue on the brink of coming to life. Adriaen de Vries aimed to create sculptures that move in the metaphorical no-man's land between death and life, back and forth from inert bronze to apparent vitality, as this study will argue. 
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830 0 |a Studies in Netherlandish Art and Cultural History ;  |v 19. 
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