An Essay on the Origin of the South Indian Temple /
Dravidian art is one of the visible features which defines the South Indian form of architecture. Initially, Gramadevata was the South Indian village deity that was revered, as temples were not prevalent during the ancient times, particularly during the pre-Sangam and Sangam periods. Similarly, grav...
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Format: eBook
Language: English
Published:
Leiden ; Boston :
Brill | Manohar Publishers & Distributors,
2024.
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Call Number: NA6001
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| 100 | 1 | |a Ramanayya, N. Venkata, |e author. | |
| 245 | 1 | 0 | |a An Essay on the Origin of the South Indian Temple / |c N. Venkata Ramanayya. |
| 264 | 1 | |a Leiden ; |a Boston : |b Brill | Manohar Publishers & Distributors, |c 2024. | |
| 264 | 4 | |c ©2024 | |
| 300 | |a 1 online resource (124 pages) : |b illustrations. | ||
| 336 | |a text |b txt |2 rdacontent | ||
| 337 | |a computer |b c |2 rdamedia | ||
| 338 | |a online resource |2 rdacarrier | ||
| 504 | |a Includes bibliographical references and index. | ||
| 505 | 0 | |t Preliminary Material / |r N. Venkata Ramanayya -- Introductory / |r N. Venkata Ramanayya -- The Sacred Tree / |r N. Venkata Ramanayya -- The Pre-Historic Graves / |r N. Venkata Ramanayya -- The Stone Ring or the Magic Circle / |r N. Venkata Ramanayya -- The Toda Āzârams and the Primitive Temples / |r N. Venkata Ramanayya -- The Primitive Temple and the Temple of the Village Deity / |r N. Venkata Ramanayya -- The Origin of the Vimana / |r N. Venkata Ramanayya -- The Buddhist Origin of the Hindu Temple / |r N. Venkata Ramanayya -- The Extent of the Buddhist Indebtedness / |r N. Venkata Ramanayya -- The Extent of the Buddhist Indebtedness / |r N. Venkata Ramanayya -- The Hindu Temple and the Buddhist Temple / |r N. Venkata Ramanayya -- The Pallavas and the South Indian Temple / |r N. Venkata Ramanayya -- The Dolmen Temple and the Toda Boath / |r N. Venkata Ramanayya -- The Vimanas of Different Types / |r N. Venkata Ramanayya -- The Conclusion / |r N. Venkata Ramanayya -- Index / |r N. Venkata Ramanayya. | |
| 520 | |a Dravidian art is one of the visible features which defines the South Indian form of architecture. Initially, Gramadevata was the South Indian village deity that was revered, as temples were not prevalent during the ancient times, particularly during the pre-Sangam and Sangam periods. Similarly, gravesites and stone rings were also seen as sites of worship. However, in the later period, the proto-Dravidian architectural style was developed under the Todas. With the emergence of dynasties in the early medieval period, such as Cholas, Pallavas, Cheras, Pandyas, and other ancient South Indian kingdoms, temple architecture began to develop rapidly. The author marks some of the prime features of the South Indian temple architecture, such as the origins and different forms of vimana. This book also covers the intersection between Buddhism and Hinduism, and how Buddhist architecture gave rise to the South Indian temple architecture. | ||
| 546 | |a English | ||
| 588 | |a Description based on print version record. | ||
| 650 | 0 | |a Religion. | |
| 650 | 0 | |a Temples |z India. | |
| 776 | 0 | 8 | |i Print version: |t An Essay on the Origin of the South Indian Temple. |d Leiden ; Boston : Brill | Manohar Publishers & Distributors, 2024. |z 9789360807559 |w (OCoLC)1492568371 |
| 856 | 4 | |z DOI: |u http://dx.doi.org/10.1163/9789004753273 | |
| 942 | |2 lcc |c EBOOK | ||
| 999 | |c 61423 |d 61423 | ||
