Arab painting : text and image in illustrated Arabic manuscripts /

Arab painting, preserved mainly in manuscript illustrations of the 12th to 14th centuries, is here treated as an artistic corpus fully deserving of appreciation in its own terms, and not as a mere precursor to Persian painting. The book assembles papers by a distinguished list of scholars that illum...

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Other Authors: Contadini, Anna.

Format: eBook

Language: English

Published: Boston : Brill, 2010.

Edition: [2nd rev. ed.].

Series: Handbook of Oriental Studies. Section 1 The Near and Middle East 90.
Brill's Companions to Middle East and Islamic Studies Online I, ISBN: 9789004389243.

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Call Number: ND2955 .A73 2010

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Summary:Arab painting, preserved mainly in manuscript illustrations of the 12th to 14th centuries, is here treated as an artistic corpus fully deserving of appreciation in its own terms, and not as a mere precursor to Persian painting. The book assembles papers by a distinguished list of scholars that illuminate the variety of material that survives in scientific as well as literary manuscripts. Because of the contexts in which the paintings appear, a major theoretical concern is, precisely, the relationship of painting to text. It rejects earlier scholarly habits of analysing paintings in isolation, and proposes the integration of text and image as a more satisfactory framework within which to elucidate the characteristics and functions of this impressive body of work.
Arab painting, preserved mainly in manuscript illustrations of the 12th to 14th centuries, is here treated as an artistic corpus fully deserving of appreciation in its own terms, and not as a mere precursor to Persian painting. The book assembles papers by a distinguished list of scholars that illuminate the variety of material that survives in scientific as well as literary manuscripts. Because of the contexts in which the paintings appear, a major theoretical concern is, precisely, the relationship of painting to text. It rejects earlier scholarly habits of analysing paintings in isolation, and proposes the integration of text and image as a more satisfactory framework within which to elucidate the characteristics and functions of this impressive body of work.
Item Description:Includes addenda and corrigenda.
Physical Description:1 online resource.
Bibliography:Includes bibliographical references and index.
ISBN:9789004236615
ISSN:0169-9423 ;
Access:Available to subscribing member institutions only.