Arab painting : text and image in illustrated Arabic manuscripts /
Arab painting, preserved mainly in manuscript illustrations of the 12th to 14th centuries, is here treated as an artistic corpus fully deserving of appreciation in its own terms, and not as a mere precursor to Persian painting. The book assembles papers by a distinguished list of scholars that illum...
مؤلفون آخرون:
التنسيق: كتاب الكتروني
اللغة: English
منشور في:
Boston :
Brill,
2010.
الطبعة: [2nd rev. ed.].
سلاسل:
Handbook of Oriental Studies. Section 1 The Near and Middle East
90.
Brill's Companions to Middle East and Islamic Studies Online I, ISBN: 9789004389243.
الموضوعات:
الوصول للمادة أونلاين: Login to view Source
الوسوم: إضافة وسم
رقم الطلب: ND2955 .A73 2010
| الملخص: | Arab painting, preserved mainly in manuscript illustrations of the 12th to 14th centuries, is here treated as an artistic corpus fully deserving of appreciation in its own terms, and not as a mere precursor to Persian painting. The book assembles papers by a distinguished list of scholars that illuminate the variety of material that survives in scientific as well as literary manuscripts. Because of the contexts in which the paintings appear, a major theoretical concern is, precisely, the relationship of painting to text. It rejects earlier scholarly habits of analysing paintings in isolation, and proposes the integration of text and image as a more satisfactory framework within which to elucidate the characteristics and functions of this impressive body of work. Arab painting, preserved mainly in manuscript illustrations of the 12th to 14th centuries, is here treated as an artistic corpus fully deserving of appreciation in its own terms, and not as a mere precursor to Persian painting. The book assembles papers by a distinguished list of scholars that illuminate the variety of material that survives in scientific as well as literary manuscripts. Because of the contexts in which the paintings appear, a major theoretical concern is, precisely, the relationship of painting to text. It rejects earlier scholarly habits of analysing paintings in isolation, and proposes the integration of text and image as a more satisfactory framework within which to elucidate the characteristics and functions of this impressive body of work. |
|---|---|
| وصف المادة: | Includes addenda and corrigenda. |
| وصف مادي: | 1 online resource. |
| بيبلوغرافيا: | Includes bibliographical references and index. |
| ردمك: | 9789004236615 |
| تدمد: | 0169-9423 ; |
| وصول: | Available to subscribing member institutions only. |