The Winter Missal of Arnold of Rummen : Huis van het boek, Ms. 10 A 14 /

The Winter Missal of Arnold of Rummen : Huis van het boek, Ms. 10 A 14 /

The Hundred Years' War, the Plague, the van Artevelde uprising, conflict between a count and an aspiring count, Corpus Christi and the Eucharist--these are the context for the enigmatic manuscript studied in this book. Above all, this missal from Ghent is outstanding for its rich and inventive...

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Main Author: Watson, Carolyn Coker Joslin (Author)

Format: eBook

Language: English

Published: Leiden ; Boston : Brill, 2025.

Series: Late Antiquity and Medieval Studies E-Books Online, Collection 2024.
Library of the Written Word ; 124.

Subjects:

Art History.

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Call Number: N7480

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Table of Contents:
  • Contents
  • Acknowledgements
  • List of Figures and Tables
  • List of Abbreviations for Repositories
  • 1 Introduction
  • 1 Purpose and Contributions
  • 2 Why Study Flourishing?
  • 3 Flourisher-Illuminators and the Relationship of Flourishing and Painting
  • 4 Identities of Flourisher-Illuminators
  • 5 Models of Production
  • 6 Method
  • 7 The Colophons
  • 8 Fourteenth-Century Flanders
  • 9 The Historical Context of 10 A 14
  • 10 Overpaints and Heraldry
  • 11 Overpaints and Heraldry in KBR 9427 and KBR 9217
  • 2 Contents, Codicology, and Script
  • 1 The Calendar
  • 2 Quires and Contents
  • 3 Ruling
  • 4 Script
  • 5 Rubrics and Directives
  • 6 Decoration
  • 3 Penwork Initials and Borders
  • 1 One-Line Initials
  • 2 Two-Line Initials
  • 3 The Initial I
  • 4 Initials in Musical Notation and Three- and Four-Line Penwork Initials
  • 5 Penwork Borders and Their Flourishing
  • 6 Terminal Complexes
  • 7 Conclusion
  • 4 The Flourisher-Illuminators of the Two Campaigns
  • 1 Two Campaigns and an Addendum
  • 2 Scholarship on Illumination and Decoration
  • 3 The First Campaign, c.1345-1355
  • 4 The First Campaign: Artist 1
  • 5 The First Campaign: Artist 2
  • 6 Collaboration between Artists 1 and 2
  • 7 The Second Campaign, c.1366
  • 8 The Second Campaign: Artist 3
  • 9 Were Artist 2 and Artist 3 the Same Person? Evidence from Penwork
  • 10 The Second Campaign: Artist 4
  • 11 Parallels between the First and Second Campaigns
  • 12 Conclusion
  • 5 The Miniatures: Style and Iconography
  • 1 Fol. 7r: the First Sunday in Advent, Ad te levavi. First Campaign, Artist 2
  • 2 Fol. 22r: the Nativity of Christ. Second Campaign, Artist 3
  • 3 Fol. 26r: the Circumcision of Christ. Second Campaign, Artist 4; Some Preliminary Drawing by Artist 2, First Campaign
  • 4 Fol. 27v: the Epiphany. Second Campaign, Artist 3
  • 5 Fol. 106v: Palm Sunday: Christ Entering Jerusalem. First Campaign, Artist 2
  • 6 Fol. 139r: the Preface of the Canon for Easter. First Campaign, Artist 1
  • 7 Fol. 143v: the Crucifixion. First Campaign, Artist 2
  • 8 Fol. 144r: the Opening of the Canon of the Mass. First Campaign, Artist 1
  • 9 Fol. 151r: the Feast of St. Lucy. First Campaign, Artist 1
  • 10 Fol. 167r: the Presentation in the Temple. First Campaign, Artist 1
  • 11 Fol. 176v: the Annunciation. First Campaign, Artist 1
  • 12 Fol. 192v: the Dedication of a Church. First Campaign, Artist 1
  • 13 Were Artist 2 and Artist 3 the Same Person? Evidence from Illumination
  • 14 Conclusion
  • 6 The Calendar
  • 1 Liège and the Mosan Region
  • 2 Sint-Truiden
  • 3 Ghent
  • 4 Gallican Elements
  • 5 England
  • 6 Brussels
  • 7 Cologne and Münster
  • 8 The Illustration of the Calendar
  • 9 Conclusion
  • 7 The Origins and Formation of the Flourisher-Illuminators
  • 1 Artist 1: the Loppem-Bruges Antiphonal, Tournai, Perhaps Cologne
  • 2 Artist 2: Sint-Truiden
  • 3 Artist 3
  • 4 Artist 4: a Follower of Artist 3
  • 5 Conclusion
  • 8 The Place of Production
  • 1 Brabant/Brussels
  • 2 Cologne
  • 3 Sint-Truiden
  • 4 Ghent
  • 5 Conclusion
  • 9 Conclusions
  • Appendices
  • Appendix 1: Heraldry of Oreye, Loon, Chiny, Somerghem, Perweis, Flanders, and Brabant
  • Appendix 2: Transcription of Calendar of 10 A 14
  • Appendix 3: Artist 2's Penwork Flourishing in Cycle 1 of 10 A 14 and Its Relation to Other Rummen-Group Manuscripts
  • Appendix 4: Rummen-Group Manuscripts: Flourishing, Illumination, Artistic Hands, and Sources, Pts. 1-5
  • Appendix 5: Comparative Iconography of Labors of the Months
  • Appendix 6: Gorgons
  • Appendix 7: The Contents of 10 A 14 and Summary Description of Illumination, by Quire
  • Inventories
  • Inventory 1: Flourishing by Quire and Artist.