Indigeneity on the Oceanic Stage : Intimations of the Local in a Globalised World /
This volume examines how Indigenous theatre and performance from Oceania has responded to the intensification of globalisation from the turn of the 20th to the 21st centuries. It foregrounds a relational approach to the study of Indigenous texts, thus echoing what scholars such as Tui Nicola Clery h...
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Format: eBook
Language: English
Published:
Leiden ; Boston :
Brill,
2025.
Series:
Cross/Cultures ;
223.
Literature and Cultural Studies E-Books Online, Collection 2025.
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Call Number: PN3030
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| 245 | 1 | 0 | |a Indigeneity on the Oceanic Stage : |b Intimations of the Local in a Globalised World / |c edited by Marc Maufort and David O'Donnell. |
| 246 | 3 | |a Intimations of the Local in a Globalised World | |
| 264 | 1 | |a Leiden ; |a Boston : |b Brill, |c 2025. | |
| 264 | 4 | |c ©2025 | |
| 300 | |a 1 online resource (339 pages) : |b illustrations. | ||
| 336 | |a text |b txt |2 rdacontent | ||
| 337 | |a computer |b c |2 rdamedia | ||
| 338 | |a online resource |2 rdacarrier | ||
| 490 | 1 | |a Cross/Cultures ; |v 223 | |
| 490 | 1 | |a Literature and Cultural Studies E-Books Online, Collection 2025 | |
| 504 | |a Includes bibliographical references and index. | ||
| 505 | 0 | |t Acknowledgments -- List of Figures -- Notes on Contributors -- Statement of Editorial Policy -- Introduction: Staging Local Indigenous Cultures in a Globalised Oceania -- Marc Maufort and David O'donnell -- 1 Taenga Mai/The Arrival: Acts of Remembering and Resistance at Aotearoa's Border -- Nicola Hyland -- 2 "There's a Gap Here": Thoughts on Four Plays that Helped Invent Māori Playwriting in Aotearoa -- Murray Edmond -- 3 Creating New Star-Paths to Traverse Disciplinary Territories -- Hilary Halba, Rua McCallum and David O'donnell -- 4 Bridging the Global Live Performance Marketplace: The Modern Māori Quartet -- James Wenley -- 5 F*ck it Up Sis: Representation and Agency in the Work of fafswag -- Sean Coyle -- 6 "The Trauma of Return" - Māori Battalion Narratives in the Theatre of Aotearoa -- David O'donnell -- 7 Kūkulu o Kahiki: Kanaka Maoli Narratives and Performance Rooted in Oceania -- Tammy Haili'ōpua Baker -- 8 Preserving Indigenous Identities in a Globalised World: The Magical Realist Vision of Tammy Hailiʻōpua Baker and Albert Wendt -- Marc Maufort -- 9 School Theatre Productions in Rapa Nui as Community Responses to Globalisation: Performances of 'A'amu Tuai at Aldea Educativa Hoŋa'a o te Mana -- Moira Fortin Cornejo -- 10 (Re)positioning an Indigenous Standpoint in Theatre Making Practices -- Liza-Mare Syron -- 11 Saibai Island Ancestral Performative Knowledge: Centring Body, Experiences and Associated Knowledge in the Twenty-First Century -- Margaret Harvey -- Index. | |
| 520 | |a This volume examines how Indigenous theatre and performance from Oceania has responded to the intensification of globalisation from the turn of the 20th to the 21st centuries. It foregrounds a relational approach to the study of Indigenous texts, thus echoing what scholars such as Tui Nicola Clery have described as the stance of a "Multi-Perspective Culturally Sensitive Researcher." To this end, it proposes a fluid vision of Oceania characterized by heterogeneity and cultural diversity calling to mind Epeli Hau'ofa's notion of "a sea of islands." Taking its cue from the theories of Deleuze and Guattari, the volume offers a rhizomatic, non-hierarchical approach to the study of the various shapes of Indigeneity in Oceania. It covers Indigenous performance from Aotearoa/New Zealand, Hawai'i, Samoa, Rapa Nui/Easter Island, Australia and the Torres Strait Islands. Each chapter uses vivid case histories to explore a myriad of innovative strategies responding to the interplay between the local and the global in contemporary Indigenous performance. As it places different Indigenous cultures from Oceania in conversation, this critical anthology gestures towards an "imparative" model of comparative poetics, favouring negotiation of cultural difference and urging scholars to engage dialogically with non-European artistic forms of expression. | ||
| 546 | |a English | ||
| 588 | |a Description based on print version record. | ||
| 650 | 0 | |a Pacific Island drama |x History and criticism. | |
| 650 | 0 | |a Performing arts |z Pacific Area |x History and criticism. | |
| 650 | 0 | |a Theater |z Pacific Area. | |
| 700 | 1 | |a Maufort, Marc, |e editor. | |
| 700 | 1 | |a O'Donnell, David, |e editor. | |
| 776 | 0 | 8 | |i Print version: |t Indigeneity on the Oceanic Stage : Intimations of the Local in a Globalised World. |d Leiden ; Boston : Brill, 2025. |z 9789004703353 |w (DLC) 2024030729 |
| 830 | 0 | |a Cross/Cultures ; |v 223. | |
| 830 | 0 | |a Literature and Cultural Studies E-Books Online, Collection 2025. | |
| 856 | 4 | |z DOI: |u http://dx.doi.org/10.1163/9789004703360 | |
| 942 | |2 lcc |c EBOOK | ||
| 999 | |c 59833 |d 59833 | ||