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From the Greeks to the Arabs and Beyond : Volume I: Graeco-Syriaca and Arabica /
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From the Greeks to the Arabs and Beyond written by Hans Daiber, is a six volume collection of Daiber's scattered writings, journal articles, essays and encyclopaedia entries on Greek-Syriac-Arabic translations, Islamic theology and Sufism, the history of science, Islam in Europe, manuscripts and the history of oriental studies. The collection contains published (since 1967) and unpublished works in English, German, Arabic, Persian and Turkish, including editions of Arabic and Syriac texts. The publication mirrors the intercultural character of Islamic thought and sheds new light on many aspects ranging from the Greek pre-Socratics to the Malaysian philosopher Naquib al-Attas. A main concern is the interpretation of texts in print or in manuscripts, culminating in two catalogues (Vol. V and VI), which contain descriptions of newly discovered, mainly Arabic, manuscripts in all fields. Vol. I: Graeco-Syriaca and Arabica . Vol. II: Islamic Philosophy . Vol. III: From God's Wisdom to Science : A. Islamic Theology and Sufism ; B. History of Science . Vol. IV: Islam, Europe and Beyond: A. Islam and Middle Ages ; B. Manuscripts - a Basis of Knowledge and Science ; C. History of the Discipline ; D. Obituaries ; E. Indexes . Vol. V: Unknown Arabic Manuscripts from Eight Centuries - Including one Hebrew and Two Ethiopian Manuscripts: Daiber Collection III . Vol. VI: Arabic, Syriac, Persian and Latin Manuscripts on Philosophy, Theology, Science and Literature. Films and Offprints: Daiber Collection IV .
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1 online resource. :
Includes bibliographical references and index. :
9789004441774
9789004441750
The Arabic version of Tusi's Nasirean ethics : with an introduction and explanatory notes /
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Naṣīr al-Dīn Ṭūsī's (d. 672/1274) Nasirean Ethics is the single most important work on philosophical ethics in the history of Islam. Translated from the original Persian into Arabic in 713/1313, the present text was primarily intended for the Arabic-speaking majority of the people in Iraq. A fine example of medieval Persian-to-Arabic translation technique, this first edition carefully reproduces Middle Arabic elements that can be found throughout the text.
:
1 online resource. :
Includes bibliographical references and index. :
9789004307506 :
Available to subscribing member institutions only.
Annals of the caliphs' kitchens : Ibn Sayyār al-Warrāq's tenth-century Baghdadi cookbook /
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Written nearly a thousand years ago, al-Warraq's cookbook is the most comprehensive work of its kind. This traditional cookbook with more than 600 recipes from the luxurious cuisine of medieval Islam is also a rare guide to the contemporary culinary culture. Its numerous anecdotes and poems unfold the role of food in the politics of Islam's golden era. Introducing this elegant translation is a thorough survey of the period and its food culture. An extensive Glossary, in Arabic and English, of medieval ingredients and dishes, and an Appendix of historical figures provide the necessary reference tools for this work. Making this key resource available in English for the first time to scholars and the general reader fills a gap in the cultural history of medieval Islam. Over 30 color illustrations.
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1 online resource. :
Includes bibliographical references (p. [843]-849) and indexes. :
9789047423058 :
Available to subscribing member institutions only.
Arab painting : text and image in illustrated Arabic manuscripts /
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Arab painting, preserved mainly in manuscript illustrations of the 12th to 14th centuries, is here treated as an artistic corpus fully deserving of appreciation in its own terms, and not as a mere precursor to Persian painting. The book assembles papers by a distinguished list of scholars that illuminate the variety of material that survives in scientific as well as literary manuscripts. Because of the contexts in which the paintings appear, a major theoretical concern is, precisely, the relationship of painting to text. It rejects earlier scholarly habits of analysing paintings in isolation, and proposes the integration of text and image as a more satisfactory framework within which to elucidate the characteristics and functions of this impressive body of work.
