parallel arts » parallel arab (توسيع البحث), parallel texts (توسيع البحث), parallel jens (توسيع البحث)
from function » form function (توسيع البحث), from fiction (توسيع البحث), forms function (توسيع البحث)
Cult and Ritual in Persian Period Egypt : An Analysis of the Decoration of the Cult Chapels of the Temple of Hibis at Kharga Oasis /
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"Ancient Egyptian temple walls expressed royal and political ideologies, reflected the ancient Egyptian secular and spiritual world order, supplied a medium for the reenactments of assorted myths, and implied a metaphor for the universe. The Temple of Hibis is one of the most important temples from Late Period Egypt. Despite the conventional overall architecture plan of the temple, it exhibits numerous particularities. While the more prominent parts of the temple, such as the sanctuary, have been studied by numerous scholars, in other areas the decoration schemes remain largely unexplained. This book focuses on the decorative schemes of several chapels in the earlier part of the temple, chapels that were either established and/or were decorated during the first Persian Period (525-404 BCE). These chapels were located around the main sanctuary A, but have rarely been the subject of scholarly discussions. It concentrates on a few chapels of the Temple of Hibis: chapels F and G to the south of sanctuary A on the first level of the temple and all the decorated chapels, E1, E2, H1, and H2, on the second level of the temple. Each chapter begins with a brief description of the scenes and their basic layout and a complete translation of the accompanying texts. A more in-depth analysis regarding both text and image follows in the commentary. It includes the analysis of the different aspects of the gods, their origins, and the development of their cults that are significant to the scenes and to each other. Also discussed are their coherence, any aspects that are especially emphasized, and any other information that could be gleaned from the whole scene. The analysis tries to detail the specific composition that makes up the mosaic of the picture, wall, or room. Attention is paid to both the scenic arrangement and the hieroglyphic inscriptions, as the interpretation of one would be meaningless without the other. Attention is given to investigating the general function of the different rooms by means of their decoration and by identifying the patterns or important themes generated by the layout of the scenes. The results are summarized in the last chapter. A number of line drawings have been inserted into the text beside a described scene as an aid to the reader"--
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xv, 294 pages : illustrations (some color), maps ; 28 cm. :
Includes bibliographical references (pages 225-264) and index. :
9781950343096
Jade-Carving Chisel and Luminous Ocean : Selected Essays by Jao Tsung-i on Literature and Related Topics /
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Jao Tsung-i's scholarship illuminated the development of classical Chinese literature from antiquity through the end of the Qing dynasty. In this volume, eight interviews with and essays by Jao are translated faithfully into English, giving a sampling of his diverse insights into literature and its broader significance. Topics range from the religious beliefs underpinning the earliest Chinese writings, to the influence of Chan Buddhism on Chinese poetics, to Gu Yanwu's (1613-1682) poetic protest against the Manchu conquest. Collectively the essays demonstrate how literary art and spiritual beliefs have been intertwined throughout Chinese history.
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1 online resource (288 pages) : illustrations. :
Includes bibliographical references and index. :
9789004523562
Islam and Muslims in Germany /
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In the European discourse of post 9/11 reality, concepts such as "Multiculturalism", "Integration" and "European Islam" are becoming more and more topical. The empirically- based contributions in this volume aim to reflect the variety of current Muslim social practices and life-worlds in Germany. The volume goes beyond the fragmented methods of minority case studies and the monolithic view of Muslims as portrayed by mass media to present fresh theoretical approaches and in-depth analyses of a rich mosaic of communities, cultures and social practices. Issues of politics, religion, society, economics, media, art, literature, law and gender are addressed. The result is a vibrant state-of-the-art publication of studies of real-life communities and individuals. Contributors are Kilian Bälz, Kea Eilers, Friedmann Eissler, Konrad Hirschler, Jeanette S. Jouili, Melanie Kamp, Matthias Kulinna, Judith Pies, Claudia Preckel, Robert Pütz, Mathias Rohe, Sabine Schiffer, Verena Schreiber, Christoph Schumann†, Wolfgang G. Schwanitz, Clara Seitz, Faruk Şen, Viola Shafik, Yafa Shanneik, Martin Sökefeld, Margrete Søvik, Levent Tezcan, Jörn Thielmann, Nikola Tietze and Maria Wurm. This book is also available in paperback .
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Includes bibliographical references and index. :
1 online resource. :
9789047430001 :
Available to subscribing member institutions only.
Three Shabtis of the Vizier Paser (UC39724-39726) /
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This paper publishes three shabti figures of the vizier Paser held in the Petrie Museum of the Egyptian Archaeology (UC39724-39726), together with another nineteen shabtis which are dispersed in four Museums (Egyptian Museum Berlin, Louvre Museum, Metropolitan Museum of Art, Penn Museum). It presents a set of criteria by which to distinguish the shabtis of the vizier Paser from those of other individuals who have the same name. It also investigates the archaeological context of these three shabtis missing from Petrie’s publication in 1935 and, using these parallels, attempts to identify their provenance. The function of the shabtis of the vizier Paser is also examined.
Le naos de Sopdou à Saft el-Henneh (CG 70021) : paléographie /
: "The present work examines the form and function of hieroglyphic signs on the naos of Sopdu from Saft el-Henneh, now in the Egyptian Museum in Cairo. This monument, dating to the 30th Dynasty and inscribed on all four sides, is of considerable epigraphic interest, as there are few similarly long inscriptions from that period. The plates show almost 1,500 signs that have been drawn especially to accompany this publication. These are grouped into 443 categories which are described in the usual format of the collection Paléographie hiéroglyphique: identification of the sign, palaeographical description with particular reference to parallels on contemporary monuments, and function. This volume on the naos of Sopdu is likewise of interest for anyone involved in the study of Egyptian art and religion in the Late Period." -- back cover. : xxxi, 237 p. : ill. ; 28 cm. : Includes bibliographical references (p. xxvii-xxxi). : 9782724706475