The Imperial Aesthetic: Photography, Samuel Bourne and the Indian Peoples in the Post-Mutiny Era /

Samuel Bourne (1834-1912) is one of the best well-known Victorian English commercial photographers to have worked in British India, where he sojourned from 1863 to 187. Soon after his arrival he started a business with the experienced photographer Charles Shepherd. Within a few years, the firm Bourn...

Full description

Saved in:

Main Author: Guégan, Xavier (Author)

Format: eBook

Language: English

Published: Leiden ; Boston : BRILL, 2026.

Series: Photography in Asia ; 3.
Asian Studies E-Books Online, Collection 2026.

Subjects:

Online Access: Login to view Source

Tags: Add Tag

No Tags, Be the first to tag this record!

Call Number: N5305

Description
Summary:Samuel Bourne (1834-1912) is one of the best well-known Victorian English commercial photographers to have worked in British India, where he sojourned from 1863 to 187. Soon after his arrival he started a business with the experienced photographer Charles Shepherd. Within a few years, the firm Bourne & Shepherd became recognised as being a directing influence over British-Indian photography. Their work provides a valuable tool to evaluate the Victorian representations of India, the setting of a colonial mind. The Imperial Aesthetic: Photography, Samuel Bourne and the Indian Peoples in the Post-Mutiny Era focuses on Bourne's commercial and artistic photographs of the Indian population, produced during successive field trips he undertook in the 186s and the portraits taken by his firm until Shepherd's departure at the end of the 187s. It engages with the relationship between colonial ethnography and photography, and reflects on the balance between aesthetic, cultural and political considerations in the aftermath of the 'Mutiny'.
Physical Description:1 online resource (190 pages) : illustrations.
Bibliography:Includes bibliographical references and index.
ISBN:9789004750814