Arab painting, preserved mainly in manuscript illustrations of the 12th to 14th centuries, is here treated as an artistic corpus fully deserving of appreciation in its own terms, and not as a mere precursor to Persian painting. The book assembles papers by a distinguished list of scholars that illuminate the variety of material that survives in scientific as well as literary manuscripts. Because of the contexts in which the paintings appear, a major theoretical concern is, precisely, the relationship of painting to text. It rejects earlier scholarly habits of analysing paintings in isolation, and proposes the integration of text and image as a more satisfactory framework within which to elucidate the characteristics and functions of this impressive body of work.
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Includes addenda and corrigenda. :
1 online resource. :
Includes bibliographical references and index. :
9789004236615 :
0169-9423 ; :
Available to subscribing member institutions only.
A Handbook of Modern Arabic Historical Scholarship on the Ancient and Medieval Periods /
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A Handbook of Modern Arabic Historical Scholarship on the Ancient and Medieval Periods presents 16 studies about modern Arab academic scholarship on the Ancient and Medieval Worlds covering disciplines as diverse as Assyriology and Mamluk studies as well as historiographical schools in the Arab World. This unique work is the first of its kind in any language. It is an important resource for scholars and students of the Ancient Near East and North Africa, Classical and Byzantine studies, and medieval Islamic history who would like to learn more about the work done by their colleagues in the Arab World in these fields over the last 7 decades and to benefit from Arabic secondary sources in their research. دليل الدراسات العربية الحديثة حول العصور القديمة والوسيطة يحتوي هذا الكتاب على 61 بحثا حول الدراسات الأكاديمية المتعلّقة بتاريخ العصور القديمة والوسيطة في العالم العربي، وتغطي هذه الأبحاث تخصصات علمية متنوعة منها الدراسات المسمارية والدراسات المملوكية، إضافةً إلى بعض المدارس التاريخية العربية المعاصرة. الكتاب فريد من نوعه والأول في كافة اللغات، ويُشكّل مصدرا هاما للباحثين والطلبة في دراسات الشرق الأدنى القديم وشمال إفريقيا في العصور القديمة والدراسات الكلاسيكية والبيزنطية والتاريخ الإسلامي الوسيط، وكذلك للمهتمين بعلمي التاريخ والآثار في الدول العربية.
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1 online resource. :
Includes bibliographical references and index. :
9789004460089
9789004460072
Tārīkh-i Āl-i Saljūq dar Ānāṭūlī /
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The Saljuqs were a Turco-Muslim dynasty which ruled over Persia and parts of Central Asia and the Middle East from the 11th through the 13th century. After the death of Malikshāh I in 485/1092, the Great Saljuq empire was dissolved among his quarreling descendants, leading to the emergence of a whole series of smaller Saljuq states in Central Asia, Persia, Asia Minor, Syria, and Iraq. In Asia Minor, the Saljuqs of Rūm established themselves definitely with the coming to power of Qilič Arslan I in Konya in 485/1092. The Rūm Saljuqs continued their reign with different degrees of success, unison, and independence from other powers until the beginning of the 14th century. The present present work, a Persian history of the Saljuqs with an emphasis on the Saljuqs of Rūm, was written in Konya, around 756/1355. Rich in information, it is only second to the Mukhtaṣar of Ibn Bībī's (d. after 1285) Saljūq-nāma.
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1 online resource. :
9789004402225
9789649073392
A Jewish philosopher of Baghdad : 'Izz al-Dawla Ibn Kammuna (d. 683/1284) and his writings /
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For a long time, the study of the life and work of the Jewish thinker ʿIzz al-Dawla Ibn Kammūna (d. 683/1284) remained limited to a very small number of texts. Interest in Ibn Kammūna in the Western Christian world dates back to the 17th century, when Barthélemy d'Herbelot (1624-1695) included information on two of Ibn Kammūna's works - his examination of the three faiths ( Tanqīḥ al-abḥāth li-l-milal al-thalāt ), id est Judaism, Christianity and Islam, and his commentary on Avicenna's al-Ishārāt wa l-tanbīhā t - in his Bibliothèque orientale . Subsequent generations of Western scholars were focused on Ibn Kammūna's Tanqīḥ al-abḥāth , whereas his fame in the Eastern lands of Islam was based exclusively on his philosophical writings. These include a commentary on the Kitāb al-Talwīḥāt by the founder of Illumationist philosophy, Shihāb al-Dīn al-Suhrawardī (d. 587/1191) and numerous independent works on philosophy and logic. Since most of the manuscripts of Ibn Kammūna's philosophical writings are located in the public and private libraries of Iran, Iraq, and Turkey, they were (and are) out of reach for the majority of Western scholars. The volume gives a detailed account of the available data of Ibn Kammūna's biography, provides an outline of his philosophcial thought and studies in detail the reception of his thought and his writings among later Muslim and Jewish philosophers. An inventory of his entire œuvre provides detailed information on the extant manuscripts. The volume furthermore includes editions of nine of his writings.
