When West Met East : Gandharan Art Revisited /

When West Met East: Gandhāran Art Revisited is based on hitherto unpublished or partly published sculptures and artefacts from Gandhāra and Greater Gandhāra dispersed in public and private collections across Asia, Europe, and the United States. Its subject is a form of figurative sculpture that emer...

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Main Author: Bopearachchi, Osmund (Author)

Format: eBook

Language: English

Published: Leiden ; Boston : Brill | Manohar Publishers & Distributors, 2020.

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Call Number: NB1007.G3

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100 1 |a Bopearachchi, Osmund,  |e author. 
245 1 0 |a When West Met East :  |b Gandharan Art Revisited /  |c Osmund Bopearachchi. 
246 3 |a Gandharan Art Revisited 
264 1 |a Leiden ;  |a Boston :  |b Brill | Manohar Publishers & Distributors,  |c 2020. 
264 4 |c ©2020 
300 |a 1 online resource (452 pages) :  |b illustrations. 
336 |a text  |b txt  |2 rdacontent 
337 |a computer  |b c  |2 rdamedia 
338 |a online resource  |2 rdacarrier 
504 |a Includes bibliographical references and index. 
505 0 |t Preliminary Material /  |r Osmund Bopearachchi -- Introduction /  |r Osmund Bopearachchi -- Gandhāran Art in a Cross-fertilized Context /  |r Osmund Bopearachchi -- Life of the Buddha from the Birth to the First Sermon /  |r Osmund Bopearachchi -- Utpalavarṇā and the Descent of the Buddha from the Trāyastriṃśa Heaven /  |r Osmund Bopearachchi -- World of Bodhisattvas: Maitreya and Avalokiteśvara /  |r Osmund Bopearachchi -- Hindu Gods and the Emergence of Viṣṇu: Nārāyaṇa Imagery in Gandhāran Art /  |r Osmund Bopearachchi -- Conclusion /  |r Osmund Bopearachchi -- Catalogue /  |r Osmund Bopearachchi -- Bibliography /  |r Osmund Bopearachchi -- Index /  |r Osmund Bopearachchi. 
520 |a When West Met East: Gandhāran Art Revisited is based on hitherto unpublished or partly published sculptures and artefacts from Gandhāra and Greater Gandhāra dispersed in public and private collections across Asia, Europe, and the United States. Its subject is a form of figurative sculpture that emerged in the Gandhāran region between the second and fifth centuries ce and reflects regional cross-cultural elements arising from its direct relationship with Buddhism and to some extent Hinduism, as both flourished in India at the time of the Ku]sā]n Empire. The author's 'Introduction' presents the historical foundation of the innovative artistic expressions that characterize the singularity of Gandhāran art. The first chapter covers the cross-fertilized nature of the art and examines how Western artistic inspirations were transformed into new forms of art to narrate stories of Indian origin. The second chapter argues that Gandhāran artists followed the chronological sequence established in the Sanskrit Lalitavistara, or pre-existing texts which may have inspired this sacred book, when depicting the scenes of the life of the Blessed One starting with the descent of the future Buddha from Tu]sita Heaven up to the first sermon in the deer park. Singling out one particular episode in the Buddha's life, the descent from the Trāyastri`mśa Heaven to Sā`mkāśya, the third chapter focuses on the literary sources that inspired Gandhāran artists. The fourth chapter addresses the question of the first depictions of the Bodhisattvas Maitreya and Avalokiteśvara in Gandhāran art. And, finally, the fifth chapter looks at the symbolism behind the presence of Hindu gods in Gandhāran art. 
546 |a English 
588 |a Description based on print version record. 
650 0 |a Art, Gandhara  |x History. 
650 0 |a Buddhist art  |z Gandhara (Pakistan and Afghanistan)  |x History. 
650 0 |a Buddhist sculpture  |z Gandhara (Pakistan and Afghanistan)  |x History. 
650 0 |a Sculpture, Gandhara  |x History. 
776 0 8 |i Print version:  |t When West Met East : Gandharan Art Revisited.  |d Leiden ; Boston : Brill | Manohar Publishers & Distributors, 2020.  |z 9788194496243  |w (OCoLC)1184122287  |w (DLC) 2020328869 
856 4 |z DOI:   |u http://dx.doi.org/10.1163/9789004752153 
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