New Kingdom Graffiti in Dahshur, Pyramid Complex of Senwosret III: Preliminary Report. Graffiti Uncovered in Seasons 1992–2010 /
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The Middle Kingdom (ca. 2010–1670 BCE) pyramid complex of Senwosret III at Dahshur contained a number of New Kingdom (ca. 1560–1080 BCE) hieratic inscriptions in its different structures. The texts proffer unique evidence for the study of the history of the pyramid complex, as well as of Egyptian literate culture, especially its relation to the uses of the past, and to sacred and ritual spaces. Relations between visual and written culture can also be observed with the help of graffiti that are placed in close contact with preceding decoration of the funerary complex. The preliminary report offers a summary of state of research, a description of hitherto uncovered graffiti corpus, and a perspective on interpretation of visitors’ graffiti in the pyramid complex of Senwosret III.
Ancient Egypt transformed : the Middle Kingdom /
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The Middle Kingdom (ca. 2030-1700 B.C.), the second great era of ancient Egyptian culture, was a transformational period during which the artistic conventions, cultural principles, religious beliefs, and political systems formed during earlier dynasties were developed and reimagined. This comprehensive volume presents a detailed picture of the art and culture of the Middle Kingdom, arguably the least known of Egypt's three kingdoms yet a time of remarkable prosperity and unprecedented change. International specialists present new insights into how Middle Kingdom artists refined existing forms and iconography to make strikingly original architecture, statuary, tomb and temple relief decoration, and stele. Thematic sections explore art produced for different strata of Egyptian society, including the pharaoh, royal women, the elite, and the family, while other chapters provide insight into Egypt's expanding relations with foreign lands and the themes of Middle Kingdom literature. More than 250 objects from major collections around the world are sumptuously illustrated, many with new photography undertaken specifically for this catalogue.
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Catalog of an exhibition held at the Metropolitan Museum of Art, New York, October 12, 2015-January 24, 2016. :
xix, 379 pages : illustrations (some color), color maps ; 31 cm. :
Includes bibliographical references (pages 337-367) and index. :
1588395642
9781588395641
Offerings to the discerning eye : an Egyptological medley in honor of Jack A. Josephson /
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Egyptologist Jack A. Josephson, a writer and researcher in the tradition of the "gentleman scholar," has achieved broad recognition as an authority in Egyptian art history. His lucid investigative analyses have probed and redefined the limits of inquiry, expanded research parameters, and broadened perspectives, emphasizing the undeniable contributions of art history in an intra-disciplinary framework. This volume of collected essays is dedicated to Josephson by distinguished friends and colleagues, a select roster including eminent, established scholars in the field of Egyptology and rising stars of the younger generation. Josephson views Egyptian art history as a critical but neglected area of study, and is a strong proponent of its reinstatement in the academic curriculum as an essential component in the formation of new cadres. The quality of the articles in this Egyptological medley is a tribute to the honoree and an affirmation of the esteem of his peers, while the range of subjects and variety of themes addressed reflect the degree to which he has, in his own scholarship, undertaken to implement his ideal.
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"Bibliography of Jack A. Josephson": pages [xv]. :
1 online resource. :
Includes bibliographical references and indexes. :
9789047441090 :
Available to subscribing member institutions only.
The stones of the pyramids : provenance of the building stones of the Old Kingdom pyramids of Egypt /
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"German archaeological institute. Cairo Department." :
v, 167 pages : illustrations (some color), maps (some color) ; 23 cm. :
Includes bibliographical references and index. :
9783110221237 :
https://catalog.loc.gov/vwebv/staffView?searchId=24033&recPointer=0&recCount=25&searchType=0&bibId=16069767
shimaa
The Barque of Wenut-Shemau at the Sed-Festival: An Old Kingdom Temple Relief from Herakleopolis /
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In the collection of the University of Pennsylvania Museum is a limestone relief depicting a king at life-size engaged in a boat ritual as part of the Sed-festival. Discovered in 1904 at Herakleopolis, this object can be dated, based on context, iconography, and style to the early Old Kingdom. Only the upper part of this monumental relief is preserved and the name of the king does not survive. However, the associated labels show that the scene depicted a king, accompanied by Iunmutef, receiving the barque of the goddess Wenut-Shemau, or Nekhbet, at the Sed-festival. This relief, reused in the foundations of the Twelfth Dynasty at Herakleopolis derives from what was evidently a large-format tableau of Sed-festival scenes in a royal cult complex of the Old Kingdom. The relief is a forerunner to scenes in the Twentieth Dynasty tomb of Setau at El Kab depicting the arrival of Wenut-Shemau at the site of the Sed-festival. The ceremonial mooring of the barques of Wadjet and Nekhbet at the Sed-festival may form a central, but hitherto unrecognized, element of the Sed-festival. The closest surviving parallels to the Herakleopolis scene occur in fragmentary reliefs from the Valley Temple of Sneferu at Dahshur. Attribution is proposed to Huni, Sneferu or Khufu. The Sed-festival block may have been transported to Herakelopolis from one of the Memphite pyramid complexes, or from Meidum, during the early Twelfth Dynasty. Alternatively, the relief may derive from an early Old Kingdom royal complex at Herakelopolis itself, possibly originating in a mortuary complex of Huni that once stood at that site. doi: http://dx.doi.org/10.5913/jarce.53.2017.a007
Middle Kingdom Palace Culture and Its Echoes in the Provinces : Regional Perspectives and Realities /
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"Middle Kingdom Palace Culture and Its Echoes in the Provinces addresses the significant gaps that remain in scholarly understanding about the origins and development of Egypt's "Classical Age". The essays in this volume are the end result of a conference held at the University of Jaén in Spain to study history, archaeology, art, and language of the Middle Kingdom. Special attention is paid to provincial culture, perspectives, and historical realities. The distinguished group of Egyptologists from around the world gathered to consider the degree of influence that provincial developments played in reshaping the Egyptian state and its culture during the period. This volume aims to take a step towards a better understanding of the cultural renaissance, including the ideological transformations and social reorganization that produced the Middle Kingdom"--
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This collection of essays is the result of a conference dedicated to the study of Palace Culture and its Echoes in the Provinces in Middle Kingdom Egypt, held at the University of Jaén in Spain on June 2-3, 2016--Introduction. :
1 online resource. :
Includes bibliographical references and index. :
9789004442825
9789004442818