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Includes editions of 9 texts by Ibn Kammuna, in Arabic. :
1 online resource. :
Includes bibliographical references (p. [245]-263) and indexes. :
9789047409632 :
0169-8729 ; :
Available to subscribing member institutions only.
Aux origines du classicisme, Calligraphes et bibliophiles au temps des dynasties mongoles (Les Ilkhanides et les Djalayirides 656-814 / 1258-1411).
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Cet ouvrage explore une période charnière de l'histoire du livre islamique et iranien: la période mongole envisagée dans le long terme, sous les dynasties ilkhanide et djalayiride. Il étudie la question de la maturation de la calligraphie arabe classique à travers la vie et l'œuvre de Yāqūt al-Mustaʿṣimī qui sont, pour la première fois, soumises à une analyse systématique, mettant en avant l'importance de son école et des maîtres bagdadiens pour les arts du livre des décennies suivantes. L'ouvrage se penche aussi sur les manuscrits des Ilkhans musulmans et du vizir Rashīd al-Dīn dans le cadre de la problématique de la naissance de la kitābkhānah et de l'affirmation du statut des calligraphes et des peintres sous les derniers Ilkhanides et les Djalayirides. This book explores a pivotal period in the history of the book in the Islamic world and Iran, id est the Mongol period viewed in a long-term perspective, under the Ilkhanid and the Djalayirid dynasties. It examines the issue of the maturation of classical Arabic calligraphy through the life and work of Yāqūt al-Mustaʿṣimī, which are for the first time subjected to a systematic analysis, highlighting the importance of his school and the Baghdadi masters for the arts of the book of the following decades. The study also looks at the manuscripts of the Muslim Ilkhans and the Vizier Rashīd al-Dīn in the context of the birth of the kitābkhānah and the rise in the status of calligraphers and painters under the last Ilkhanids and the Djalayirids.
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1 online resource. :
9789004369788
Jaghrāfiyā-yi Ḥāfiẓ-i Abrū. Volume 2 : Mushtamil bar jaghrāfiyā-yi tārīkhi-yi Midītirana...
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Ḥāfiẓ Abrū (d. 833/1430) was a Timurid historian who spent the greater part of his active life in Herat. An accomplished chess-player, he was a regular guest at the court of the chess-loving Tīmūr Lang (d. 807/1405). His works were all commissioned by Tīmūr's son Shāhrūkh (d. 850/1447), whom he had joined at his court in Herat after his accession to the throne in 807/1405. The Jaghrāfiyā is of special interest because in the parts on Fārs, Kirmān,Transoxania and Khurāsān, geographical data-often collected personally by him during military campaigns in which he took part-are supplemented with much valuable historical information. The three volumes published here contain the first of the two books of which the Jaghrāfiyā is composed, treating of Kirmān (vol. 3), Fārs (vol. 2), and the known world to the west of these (including Arabia), with separate listings of mountains, rivers, lakes and seas (vol.1 , beginning vol. 2). 3 vols; volume 2.
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Series statements from Jacket. :
1 online resource. :
9789004402348
9789646781245
An Ottoman Cosmography : Translation of Cihānnümā /
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Cihānnümā is the summa of Ottoman geography and one of the axial texts of Islamic intellectual history. Kātib Çelebi (d. 1657) sought to combine the Islamic geographical tradition with the new European discoveries, atlases and surveys. His cosmography included a comprehensive description of the regions of the world, extending westward from Japan and as far as the eastern Ottoman provinces. Ebū Bekr b. Behrām ed-Dimaşḳī (d. 1691) continued with a survey of the Arab countries and the remaining Ottoman provinces of Anatolia. İbrāhīm Müteferriḳa combined the two, with additional notes and maps of his own, in one of the earliest Ottoman printed books, Kitāb-ı Cihānnümā (1732). Our translation includes the entire text of Müteferriḳa's edition, distinguishing clearly between the contributions of the three authors. Based on Kātib Çelebi's original manuscript we have made hundreds of corrections to Müteferriḳa's text. Additional corrections are based on comparison with Kātib Çelebi's Arabic, Persian, Turkish, Latin and Italian sources.
