Bharatanatyam Evolves : From Temple to Theatre and Back Again /
Bharatanatyam is currently one of the most popular Indian classical dance styles, performed throughout India and the world. It originated in southern India, where it was taught by males and performed by female Devadasis, both of whom belonged to the same caste. Traditionally, the dance was associate...
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التنسيق: كتاب الكتروني
اللغة: English
منشور في:
Leiden ; Boston :
Brill | Manohar Publishers & Distributors,
2018.
الموضوعات:
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رقم الطلب: GV1796.B4
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| 024 | 7 | |a 10.1163/9789004754010 |2 DOI | |
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| 050 | 4 | |a GV1796.B4 | |
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| 100 | 1 | |a Gaston, Anne-Marie, |e author. | |
| 245 | 1 | 0 | |a Bharatanatyam Evolves : |b From Temple to Theatre and Back Again / |c Anne-Marie Gaston. |
| 246 | 3 | |a From Temple to Theatre and Back Again | |
| 264 | 1 | |a Leiden ; |a Boston : |b Brill | Manohar Publishers & Distributors, |c 2018. | |
| 264 | 4 | |c ©2018 | |
| 300 | |a 1 online resource (180 pages) : |b illustrations. | ||
| 336 | |a text |b txt |2 rdacontent | ||
| 337 | |a computer |b c |2 rdamedia | ||
| 338 | |a online resource |2 rdacarrier | ||
| 504 | |a Includes bibliographical references and index. | ||
| 505 | 0 | |t Preliminary Material / |r Anne-Marie Gaston -- Illustrations / |r Anne-Marie Gaston -- Preface: My Life in Indian Dance / |r Anne-Marie Gaston -- Acknowledgements / |r Anne-Marie Gaston -- Introduction / |r Anne-Marie Gaston -- How Bharatanatyam Developed / |r Anne-Marie Gaston -- The Structure of the Dance / |r Anne-Marie Gaston -- Repertoire / |r Anne-Marie Gaston -- Gesture and Expression: Abhinaya in Modern Bharatanatyam / |r Anne-Marie Gaston -- Banis (Styles) of Bharatanatyam / |r Anne-Marie Gaston -- The Recreation of Dance: Hindu Temples as Inspiration / |r Anne-Marie Gaston -- Dance Performances at the Madras Music Academy / |r Anne-Marie Gaston -- Notes from the Chennai Winter Festivals, 2011-2015 / |r Anne-Marie Gaston -- The Past is the Future / |r Anne-Marie Gaston -- Glossary / |r Anne-Marie Gaston -- Bibliography / |r Anne-Marie Gaston -- Index / |r Anne-Marie Gaston. | |
| 520 | |a Bharatanatyam is currently one of the most popular Indian classical dance styles, performed throughout India and the world. It originated in southern India, where it was taught by males and performed by female Devadasis, both of whom belonged to the same caste. Traditionally, the dance was associated with Hindu temples and courts and was performed in a variety of sacred and secular settings. Since the early twentieth century, both practitioners of and venues for the dance have expanded. It is now taught and performed globally by people from all castes and nationalities, including teachers and dancers of all genders and religions. Most performances are now public events presented on the concert stage. Anne-Marie Gaston traces the development of Bharatanatyam from its religious and secular roots. She gives details of the teachers who were most influential in the transmission of the dance from traditional to modern practitioners and discusses the role of different interpretations (banis). By describing traditional and modern performances and choreography, she traces changes in the repertoire and presentation that have taken place during the post-revival era. Trends in performances at the MMA, considered the most important venue for Bharatanatyam, are described. Comments from the author's in-depth studies of Bharatanatyam, as both performer and academic, give a historical perspective to the current manifestation of the dance. Her observations are drawn especially from recitals at the Madras Winter Festivals, 2011-15. The volume is profusely illustrated with the author's own photographs. | ||
| 546 | |a English | ||
| 588 | |a Description based on print version record. | ||
| 650 | 0 | |a Bharata natyam. | |
| 650 | 0 | |a Dance |x Religious aspects |x Hinduism. | |
| 776 | 0 | 8 | |i Print version: |t Bharatanatyam Evolves : From Temple to Theatre and Back Again. |d Leiden ; Boston : Brill | Manohar Publishers & Distributors, 2018. |z 9788193560976 |w (OCoLC)1049618365 |
| 856 | 4 | |z DOI: |u http://dx.doi.org/10.1163/9789004754010 | |
| 942 | |2 lcc |c EBOOK | ||
| 999 | |c 61463 |d 61463 | ||