In Conversation : Intention and Innovation in Eighteenth-Century Display /
At the beginning of the eighteenth century, a generation of collectors in France and the Holy Roman Empire developed new principles for the display of paintings, principles based on comparison triggered by the mixture of schools and periods; its aim was to encourage analysis and connoisseurship thro...
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Format: eBook
Language: English
Published:
Leiden ; Boston :
Brill,
2026.
Series:
Early Modern History and Modern History E-Books Online, Collection 2025.
Studies in the History of Collecting & Art Markets ;
23.
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Call Number: N5305
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| 100 | 1 | |a Holmes, Mary Tavener, |e author. | |
| 245 | 1 | 0 | |a In Conversation : |b Intention and Innovation in Eighteenth-Century Display / |c Mary Tavener Holmes and Christoph Martin Vogtherr. |
| 246 | 3 | |a Intention and Innovation in Eighteenth-Century Display | |
| 264 | 1 | |a Leiden ; |a Boston : |b Brill, |c 2026. | |
| 264 | 4 | |c ©2026 | |
| 300 | |a 1 online resource (452 pages) : |b illustrations. | ||
| 336 | |a text |b txt |2 rdacontent | ||
| 337 | |a computer |b c |2 rdamedia | ||
| 338 | |a online resource |2 rdacarrier | ||
| 490 | 1 | |a Early Modern History and Modern History E-Books Online, Collection 2025 | |
| 490 | 1 | |a Studies in the History of Collecting & Art Markets ; |v 23 | |
| 504 | |a Includes bibliographical references and index. | ||
| 505 | 0 | |t Acknowledgements IX -- List of Figures -- Introduction -- 1 Social Spaces: Displaying and Discussing Paintings in Eighteenth-Century European Collections -- 2 A New Theoretical Framework -- 3 The Vanishing Role of Iconography -- 4 Setting the Stage: Vienna and Versailles at the Beginning of the Eighteenth Century -- Part 1: Pioneers of the New Principles -- Introduction to Part 1 -- 1 Lothar Franz Graf Schönborn at Pommersfelden, Schloss Weißenstein -- 2 Eugen Prince of Savoy at Vienna, Upper Belvedere -- 3 Philippe II, Duc d'Orléans at Paris, Palais Royal -- 4 Pierre Crozat at Paris, rue de Richelieu -- Part 2: New Approaches by Private Collectors -- Introduction to Part 2 -- 5 Jeanne-Baptiste d'Albert, Comtesse de Verrue at Paris, rue du Cherche-Midi -- 6 Jean de Jullienne at Paris, rue des Gobelins -- 7 François Berger at Paris, rue Saint-Marc -- 8 Etienne-François, Duc de Choiseul at Paris, rue de Richelieu -- Part 3: Rulers and Institutions -- Introduction to Part 3 -- 9 Elector Friedrich August II of Saxony / August III King of Poland at Dresden, Stallhof -- 10 The Electors Palatine at Düsseldorf, Schloss, and at Mannheim, Schloss -- 11 The French Royal Collection at Paris, Palais du Luxembourg -- 12 The Académie Royal de Peinture et de Sculpture at the Salon, Paris, Palais du Louvre -- 13 Abel-François Poisson de Vandières, Marquis de Marigny et de Menars at Paris, rue Saint-Thomas-du-Louvre -- 14 Friedrich II King of Prussia at Potsdam, Schloss Sanssouci and Bildergalerie -- Part 4: The British Contribution -- Introduction to Part 4 -- 15 Sir Robert Walpole at Houghton Hall -- 16 Thomas Coke, Earl of Leicester at Holkham Hall -- 17 John Stuart, 3rd Earl of Bute at Luton Hoo -- Part 5: On the Verge of the Museum Age -- Introduction to Part 5 -- 18 The Imperial Collection at Vienna, Upper Belvedere -- Conclusion: Principles of Eighteenth-Century Paintings Displays -- Bibliography. | |
| 520 | |a At the beginning of the eighteenth century, a generation of collectors in France and the Holy Roman Empire developed new principles for the display of paintings, principles based on comparison triggered by the mixture of schools and periods; its aim was to encourage analysis and connoisseurship through comparison and conversation. The ground-breaking theories of Roger de Piles were central to this novel approach, and essential to its understanding. These principles were predominant until the 1780s. This book examines case studies in France, the German Empire and the UK that exemplify these new principles. | ||
| 546 | |a English | ||
| 588 | |a Description based on print version record. | ||
| 650 | 0 | |a Architecture. | |
| 650 | 0 | |a Art History. | |
| 650 | 0 | |a Art Theory. | |
| 700 | 1 | |a Vogtherr, Christoph Martin, |e author. | |
| 776 | 0 | 8 | |i Print version: |t In Conversation : Intention and Innovation in Eighteenth-Century Display. |d Leiden ; Boston : Brill, 2026. |z 9789004732858 |
| 830 | 0 | |a Early Modern History and Modern History E-Books Online, Collection 2025. | |
| 830 | 0 | |a Studies in the History of Collecting & Art Markets ; |v 23. | |
| 856 | 4 | |z DOI: |u http://dx.doi.org/10.1163/9789004732865 | |
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| 999 | |c 61287 |d 61287 | ||