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1 online resource. :
Includes bibliographical references and index. :
9789004441330
9789004441323
Kitāb al-adwār fi ʼl-mūsīqī : Tarjuma-yi Fārsī bih inḍimām-i matn-i ʿArabi-yi ān /
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In his younger years, the famous musician and theorist of music Ṣafī al-Dīn al-Urmawī (d. 683/1294) seemed destined for an administrative career. Having moved to Baghdad as an adolescent, he had received a first-class education, excelling in Arabic, calligraphy, and Shāfīʿī and comparative law especially. For a time he was a copyist in the library of the caliph al-Mustaʿṣim (reg. 640-56/1242-58) and a teacher of calligraphy. His talents as a lute-player and musician then led to a brilliant career at al-Mustaʿṣim's court. Under al-Mustaʿṣim he also held juridical office, while under the Mongols he was head of the chancery of Baghdad and supervisor of the religious endowments of Iraq. Administrative talents notwithstanding, it was in musical theory that Urmawī secured himself eternal fame. Innovative and concise, yet complete, his Kitāb al-adwār fi ʼl-mūsīqī became the most popular textbook in music for centuries. An undated, anonymous Persian translation is published here, together with the Arabic original.
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1 online resource. :
9789004402782
9789646781627
Lady E.S. Drower's scholarly correspondence : an intrepid English autodidact in Iraq /
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An edition of the scholarly letters of the English Lady E. S. Drower, famous for her novels, travel accounts, and studies in the Middle East, especially on the Mandaeans. Drower (1879‐1972) kept up a lively correspondence with scholars, and the letters here span the years 1938 to the mid 1960s. It presents a window on Near Eastern studies in the mid 20th century, from the viewpoint of an autodidact insisting on, and succeeding in, a place among the academics.. Correspondence with many famous scholars and intellectuals are included, such as Cyrus H. Gordon, Rudolf Macuch, Sidney H. Smith, Godfrey R. Driver, Samuel H. Hooke, and Franz Rosenthal. The letters focus on four of Lady Drower's main books: The Book of the Zodiac (1949), Water into Wine (1956), A Mandaic Dictionary (with Rudolf Macuch, 1963), and Drowers hoped for, crowning achievement: the presumably lost, large manuscript, Mass and Masiqta .
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1 online resource. :
Includes bibliographical references and index. :
9789004222472 :
0169-8834 ; :
Available to subscribing member institutions only.
Rasāʾil-i Ḥazīn-i Lāhijī /
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Born into a wealthy intellectual family in Isfahan, Muḥammad ʿAlī b. Abī Ṭālib, better known as Ḥazīn Lāhijī (d. 1180/1766), was a particularly gifted child. Greatly stimulated by his father, he received a varied education: from literature and the traditional Islamic sciences to mysticism, logic, philosophy and more. Until the siege of Isfahan by the Afghans in 1135/1722, Ḥazīn lived mostly in that city. He then fled the capital, leading a wandering existence in Persia, Arabia and Iraq. Ten years later and seeing no future for Persia, he left the country for good to settle in India, dying in Benares, aged 74. Ḥazīn is mostly famous as a poet and intellectual who left his imprint on India's Persian-speaking, ruling élites. His attractive prose-pieces on a wide variety of subjects, from Qurʾān interpretation and knowledge of the soul to pearl-diving and the lifting of weights, are much less known. The present volume aims to fill this gap.
