The Winter Missal of Arnold of Rummen : Huis van het boek, Ms. 10 A 14 /

The Hundred Years' War, the Plague, the van Artevelde uprising, conflict between a count and an aspiring count, Corpus Christi and the Eucharist--these are the context for the enigmatic manuscript studied in this book. Above all, this missal from Ghent is outstanding for its rich and inventive...

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Main Author: Watson, Carolyn Coker Joslin (Author)

Format: eBook

Language: English

Published: Leiden ; Boston : Brill, 2025.

Series: Late Antiquity and Medieval Studies E-Books Online, Collection 2024.
Library of the Written Word ; 124.

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Call Number: N7480

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245 1 4 |a The Winter Missal of Arnold of Rummen :  |b Huis van het boek, Ms. 10 A 14 /  |c Carolyn Coker Joslin Watson. 
246 3 |a Huis van het boek, Ms. 10 A 14 
264 1 |a Leiden ;  |a Boston :  |b Brill,  |c 2025. 
264 4 |c ©2025 
300 |a 1 online resource (416 pages) :  |b illustrations. 
336 |a text  |b txt  |2 rdacontent 
337 |a computer  |b c  |2 rdamedia 
338 |a online resource  |2 rdacarrier 
490 1 |a Late Antiquity and Medieval Studies E-Books Online, Collection 2024 
490 1 |a Library of the Written Word ;  |v 124 
504 |a Includes bibliographical references and index. 
505 0 |t Contents -- Acknowledgements -- List of Figures and Tables -- List of Abbreviations for Repositories -- 1 Introduction -- 1 Purpose and Contributions -- 2 Why Study Flourishing? -- 3 Flourisher-Illuminators and the Relationship of Flourishing and Painting -- 4 Identities of Flourisher-Illuminators -- 5 Models of Production -- 6 Method -- 7 The Colophons -- 8 Fourteenth-Century Flanders -- 9 The Historical Context of 10 A 14 -- 10 Overpaints and Heraldry -- 11 Overpaints and Heraldry in KBR 9427 and KBR 9217 -- 2 Contents, Codicology, and Script -- 1 The Calendar -- 2 Quires and Contents -- 3 Ruling -- 4 Script -- 5 Rubrics and Directives -- 6 Decoration -- 3 Penwork Initials and Borders -- 1 One-Line Initials -- 2 Two-Line Initials -- 3 The Initial I -- 4 Initials in Musical Notation and Three- and Four-Line Penwork Initials -- 5 Penwork Borders and Their Flourishing -- 6 Terminal Complexes -- 7 Conclusion -- 4 The Flourisher-Illuminators of the Two Campaigns -- 1 Two Campaigns and an Addendum -- 2 Scholarship on Illumination and Decoration -- 3 The First Campaign, c.1345-1355 -- 4 The First Campaign: Artist 1 -- 5 The First Campaign: Artist 2 -- 6 Collaboration between Artists 1 and 2 -- 7 The Second Campaign, c.1366 -- 8 The Second Campaign: Artist 3 -- 9 Were Artist 2 and Artist 3 the Same Person? Evidence from Penwork -- 10 The Second Campaign: Artist 4 -- 11 Parallels between the First and Second Campaigns -- 12 Conclusion -- 5 The Miniatures: Style and Iconography -- 1 Fol. 7r: the First Sunday in Advent, Ad te levavi. First Campaign, Artist 2 -- 2 Fol. 22r: the Nativity of Christ. Second Campaign, Artist 3 -- 3 Fol. 26r: the Circumcision of Christ. Second Campaign, Artist 4; Some Preliminary Drawing by Artist 2, First Campaign -- 4 Fol. 27v: the Epiphany. Second Campaign, Artist 3 -- 5 Fol. 106v: Palm Sunday: Christ Entering Jerusalem. First Campaign, Artist 2 -- 6 Fol. 139r: the Preface of the Canon for Easter. First Campaign, Artist 1 -- 7 Fol. 143v: the Crucifixion. First Campaign, Artist 2 -- 8 Fol. 144r: the Opening of the Canon of the Mass. First Campaign, Artist 1 -- 9 Fol. 151r: the Feast of St. Lucy. First Campaign, Artist 1 -- 10 Fol. 167r: the Presentation in the Temple. First Campaign, Artist 1 -- 11 Fol. 176v: the Annunciation. First Campaign, Artist 1 -- 12 Fol. 192v: the Dedication of a Church. First Campaign, Artist 1 -- 13 Were Artist 2 and Artist 3 the Same Person? Evidence from Illumination -- 14 Conclusion -- 6 The Calendar -- 1 Liège and the Mosan Region -- 2 Sint-Truiden -- 3 Ghent -- 4 Gallican Elements -- 5 England -- 6 Brussels -- 7 Cologne and Münster -- 8 The Illustration of the Calendar -- 9 Conclusion -- 7 The Origins and Formation of the Flourisher-Illuminators -- 1 Artist 1: the Loppem-Bruges Antiphonal, Tournai, Perhaps Cologne -- 2 Artist 2: Sint-Truiden -- 3 Artist 3 -- 4 Artist 4: a Follower of Artist 3 -- 5 Conclusion -- 8 The Place of Production -- 1 Brabant/Brussels -- 2 Cologne -- 3 Sint-Truiden -- 4 Ghent -- 5 Conclusion -- 9 Conclusions -- Appendices -- Appendix 1: Heraldry of Oreye, Loon, Chiny, Somerghem, Perweis, Flanders, and Brabant -- Appendix 2: Transcription of Calendar of 10 A 14 -- Appendix 3: Artist 2's Penwork Flourishing in Cycle 1 of 10 A 14 and Its Relation to Other Rummen-Group Manuscripts -- Appendix 4: Rummen-Group Manuscripts: Flourishing, Illumination, Artistic Hands, and Sources, Pts. 1-5 -- Appendix 5: Comparative Iconography of Labors of the Months -- Appendix 6: Gorgons -- Appendix 7: The Contents of 10 A 14 and Summary Description of Illumination, by Quire -- Inventories -- Inventory 1: Flourishing by Quire and Artist. 
520 |a The Hundred Years' War, the Plague, the van Artevelde uprising, conflict between a count and an aspiring count, Corpus Christi and the Eucharist--these are the context for the enigmatic manuscript studied in this book. Above all, this missal from Ghent is outstanding for its rich and inventive penwork flourishing, given life by the prayer-pulses of the text and enriched by cycles of development. The lowly two-line initial emerges as the primary locus of creative interaction between painting and flourishing. Illumination, produced by a priest and a layman, is notable for its theological richness and is enlivened by distinctive gorgons. 
546 |a English 
588 |a Description based on print version record. 
650 0 |a Art History. 
776 0 8 |i Print version:  |t The Winter Missal of Arnold of Rummen : Huis van het boek, Ms. 10 A 14.  |d Leiden ; Boston : Brill, 2025.  |z 9789004427129 
830 0 |a Late Antiquity and Medieval Studies E-Books Online, Collection 2024. 
830 0 |a Library of the Written Word ;  |v 124. 
856 4 |z DOI:   |u http://dx.doi.org/10.1163/9789004427136 
942 |2 lcc  |c EBOOK 
999 |c 60361  |d 60361