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1 online resource. :
9789004401808
9789649073330
The origins of visual culture in the Islamic world : aesthetics, art and architecture in early Islam /
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"In tenth-century Iraq, a group of Arab intellectuals and scholars known as the Ikhwan al-Safa began to make their intellectual mark on the society around them. A mysterious organisation, the identities of its members have never been clear. But its contribution to the intellectual thought, philosophy, art and culture of the era - and indeed subsequent ones - is evident. In the visual arts, for example, Hamdouni Alami argues that the theory of human proportions which the Ikwan al-Safa propounded (something very similar to those of da Vinci), helped shape the evolution of the philosophy of aesthetics, art and architecture in the tenth and eleventh centuries CE, in particular in Egypt under the Fatimid rulers. With its roots in Pythagorean and Neoplatonic views on the role of art and architecture, the impact of this theory of specific and precise proportion was widespread. One of the results of this extensive influence is a historic shift in the appreciation of art and architecture and their perceived role in the cultural sphere. The development of the understanding of the interplay between ethics and aesthetics resulted in a movement which emphasised more abstract and pious contemplation of art, as opposed to previous views which concentrated on the enjoyment of artistic works (such as music, song and poetry). And it is with this shift that we see the change in art forms from those devoted to supporting the Umayyad caliphs and the opulence of the Abbasids, to an art which places more emphasis on the internal concepts of 'reason' and 'spirituality'. Using the example of Fatimid art and views of architecture (including the first Fatimid mosque in al-Mahdiyya, Tunisia), Hamdouni Alami offers analysis of the debates surrounding the ethics and aesthetics of the appreciation of Islamic art and architecture from a vital time in medieval Middle Eastern history, and shows their similarity with aesthetic debates of Italian Renaissance." -- Publisher's website.
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xiii, 184 pages : illustrations, plans ; 23 cm. :
Includes bibliographical references and index. :
1784530409
9781784530402
Jaghrāfiyā-yi Ḥāfiẓ-i Abrū. Volume 3 : Mushtamil bar jaghrāfiyā-yi tārīkhi-yi Kirmān u Hurmūz /
:
Ḥāfiẓ Abrū (d. 833/1430) was a Timurid historian who spent the greater part of his active life in Herat. An accomplished chess-player, he was a regular guest at the court of the chess-loving Tīmūr Lang (d. 807/1405). His works were all commissioned by Tīmūr's son Shāhrūkh (d. 850/1447), whom he had joined at his court in Herat after his accession to the throne in 807/1405. The Jaghrāfiyā is of special interest because in the parts on Fārs, Kirmān,Transoxania and Khurāsān, geographical data-often collected personally by him during military campaigns in which he took part-are supplemented with much valuable historical information. The three volumes published here contain the first of the two books of which the Jaghrāfiyā is composed, treating of Kirmān (vol. 3), Fārs (vol. 2), and the known world to the west of these (including Arabia), with separate listings of mountains, rivers, lakes and seas (vol.1 , beginning vol. 2). 3 vols;volume 3.
:
Series statements from Jacket. :
1 online resource. :
9789004402362
9789646781252
Louis Massignon et la mystique musulmane : Analyse d'une contribution à l'islamologie /
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À la faveur d'éléments historiques et biographiques inédits, cet ouvrage offre une analyse approfondie de l'œuvre consacrée par Louis Massignon (1883-1962) à la mystique musulmane. Il souligne l'importance de certaines découvertes de l'islamologue pour les études islamiques concernant la période formative du soufisme. Plus encore, ce livre sonde le regard porté par Massignon sur les vocations mystiques en islam et examine à la lumière des travaux récents sa vision de la « sainteté » et de la figure d'al-Ḥallāj (mort en 309/922). Par suite, ce travail fait émerger la question de la posture du chercheur en sciences des religions ainsi que celle des précautions à adopter afin que sa subjectivité ne reconstruise pas le réel, mais l'éclaire et le révèle. This book provides an extensive analysis of the work of Louis Massignon (1883-1962) on Muslim mysticism, based on previously unpublished historical and biographical elements. It highlights the importance for Islamic Studies of certain discoveries made by the Islamicist concerning the formative period of Sufism. More than that, this book probes Massignon's view of mystical vocations in Islam and examines, in the light of recent work, his vision of "holiness" and the figure of al-Ḥallāj (d. 309/922). This work opens, more broadly, the question of the posture of the researcher in the study of religion and the precautions to be adopted so that their subjectivity does not reconstruct reality, but illuminates and reveals it.
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1 online resource (450 pages) : illustrations. :
Includes bibliographical references and index. :
9789004548176